lambert alix (28 Ergebnisse)

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. S.A. Lambert (illustrator). Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Fair. 1. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Zustand: Very Good. S.A. Lambert (illustrator). Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good.

Hardcover. Zustand: Very Good. Hardcover. 121pp. Lightly edgeworn, else very good.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: As New. 160 pages, numerous black & white photographs and illustrations. U.S. orders are shipped from Lewiston, NY location.

Hardcover. Zustand: Very Good. The copy shows minor external wear, but is in otherwise clean condition.

Paperback. Zustand: Very Good. 9 x 11 in. Paper wraps. Condition is VERY GOOD ; mild edge wear, covers rubbed. Binding tight and text unmarked. Art. Stax.

hardcover. Zustand: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Zustand: Very Good. No Jacket. First Edition. Heavy, extra postage required unless posted within South Africa. The boards are a little shelf rubbed. They are strong and sturdy. Internally, clean. Tightly bound. r*22/04/2024. [ak]. Our orders are shipped using tracked courier delivery services.

Hardcover. Zustand: Good. 448 pages. Cover chipped a littleHow much do criminal acts and their representation in cinema, literature and music really have in common? Is the execution of crime in everyday life as appea ling or as inspired as creative artists have made it seem since, say, Arthur Con.

Subtitle on front cover: "A series of extraordinary Interviews exposing the world of Crime - real and imagined." - Fine condition. Guter bis sehr guter Zustand. In englischer Sprache. - Paketporto; heavyweight, additional mailing costs. (WV.06d).

183 pp.; 27.8 x 21.6 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held February 13 -May 26, 2013. Curated by Massimiliano Gioni, Gary Carrion-Murayari, Jenny Moore, and Margot Norton. Artists include Janine Antoni, Ida Applebroog, Art Club 2000, Lutz Bacher, Matthew Barney, Alex Bag, Sadie Benning, Lina Bertucci, Nayland Blake, Gregg Bordowitz, Bureau, Kathe Burkhart, Peter Cain, Larry Clark, Jessica Diamond, Patricia Cronin, John Currin, Devon Dikeou, Cheryl Donegan, Mary Beth Edelson, Nicole Eisenman, Andrea Fraser, Coco Fusco, Nan Goldin, Robert Gober, Félix González-Torres, Renée Green, Michael Joaquín Grey, Ann Hamilton, Peter Halley, David Hammons, Rachel Harrison, Todd Haynes, Mike Kelley, Byron Kim, Karen Kilimnik, Derek Jarman, Jutta Koether, Alix Lambert, Annie Leibovitz, Zoe Leonard, Sean Landers, Glenn Ligon, Sarah Lucas, Kerry James Marshall, Daniel Joseph Martinez, Marlene McCarty, Donald Moffett, Paul McCarthy, Suzanne McClelland, John Miller, Frank Moore, Christian Phillip Müller, Cady Noland, Gabriel Orozco, Kristin Oppenheim, Pepón Osorio Elizabeth, Peyton Jack Pierson, Steven Pippin, Charles Ray, Jason Rhoades, Julia Scher, Andres Serrano, Cindy Sherman, Gary Simmons, Lorna Simpson, Kiki Smith, Rudolf Stingel, Lily van der Stokker, Wolfgang Tillmans, Rirkrit Tiravanija, The Thing, Nari Ward, Gillian Wearing, Jack Whitten, Hannah Wilke, Sue Williams, and Andrea Zittel. New. As issued, in publisher-issued shrink-wrap. Due to large size and weight additional shipping charges will be required for international orders.

Zustand: New. 2003. 0th Edition. Paperback. Num Pages: 160 pages, 192 color photos. BIC Classification: AFY. Category: (G) General (US: Trade). Dimension: 279 x 216 x 14. Weight in Grams: 808. Codes of Authority, Domination and Struggle. 160 pages, illustrations. Cateogry: (G) General (US: Trade). BIC Classification: AFY. Dimension: 279 x 216 x 14. Weight: 802. . . . . . Books ship from the US and Ireland.

Zustand: Sehr gut. 1. Auflage, Englische Ausgabe. 349 Seiten. Insgesamt sehr gut: Buch wie neu, wirkt ungelesen, nur die 10 letzten Seiten leicht knickspurig. ISBN: 9780955006180 Sprache: Englisch Gewicht in Gramm: 880 Gebundene Ausgabe, Leinen, farbiger Schnitt.

Paperback. Zustand: Brand New. 159 pages. 10.75x8.50x0.75 inches. In Stock.

Hardcover. Zustand: vg. First edition. Quarto. [6], 121, [1]pp. Original photographic paper covered boards. Pictorial endpapers. Photographic title page. Dedication page inscribed and signed by the author. This first book to document Lambert's work is an image-filled compendium covering the decade-and-a-half from 1991 to 2005 with humor, incisive cultural commentary and formal accomplishment. Texts include Griffin's introduction and a discussion of Platipussy by Vice editor Amy Kellner.

Hardcover. Zustand: Fine. 2008-06-01 00:00:00 Binding: Hardcover. No jacket. Sealed in original wrapper.

128 pp.; 22.8 x 15.3 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Issue 53 of the biannual poetry and prose periodical The World. Edited by Ed Friedman and Jo Ann Wasserman. Poetry and prose by David Henderson, Sherman Alexie, Eileen Myles, Elaine Equi, Paul Violi, Carla Harryman, Amy Gerstler, Angie Mlinko, Wang Ping, Bill Luoma, Lorenzo Thomas, Merry Fortune, Richard Hell, Lewis Warsh, Elio Schneeman, Patricia Spears Jones, Connie Deanovich, Josie Foo, Jeffery Conway, Robert Hershon, Sparrow & Foamola, Tom Savage, Donna Brook, Jordan Davis, Mitch Highfill, Meena Alexander, Laurie Price, and Joe Elliot. Art by Alix Stewart Lambert. "Talk" by Amiri Baraka, Barbara Henning, and Lynne Tillman. Includes contributors notes. Good / Very Good. Rubbing of cover edges and slight curl to edge of recto and verso. Contents clean and unmarked.

Hardcover. Zustand: Brand New. illustrated edition. 352 pages. 9.00x6.25x1.75 inches. In Stock.

Kartoniert / Broschiert. Zustand: New. &Uumlber den AutorAlix Lambert is an award-winning documentary filmmaker from Los Angeles, California.KlappentextFor centuries, Russian prison inmates forcibly initiated newcomers with tattoos. Gradually, pr.

Hardcover. Zustand: Very good. Cloth/no dust jacket Octavo. orange cloth, black lettering, no dust jacket, 56 pp.

[2] pp.; 10.6 x 13.9 cm.; black-and-white; edition size unknown; unsigned and unnumbered; photocopy / xeroxed Two sided postcard / announcement published in conjunction with show held December 4, 1991 - January, 1992. Curated by Kenny Schachter. "One of his earliest exhibitions, ''''''''Unlearning,'''''''' sought precisely to turn the prevailing construct upside down. Invading a former plush Greene Street gallery, Schachter took down the velvet ropes that had kept visitors from the storerooms and offices. Art went everywhere: Rachel Harrison presented a collection of used tampons in the pristine print drawers. Schachter sold sandwiches, had a row of bus seats installed and kept the doors open seven days a week. He also showed his own work, perhaps the supreme faux pas of the gallery world." -- from "The Do-It-Yourself Dealers," by Ellen Pall in The New York Times , September 1, 1996. Artists included Kenny Schachter, Ricci Albenda, Dan Asher, Jeff Brown, Devon Dikeou, Andy Dunnill, Spencer Finch, Saskia Friedrich, Bob Goldman, Beth Haggart, Rachel Harrison, Jonathan Horowitz, Laurel Katz, Same Kunce, Simon Ungers, Jarg Geismar, David Kelleran, Alix Lambert, John Lekay, Eva Mantell, Sean Mellyn, Lois Nesbitt, Kellie O''''''''Bosky, Steven Pollack, Paul Ramirez, William Saylor, Kerri Scharlin, Frank Schroder, David Shaw, and Maura Sheehan. Good. Unsent copy. 2.4 cm. dog-ear to upper left corner of recto. 3 cm., 1 cm., and 9 mm. areas of yellow soiling to verso.