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Zustand: New. In.

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Zustand: New. KlappentextrnrnThis scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have.

Toulouse : Editions Encres vives, directeur : Michel Cosem. Plaquette agrafée (22,5x15,8 cm), 32 pages. Numéro spécial : Poèmes de la civilisation occitane présentés par Michel Cosem. Textes français et occitan. Bon état. Fondée par Michel Cosem en 1960, Encres vives est aujourd'hui encore une revue mensuelle et une maison d'édition de poésie. Livres.

830 pp.; 28.5 x 24 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held in 1997. Artists include Vito Acconci, Marcel Broodthaers, Lygia Clark, Ed van der Elsken, Walker Evans, Öyvind Fahlström, Armand Gatti, Jean-Luc Godard, Dan Graham, Hans Haacke, Raymond Hains, Richard Hamilton, Maria Lassnig, Hélio Oiticica, Michelangelo Pistoletto, Gerhard Richter, Nancy Spero, Garry Winogrand, Robert Adams, Art & Language, Lothar Baumgarten, James Coleman, Toni Grand, Mike Kelley, Helen Levitt, Gordon Matta-Clark, Thomas Schütte, Jeff Wall, Martin Kippenberger, Ecke Bonk, Tony Oursler, Reinhard Mucha, Erik Steinbrecher, Rem Koolhaas, Bruce Mau, Johan Grimonprez, Gabriel Orozco, Carsten Höller, Rosemarie Trockel, Olaf Nicolai, Tunga, Peter Kogler, Philip Pocock, Florian Wenz, Udo Noll, Felix Stephan Huber, Yana Milev, Suzanne Lafont, Peter Friedl, Stephen Craig, Catherine Beaugrand, Jean-Marc Bustamante, Emilio Prini, Martin Walde, Collective La ciutat de la gent, Lois Weinberger, Matthew Ngui, Christine and Irene Hohenbüchler, Aya & Gal Middle East, and Marko Peljhan. Original texts by Sandra Alvarez de Toledo, Etienne Balibar, Andrea Branzi, Benjamin Buchloh, Peter Bürger, Jean-Marie Chauvier, Daniel Defert, Werner Durth, Fabrizio Gallanti, Serge Gruzinski, David Harvey, Andreas Huyssen, Benjamin Joly, Philippe Lacoue-Labarthe, Dominique Lecourt, Alain Lipietz, Masao Miyoshi, Peter Noller, Jacques Rancière, Klaus Ronneburger, Hans-Joachim Ruckhaeberle, Saskia Sassen, Gayatri Chakravorty Spivak, Francis Strauven, Paul Sztulman, Max Welch Guerra. Includes author biographies. "For the first time in the history of documenta, the companion publication attempts to go beyond a survey and interpretation of the exhibited works of art to document and analyze the cultural development of the western world from 1945 to 1997 in a rich selection of paintings, photos, plans, sketches, maps, essays, quotations, discussions, poems, philosophical essays and manifestos. The book unites the diverse forms of expression in an impressive collage. The artists of documenta X are introduced in a number of artist's inserts. A provocative, enlivening and thoroughly current reader and reference work for anyone interested in the art and culture of our times." -- publisher's statement. Fine. Covers, dust-jacket and contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Couverture souple. Zustand: bon. R150147676: Non daté. In-12. Broché. Bon état, Couv. légèrement passée, Dos satisfaisant, Intérieur acceptable. 95 pages. Quelques illustrations en noir et blanc dans le texte. . . . Classification Dewey : 847-Satire, humour.

Zustand: Very good plus. First Edition. Sammelband of five French titles in one volume, including a contemporary court argument against an abusive man who employed a chastity belt to control a woman - evidently, a true account of a device frequently thought apocryphal. As scholar Albrecht Classen has shown (in his landmark THE CHASTITY BELT: A Myth-Making Process, 2007), the myth of the chastity belt remains stubbornly intractable. As he convincingly argues, the medieval (or sometimes Renaissance) device as it is generally conceived was rarely actually used. Instead, misinterpretation, misunderstanding, misreading, and even outright deception and forgery have conspired to create an image of the chastity belt built more on symbolism and anxiety than scholarship and evidence. However, even Classen does not seem to question the essential veracity of this harrowing tale told in PLAIDOYER DE MONSIEUR FREYDIER (Montpellier, Augustin-François Rochard: 1750). Marie Lajon - a young woman kidnapped, abused, and raped by Pierre Berlhe under false pretenses of an eventual marriage proposal - employed lawyer Monsieur Freydier to make her case in court. In his PLAIDOYER, Freydier relates how Berlhe frequently dressed Lajon as a young male servant to bring her with him when he traveled for business, but that when Lajon became pregnant, his plans changed. Berlhe devised a monstrous solution to control her body even while they were apart: he forced her to wear a haphazard chastity belt of brass mesh, locked with a key and several wax seals to prevent tampering. It was this device that prompted Lajon to seek help, resulting in a court order served to Berlhe: he was to turn over the key and the seal to a clerk, and two midwives would assist in the belt's removal, recording their findings to be included in charges against him. Berlhe refused. In constructing his arguments for the jury, Freydier noted that Berlhe had spent a great deal of time in Avignon, a "nearly Italian city" ("Ville presqu'Italienne," xxviii); Freydier posited that Berlhe got the idea from his chastity belt from the Italians who, he claimed, invented the device (and used it widely). In a fairly lengthy diatribe against the jealous nature of the Italians and Spanish, Freydier used Berlhe's chastity belt as an appeal to the court's French pride while also presenting evidence of his crimes. Unfortunately, the result of the trial is not known, though Freydier requested the judge "strike [Berlhe's] heart with a thunderbolt of severe judgment" ("pour vous déterminer à frapper le c?ur de l'insensible de la foudre d'un jugement sévère," xxxvii). Nevertheless, the case was widely cited in discussions of the history of chastity belts as proof of the practice and it appears therefore that the PLAIDOYER is a rare true account of the device actually in use. Octavo, five titles in one volume. 7'' x 4.25''. Contemporary mottled calf spine with waste parchment boards, waste dated 12 April 1604. Edges sprinkled red. Illustrated with one fold-out engraving, lacking engraving of chastity belt as usual. xvi, 70; 94; xxxviii; xii, 32; 222 pages; three titles lacking final blanks. Boards slightly bowed, a bit of worming to top of spine. A couple leaves with tiny chips to margins; title page of final title with mild dampstaining. Tight.