lamelas david (33 Ergebnisse)

Illustrierter Pappband. Zustand: Guter Allgemeinzustand. Katalog zur Ausstellung im Kunstmuseum Basel - Museum für Gegenwartskunst - 1. Juni - 12. Oktober 2008 - farbige z.T. ganzseitige Fotografien - 158 Seiten - in englischer Sprache - Einband mit Lagerspuren - sonst innen tadelloser Zustand Size: 19,5 x 25,4 Cm. Hardcover.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Brand New. 126 pages. 10.00x8.00x0.75 inches. In Stock.

Zustand: New. 2022. 01st Edition. Hardcover. . . . . . Books ship from the US and Ireland.

157 S. Hardcover. 4°. Sauberes Exemplar ohne Stempel und Anstreichungen. Mit zahlreichen Abbildungen und Tafeln. Originaleingeschweißt. Neuwertig. Sprache: eng.

4°, gebundene Ausgabe, 1. Auflage;. 128 Seiten, Das Buch ist in einem sehr guten Zustand. 9783777437361 Sprache: Englisch Gewicht in Gramm: 724.

[52] pp.; 21 x 24 cm.; sewn bound; black-and-white; edition size unkown; unsigned and unnumbered; offset-printed Two volume exhibition catalogue published in conjunction with two-part show held March 14 ? May 18, 2014 and May 25 ? August 3. "Other Primary Structures revisited the premise of and built upon the Museum''s seminal 1966 exhibition Primary Structures: Younger American and British Sculptors, the first American museum exhibition to survey the style now known as Minimalism. Primary Structures introduced the public to such artists as Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Walter De Maria, Robert Morris, and others--figures unknown at the time but soon to become synonymous with a radically new approach to sculpture. Nearly 50 years later, Other Primary Structures revisits this formative moment in art history while also reexamining the period from today''s far more global perspective. "Presented in two parts, the first part of the exhibition titled Others 1, examined work created between 1960 and 1967, while Others 2, on view from May 25 ? August 3, presented work created between 1967 and 1970, some of which was directly influenced by the 1966 Primary Structures exhibition at the Jewish Museum." -- publisher''s statement. This publication includes a faithful reprint of the original 1966 catalogue published in conjunction with show held April 27 - June 12, 1966. Essay by exhibition''s curator Kynaston McShine. Includes works by Carl Andre, David Annesley, Richard Artschwager, Larry Bell, Ronald Bladen, Michael Bolus, Anthony Caro, Tony DeLap, Walter de Maria, Tom Doyle, Dan Flavin, Peter Forakis, Paul Frazier, Judy Gerowitz, Daniel Gorski, David Gray, Robert Grosvenor, David Hall, Douglas Huebler, Donald Judd, Ellsworth Kelly, Phillip King, Lyman Kipp, Gerald Laing, Sol LeWitt, John McCracken, Tina Matkovic, Robert Morris, Forrest Myers, Peter Phillips, Peter Pinchbeck, Salvatore Romano, Tim Scott, Anthony Smith, Robert Smithson, Michael Todd, Anne Truitt, William Tucker, Richard Van Buren, David von Schlegell, Isaac Witkin and Derrick Woodham. A seminal exhibition. Catalogue incorporates statements by many of the participating artists along with bibliographies and biographies. Catalogue design by Elaine Lustig Cohen. The second volume includes text by Jens Hoffmann and excerpts from the transcript of a symposium, "The New Sculpture," held May 2, 1966. Artists include Rasheed Araeen, Sérgio de Camargo, Willys de Castro, Saloua Raouda Choucair, Lygia Clark, Noemí Escandel, Gego, Stanislav Kolíbal, Edward Krasinski, David Lamelas, David Medalla, Hélio Oiticica, Lygia Pape, Alejandro Puente, Norberto Puzzolo, Branko Vlahovic, Oscar Bony, Benni Efrat, Yoshida Katsuro, Stanislav Kolíbal, Susumu Koshimizu, Ivan Kozaric, Amir Nour, Juan Pablo Renzi, Nobuo Sekine, Antonieta Sosa, Juro Takamatsu, and Lee Ufan. Also includes artist biographies. New. In publisher's plastic wrap as issued.

128 pp.; 25 x 19 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Numero 1 issue of VH 101, edited by Otto Hahn,and Françoise Essellier. Essays by Otto Hahn, Peter Handke, Andy Warhol, Martial Raysse, György Ligeti, David Lamelas, Daniel Buren, Carl Andre, Michael Heizer, Piero Manzoni. Texts in French. Reference : No. A.45 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 308. Very Good. Mild bumping of corners and rubbing of covers. Slight creasing on verso. Contents clean and unmarked.

hardcover. Zustand: Good.

Gebundene Ausgabe. Zustand: Wie neu. 128 Seiten Ungelesen. Einband geringfügig berieben bzw. angestoßen. Am Schnitt als Mängelexemplar gekennzeichnet. Rechnung mit ausgew. MwSt. O_35.5 9783777437361 . Bei Mehrfachbestellungen bei uns, reduziert sich für Sie der Versandkostenanteil pro Titel. Sprache: Englisch Gewicht in Gramm: 724.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Gebunden. Zustand: New. Der Band versammelt alte und neue Werke von David Lamelas (*1946 in Buenos Aires, Argentinien), deren Narrative die Grenze zwischen fact und fiction bewusst verwischen. Skulpturale Formen, die interaktiv zur Bewegung durch Raum und Zeit einladen, werden.

Soft cover. Zustand: Fine. Small quarto, 24 pages, 17 photographic illustrations. Illustrated wrappers. - First edition. One of 3000 copies. Published on the occasion of an exhibition held in the CAYC, october 1978. With an interesting text by Glusberg who accompanies us through the fifteen years of work by Lamelas.

Buch. Zustand: Neu. Neuware - Der Band versammelt alte und neue Werke von David Lamelas (\*1946 in Buenos Aires, Argentinien), deren Narrative die Grenze zwischen 'fact' und 'fiction' bewusst verwischen. Skulpturale Formen, die interaktiv zur Bewegung durch Raum und Zeit einladen, werden vom Künstler mit Filmen und Videos verknüpft, die fiktive Räume und Identifikationen eröffnen.Lamelas, einer der Pioniere der Konzeptkunst, experimentiert in den vorgestellten Arbeiten mit konventionellen Formaten, um die Konstruktion von Erzählstrategien und Identität zu enthüllen. Dabei bedient er sich so unterschiedlicher Medien wie Skulptur, Fotografie und Film. Der präsentierte Korpus umfasst dreizehn reizvolle Projekte, die von Lamelas zwischen 1966 und 2020 in Argentinien, Europa und den Vereinigten Staaten ausgearbeitet wurden.

Paperback. Zustand: Very good in wraps. First Edition. 19 x 30cm 130pp very good paperback magazine/journal featuring texts by Harun Farocki, Rachel Harrison, David Lamelas, Mary LeClere, Mark Lewis, Manfred Pernice and The Wooster Group, with colour plus black and white reproductions.

Buch. Zustand: Neu. Life as Activity: David Lamelas | David Lamelas (u. a.) | Buch | 128 S. | Englisch | 2021 | Hirmer | EAN 9783777437361 | Verantwortliche Person für die EU: Hirmer Verlag GmbH, Sabine Herri, Bayerstr. 57-59, 80335 München, mail[at]hirmerverlag[dot]de | Anbieter: preigu.

Paperback. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Encuadernación de tapa blanda. Zustand: Bien. 23 páginas.

Paperback. Zustand: As New. 1st Edition. 187 pages, illustrated in B&W. Text in English and German by Lynda Morris, Heike Ander, David Lamels, Raul Escari and Benjamin H.D.Buchloh. - David Lamelas - a New refutation of Time - Inserted Invitation of the exhibition in the Witte De With - very fine condition. Including a facsimile of David Lamelas Publication (1997). Size: 277 x 210 Mm. Book.

Softcover. Zustand: Very Good. Immediate dispatch from Somerset. Nice book in great condition. Pages in excellent condition. Softcover. English. See images for condition. About the book >.>.> Both the work and person of David Lamelas transgress all geographic, aes-thetic and cultural limits. He has never adhered to the apparent order of the art world's norms and, in his nonchalant and scattered way, has always tested their conventionality. Since the early sixties, he has subjected the concept of 'artwork' to a veritable dissection process, redefining it as a model of communication. Lamelas's rational analyses of exhibition contexts and of the passive role imposed on the public by the mass media are cer-tainly among his most pertinent contributions. His work is one of the best examples of transition in the cultural one-way traffic of the dominant northern countries, as well as one of the motors behind its reversal. Ever moving from continent to continent, his position in the North-South discussion only became clear when he left Los Angeles in 1988 to return to Europe. In contrast to other South American artists who sought asylum from dictatorships, such as H?lio Oiticica from Brazil, Lame-las did not foc.

Slight tear on plastic covering. Sold by Kisharon Langdon, the UK charity offering support and opportunities for people with autism and disability.

paperback. Zustand: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Soft cover. Zustand: As New. 1st Edition. 23 pages illustrated in B&W photographs, text in English by Jorge Glusberg. - Fifteen Years - photographs by David Lamelas - by the Centre of Art and Communication - not dated - Soft cover; 219 x 165 mm - very fine as new copy. Book.

First Edition. Softcover. First Edition. Text in English and Spanish. Catalog for an exhibition which ran from March 21 through May 12, 1968 at the Center for Inter-American Relations in New York, in honor of the tenth anniversary of the Instituto Torcuato Di Tella in Buenos Aires. Near Fine in perfect-bound wrappers.

22 x 17 cm, 23 S. mit 17 s/w-Abbildungen, Orig.-Karton. Erste Ausgabe.- 3000 copies.- Text von Jorge Glusberg in Englisch.- Winzige Abspilitterung an Vorderdeckel, sonst schönes Exemplar.

Softcover. Zustand: Gut bis sehr gut. 136 S., zahl. s/w Abb., kart., 27 x 21 cm. Including the intended torn pages by Buren. Inklusive der vorsätzlich herausgerissenen Seiten von Buren. Minimal berieben, gebräunt und bestoßen. Insgesamt in sehr guter Erhaltung.

couverture souple. CAYC | Buenos Aires 1978 | 16.50 x 22 cm | broché | Edition originale illustrée de photographies de ce catalogue de l'exposition s'étant tenue à Buenos Aires en Octobre 1978. Agréable et rare exemplaire. | [ENGLISH DESCRIPTION FOLLOWS] First edition illustrated with photographs of this exhibition catalogue held in Buenos Aires in October 1978. Handsome and rare copy. *.

Soft cover. Zustand: Near Fine. 1st Edition. Sm.8° Ob. - 120pp Color tipped-in Plates and color & B/w reproductions. David Lamelas (1946) Argentinian artist, a key figure in the history of conceptual art and experimental film. His nomadic practice comprising film and video, performance, . First edition, text in French language. Original pictorial boards. In Nera Fine condition.

55 pp.; 35.5 x 25 cm.; loose leaves; duotone; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with Prospect 69 held September 30 - October 12, 1969. Conceived of and organized by Konrad Fischer and Hans Strelow. Edited section by Seth Siegelaub incorporates interviews with Robert Barry, Douglas Huebler, Joseph Kosuth, and Lawrence Weiner conducted individually by themselves. rovides an overview of participating galleries and their artists. Additionally includes "in unabhängiger Präsentation, da von Auswahlkomitee eingeladen, aber nicht von den PROSPECT 69 vertretenen Galerien in der Kunstalle gezeight" [in an independent presentation, as invited by the selection committee, but not shown by the galleries represented by PROSPECT 69 in the Kunsthalle]. Artists include Bernd & Hilla Becher, Hanne Darboven, Jan Dibbets, Bruno Gronen, Michael Heizer, Sol LeWitt, Richard Long, Reiner Ruthenbeck, and Niele Toroni. Additionally includes full-page images or projects by Robert Smithson (Mirror Displacement, Portland Isle, England, 1969), Charles Ross, Markus Raetz, Jean-Frédéric Schnyder, Jannis Kounellis, Eliseo Mattiacci, Stanley Brouwn, Alighero Bottti (1/2 page), Emilio Prini (1/2 page), Giuseppe Penone (1/2 page), Pier Paolo, Calzolari (1/2 page), E.P. Butler (1/2 page), Eric Orr (1/2 page), James Lee Byars (1/2 page), Paul Cotton (1/2 page), Hans Haacke, Lynda Benglis, Ron Cooper, Doug Wheeler, Giorgio Griffa, David Prentice, a double-page centerfold of blue stripes by Daniel Buren, Dennis Oppenheim, ZAJ-Gruppe, Dick Higgins, Joseph Beuys (photo by Ute Klophaus), David Lamelas, and 13 "Information" pages with advertising.Exhibition catalogue published in conjunction with Prospect 69 held September 30 - October 12, 1969. Conceived of and organized by Konrad Fischer and Hans Strelow. Edited by Seth Siegelaub. Provides an overview of participating galleries and their artists and includes interviews with Robert Barry, Douglas Huebler, Joseph Kosuth, and Lawrence Weiner. References : "Seth Siegelaub : Beyond Conceptual Art" by Leontine Coelewij, Sara Martinetti, Marja Bloem, Julia Bryan-Wilson, Jo Melvin, Götz Langkau, Matilda McQuaid, Alan Kennedy, Seth Siegelaub. Köln and Amsterdam, Germany / Netherlands : Verlag der Buchandlung Walther König / Stedelijk Museum, 2016, pp. 176-179. "Six Years, The Dematerialization of the Art Object from 1966 to 1972 : A Cross-Reference Book of Information on Some Esthetic Boundaries . / edited and annotated by Lucy R. Lippard." by Lucy R. Lippard. Praeger Publishers Inc., NY / DC : Praeger Publishers Inc., 1973, pp. 113 - 115. Very Good. Light overall aging to paper, few very small chips to lower edge of recto cover, pale time staining to verso cover. Contents clean and unmarked. An outstandingly well preserved copy of a otherwise typically fragile publication.

16.5 x 10.5cm. Hardcover with card boards, unpaginated [approx. 60pp]. Trilingual in French, English and German. The preface and afterword were written by Michel Claura. Produced by Seth Siegelaub. Participating artists include Robert Barry, Marcel Broodthaers, Stanley Brouwn, Daniel Buren, Jan Dibbets, Jean-Pierre Djian, Gilbert & George, FranÁois Guinochet, Douglas Huebler, On Kawara, David Lamelas, Sol LeWitt, Richard Long, Edward Ruscha, Robert Ryman, Niele Toroni, Lawrence Weiner, and Ian Wilson. Fragile perfect binding in boards, leading to some of the preliminary pages to come loose. Spine slightly cocked. Fair condition.