Lane priscilla (15 Ergebnisse)

3 p. 8°. Waterstains. Sprache: Englisch Gewicht in Gramm: 300.

Two vintage photographs from the 1940 film, including one vintage studio still photograph and one vintage reference photograph. One with the stamp and sticker of Culver Service Photos and Research to the verso, one with a seller stamp and sticker to the verso. The sequel to "Brother Rat" (1938), following three cadets as they graduate from Virginia Military Institute and face adult life after school. Set at the Virginia Military Institute in Lexington, Virginia, and shot there on location. One photograph 8 x 10 inches, one photograph 10 x 8 inches. Very Good plus, with light edgewear and toning. …

Zustand: Good. 18mo. Cardstock. Very good. 2 pp.Colored plate of Priscilla Lane on recto, actor biography and Sherman's Pools advertisement on verso.

Three vintage photographs from the 1938 film, including two vintage reference photographs and one portrait photograph. One with the stamp of Dell Publishing Company to the verso, and one with the stamps of the New York Public Library Picture Collection and Reference Department / Theatre Collection to the border and verso. Based on the 1936 play. Three cadets become friends at the Virginia Military Institute, where they lightheartedly play pranks and break rules. Actor Eddie Albert's debut feature film, and the set on which future husband and wife Ronald Reagan and Jane Wyman would meet. Set at the Virginia Military Institute in Lexington, Virginia, and shot there on location. 10 x 8 inches. Very Good plus, with light soil and edgewear.…

Zustand: Sehr gut. Standard Version. B4043-79 3259190257221 Altersfreigabe FSK ab 16 Jahre Sprache: Deutsch Gewicht in Gramm: 84 DVD, Maße: 13.5 cm x 1.5 cm x 19 cm.

Zustand: Sehr gut. B3450-180 7321921650253 Sprache: Deutsch Gewicht in Gramm: 100 DVD, Maße: 19 cm x 13.5 cm x 1.5 cm.

Zustand: Good. Original pictorial wraps. 18.2 x 25.8cm. 34pp.The Motion Picture Library was a pioneering bilingual film publication launched in Tokyo in post-WWII Japan (1946-1948). Aimed at bridging American pop culture and Japanese audiences, it printed full English scripts, actor profiles, and bilingual synopses of imports like Casablanca.The emergence of these bilingual or heavily translated film resources during the mid-1940s marked a dramatic cultural shift. Following wartime censorship and the total ban of foreign films, the sudden influx of Hollywood movies under the Supreme Commander for the Allied Powers (SCAP) created a boom in cine-literacy. ."M?shon pikuch? raiburar?" wa, dainijisekaitaisengo no Nihon (1946-nen ? 1948-nen) ni oite, T?ky? de s?kan sa reta senku-tekina bairingaru eiga shuppan-monodeatta. Amerika no poppukaruch? to Nihon no kankyaku to no kakehashi to naru koto o mezashi, d?shi wa "Kasaburanka" nado no yuny? eiga ni tsuite, kanzen'na eigo kyakuhon, haiy? no purof?ru, soshite nichiei taiyaku no arasuji o keisai shite ita. 1940-Nendai nakaba ni okeru, k?shita bairingaru aruiwa ?habana hon'yaku o hodokoshita eiga kanren shiry? no t?j? wa, gekitekina bunka-teki tenkan o sh?ch? suru monodeatta. Senji-ch? no ken'etsu ya gaikoku eiga no zenmen kinshi o hete, reng?-koku saik? shirei-kan s? shirei-bu (SCAP) no t?chi-ka de Hariuddo eiga ga totsujotoshite tairy? ni ry?ny? shita koto wa, eiga riterash? (eiga o yomitoku chikara) e no kanshin o ikkini takameru b?mu o makiokoshita nodearu.??????????????????????????????????1946??1948??????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????1940????????????????????????????????????????????????????????????????????????????????????????????????SCAP????????????????????????????????????????????????????????????????????????.).…

Second Revised Draft script for the 1940 film. Specially bound copy belonging to screenwriter Jerry Wald, with his name in gilt on the bottom of the front board. Jerry Wald is best remembered for his long and successful association with Warner Brothers as both a screenwriter and producer of a number of notable films, including "Mildred Pierce" (1945), "Humoresque" (1946), "Key Largo" (1948), and "Flamingo Road" (1949). In the 1950s he moved to Twentieth Century-Fox, and was the producer there for "An Affair to Remember" (1957), "Peyton Place" (1957), and "Sons and Lovers" (1960). Thomas Mitchell stars as a Irish New York policeman forced into retirement after 25 years on the force who must cope with his favorite daughter, played by Priscilla Lane, who is romantically involved with Dennis Morgan, the Scottish cop who he despises who has taken over his beat. Bound in maroon cloth with maroon quarter leather binding, with five raised bands and gilt titles on the spine. Distribution page present, with receipt intact. Title page present, dated December 12, 1939, with credits for screenwriters Jerry Wald and Richard Macaulay. 144 leaves, with last page of text numbered 138. Mimeograph duplication, rectos only, with blue revision pages, dated 1/6/40. Pages Near Fine, binding Very Good plus, with faint rubbing and toning.…

Revised Temporary script for the 1941 film, seen here under the working title "Miss Wheelwright Discovers America." Specially bound copy belonging to screenwriter Jerry Wald, with his name in gilt on the spine. Jerry Wald is best remembered for his long and successful association with Warner Brothers as both a screenwriter and producer of a number of notable films, including "Mildred Pierce" (1945), "Humoresque" (1946), "Key Largo" (1948), and "Flamingo Road" (1949). In the 1950s he moved to Twentieth Century-Fox, and was the producer there for "An Affair to Remember" (1957), "Peyton Place" (1957), and "Sons and Lovers" (1960). During the Great Depression, a young, working-class woman is met with an unexpected windfall when a wealthy woman decides to gift her a million dollars. Shot on location in New York and California. Bound in beige cloth with tan quarter leather binding, with five raised bands and gilt titles on the spine. Distribution page present, with receipt intact, dated 10/23/40, noted as REV. TEMP. Title page present, with credits for screenwriters Jerry Wald and Richard Macaulay. 189 leaves, with last page of text numbered 183. Mimeograph duplication on yellow stock, rectos only. Pages Near Fine, binding Good, with front hinge detached from the binding, and light offsetting on the page edges.…

Vintage portrait photograph of Norman Lloyd from the classic 1942 Hitchcock film, with a provenance stamp on the verso. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. A high spot among Alfred Hitchcock's early thrillers, and the director's only collaboration with author Dorothy Parker, who contributed to the screenplay. The film included much more location footage than most of the director's pictures, including Boulder Dam, locations in New York City including Radio City Music Hall and Rockefeller Center, and of course Liberty Island for the famed closing scene on the Statue of Liberty. 8 x 10 inches. Near Fine. Grant US. Selby US. Spicer US.…

Vintage borderless publicity photograph of Priscilla Lane by photographer Ray Jones, circa 1942, with a mimeo snipe and a studio stamp crediting photographer Jones on the verso. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. Actress and singer Priscilla Lane appeared in 23 films from 1937 to 1948, most notably in "The Roaring Twenties" (1939), "Saboteur" (1942), and "Arsenic and Old Lace" (1944). Sister of actresses Rosemary and Lola Lane. 9 x 7.25 inches. Near Fine.…

Vintage studio still photograph from the 1942 film, showing actors Robert Cummings and Priscilla Lane. Date stamp and provenance stamp on the verso. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901. Jones worked for Paramount Pictures in the early 1930s, and was the first still photographer to win an Academy Award. He went on to be the head of the still photography department at Universal Pictures, where he worked well into the 1950s. A high spot among Alfred Hitchcock's early thrillers, and the director's only collaboration with author Dorothy Parker, who contributed to the screenplay. The film included much more location footage than most of the director's pictures, including Boulder Dam, locations in New York City including Radio City Music Hall and Rockefeller Center, and of course Liberty Island for the famed closing scene on the Statue of Liberty. 10 x 8 inches. Very Good, moderately wavy on the bottom and top edges, with touch-ups on the recto.…

Three vintage publicity photographs from the 1942 film, one showing actor Alan Baxter in heavy makeup and costume as Freeman, the other two showing actors Robert Cummings and Priscilla Lane. One with a printed mimeo snipe affixed to the verso, and one with a provenance stamp on the same. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901. Jones worked for Paramount Pictures in the early 1930s, and was the first still photographer to win an Academy Award. He went on to be the head of the still photography department at Universal Pictures, where he worked well into the 1950s. A high spot among Alfred Hitchcock's early thrillers, and the director's only collaboration with author Dorothy Parker, who contributed to the screenplay. The film included much more location footage than most of the director's pictures, including Boulder Dam, locations in New York City including Radio City Music Hall and Rockefeller Center, and of course Liberty Island for the famed closing scene on the Statue of Liberty. 8 x 10 inches. Very Good to Very Good plus.…

Three vintage studio still photographs and one reference photograph from the 1939 film. All four with Cinemagence stamps on the versos. A classic in the gangster genre, following the experiences of three men through the tumultuous 1920s, starting in the final days of World War I. The third and last film to co-star Humphrey Bogart and James Cagney, following "Angels with Dirty Faces" (1938) and "The Oklahoma Kid" (1939). 10 x 8 inches. Near Fine. Criterion Collection 1208. Godard, Histoire(s) du cinema. Scorsese, A Personal Journey Through American Movies. Spicer US Antecedent.…

Vintage reference photograph taken on the set of the 1942 film, showing an elaborate ballroom scene, with director Alfred Hitchcock, cameraman Joseph Valentine, and actors Priscilla Lane and Robert Cummings in conversation in the foreground. With a printed mimeo snipe affixed to the verso. A high spot among Alfred Hitchcock's early thrillers, and the director's only collaboration with author Dorothy Parker, who contributed to the screenplay. The film included much more location footage than most of the director's pictures, including Boulder Dam, locations in New York City including Radio City Music Hall and Rockefeller Center, and of course Liberty Island for the famed closing scene on the Statue of Liberty. 10 x 8 inches. Near Fine.…