Laleen jayamanne (47 Ergebnisse)

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Used-Very Good. Some shelf-wear. Else clean copy.

Zustand: New. pp. 285.

Paperback. Zustand: Brand New. 285 pages. 8.50x5.75x0.75 inches. In Stock.

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book Contains Pencil Markings In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:0909952264.…

Zustand: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In poor condition, suitable as a reading copy. No dust jacket. Part of backstrip missing. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:0909952264.…

Soft cover. Zustand: As New. Softcover volume, measuring approximately 6.25" x 9.25", is like new. xv/315 pages. ""Toward Cinema and Its Double" brings together Laleen Jayamanne's discussions of Australian films, Sri Lankan films, European art films, silent film comedy, contemporary American films, and her own films. While some of her essays are based on formal film analysis, others include more theoretically based ways of considering films. In her studies, Jayamanne employs Walter Benjamin's and Theodor Adorno's concept of mimesis, and Gilles Deleuze's theses on cinematic time and movement as tools for thinking about the cinematic experience in new ways. "Toward Cinema and Its Double" addresses a number of issues that have been crucial areas of contention in film studies over the last 20 years―from the role of women both in front of and behind the camera, to the position of the postcolonial subject. Jayamanne demonstrates how arguments over these issues might be inflected in specific ways by specific practices in specific films. In addition, she places all these particularities in time―the time of the critic as well as that of the filmmaker. This collection contains work done over a span of 20 years, and rather than try to efface this time of writing by (re)presenting everything from a single, achieved final viewpoint, it demonstrates the way Jayamanne's own thoughts about film in general, and the various films discussed, have changed over the course of time.". …

Zustand: New. 1995. paperback. . . . . . Books ship from the US and Ireland.

Zustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Hardcover. Zustand: Very good. Cloth, no dj. Octavo. xiv, 300 pp. Some scuffing to boards. Else very sound, with clean internals. Laleen Jayamanne examines the major works of leading Indian film director, Kumar Shahani, and explores the reaches of modernist film aesthetics in its international form. More than an auteur study, Jayamanne approaches Shahani's films conceptually, as those that reveal cinema's synaesthetic capabilities, or 'cinaesthesia.' As the author shows, Shahani's cinematic project entails a modern reformulation of the ancient oral tradition of epic narration and performance in order to address the contemporary world, establishing a new cinematic expression, 'an epic idiom.' As evidenced by his films, constructing cinematic history becomes more than an archival project of retrieval, and is instead a living history of the present which can intervene in the current moment through sensory experiences, propelling thought. . …

Zustand: As New. Unread book in perfect condition.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9780253214751. …

Zustand: New. pp. 315.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In English.

Zustand: New. 2001. paperback. . . . . . Books ship from the US and Ireland.

Zustand: New. pp. 296.

Zustand: As New. Unread book in perfect condition.

Zustand: New. In English.

Zustand: As New. Unread book in perfect condition.

Zustand: New. 2014. Paperback. . . . . . Books ship from the US and Ireland.

Paperback. Zustand: Brand New. 300 pages. 8.00x5.00x1.00 inches. In Stock.

Paperback. Zustand: Brand New. 315 pages. 9.25x6.25x0.75 inches. In Stock.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Zustand: New. This volume brings together Laleen Jayamanne s discussions of Australian films, Sri Lankan films, European art films, silent film comedy, contemporary American films, and her own films. She addresses a number of issues that have been crucial areas of conten.

Zustand: As New. Unread book in perfect condition.

Zustand: New. Examines the major works of leading Indian film director Kumar Shahani and explores the reaches of modernist film aesthetics in its international form.&Uumlber den AutorLaleen Jayamanne teaches Cinema Studies in the Department of.