la moy william (7 Ergebnisse)

hardcover. Zustand: Good. Moderate edge wear. Binding good. May have marking in text. We sometimes source from libraries. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Soft cover. Zustand: As New. Edited by William T. La Moy and Joseph P. McCaffrey, with an intro. by Terence Diffory, xxvii,3), 202 pages, 49 illustrations (8 color), biographical notes, octavo (8vo), soft cover. "In 1958, Hartigan and Sam Francis were the only two artists under forth chosen by the Museum of Modern Art to represent 'The New American Painting' in a show that traveled to eight European countries. Older artists in the show included Williem de Kooning, Robert Motherwell, Barnett Newman, Jackson Pollock, and Mark Rothko. Hartigan was the only woman included." Very good condition, unsold old bookstore inventory. Bookseller inventory #67790-1.

Paperback. Zustand: Brand New. 202 pages. 8.90x6.00x0.70 inches. In Stock.

Zustand: New. Grace Hartigan emerged during the 1950s as a leading representative of the 'second generation' of the New York School of abstract expressionist painters, a movement that achieved international standing for American art. This title offers readers a chronicle of the vibrant artistic and literary milieu of the times. Editor(s): Moy, William T.La; McCaffrey, Joseph P. Num Pages: 232 pages, 8 colour & 41 black-&-white illustrations. BIC Classification: AGB; BJ. Category: (G) General (US: Trade). Dimension: 229 x 152 x 15. Weight in Grams: 386. . 2009. 0th Edition. Paperback. . . . . Books ship from the US and Ireland.

Paperback. Zustand: Brand New. 256 pages. 8.75x5.75x1.00 inches. In Stock.

Zustand: New. Grace Hartigan emerged during the 1950s as a leading representative of the second generation of the New York School of abstract expressionist painters, a movement that achieved international standing for American art. This title offers readers a chronicle.

Taschenbuch. Zustand: Neu. Neuware - Grace Hartigan emerged during the 1950s as a leading representative of the 'second generation' of the New York School of abstract expressionist painters, a movement that achieved international standing for American art. In 1958, Hartigan was the only woman and one of only two artists under forty chosen by the Museum of Modern Art for a show on that school. Entitled The New American Painting, the show traveled to eight European countries and included such artists as Willem de Kooning, Robert Motherwell, Barnett Newman, Jackson Pollock, and Mark Rothko.Published for the first time, Hartigan's journals offer readers an intimate chronicle of the vibrant artistic and literary milieu of the times. Hartigan's interactions with many of its leading artists, and her close association with such New York School poets as John Ashbery, Kenneth Koch, and Frank O'Hara, make for fascinating reading. The only contemporaneous record of this extraordinary period in art history, this book is a treasure to the art student and literary scholar alike.Grace Hartigan's paintings are held in museums throughout the United States, including the Metropolitan Museum and the Whitney Museum of Art. Since 1965 she has worked at the Maryland Institute College of Art, where she is the director of the Hoffberger Graduate School of Painting.