Kwiatkowski will (25 Ergebnisse)

Paperback. Zustand: Very Good. Minimal shelf wear, clean internals. May have remainder mark.

paperback. Zustand: Used-Like New. Clean copy. May have remainder mark.

Zustand: Very Good. Zustand des Schutzumschlags: 27129554. 1783949551. 7/13/2026 1:32:31 PM.

Hardcover. Zustand: New. New copy.

24.1 cm x 1.3 cm x 30 cm. Zustand: Sehr gut. 1., Auflage. 144 pages Softcover, Broschur in sehr gutem Zustand, innen wie außen tadellos. Bitte beachten Sie unsere Bilder. Softcover, paperback in very good condition; flawless inside and out. Please see our photos. PU-165 Sprache: Englisch Gewicht in Gramm: 953.…

Soft cover. Zustand: Fine. 52 pages : illustrations (some color), map ; 30 cm. Series: Catalogue (Sam Fogg Rare Books & Manuscripts (Firm)), 29.

Zustand: Very Good.

Zustand: New. 2019. Hardcover. . . . . .

Soft cover. Zustand: Near Fine. Excellent description of Firdausi's epic poem. pp.64. Illus.

Soft cover. Zustand: As New. 1st Edition. 31.5 by 24.5cm., 111pp., catalogue of 43 works illustrated in colour.

Zustand: New. 2019. Hardcover. . . . . . Books ship from the US and Ireland.

Zustand: new.

Hardcover. Zustand: Brand New. 192 pages. 12.00x9.25x5.00 inches. In Stock.

Zustand: New.

Zustand: as new. New York : The Metropolitan Museum of Art, 2015. Hardcover. Dustjacket. xii,336 pp. Illustrations (chiefly color). 32 cm. - From its origins in the 7th century, armor and weaponry were central to Islamic culture not only as a means of conquest and the spread of faith, but also as symbols of status, wealth, and power. More than 120 exceptional examples from the renowned collection of The Metropolitan Museum of Art are presented in detail to demonstrate the remarkable craftsmanship and beauty of Islamic arms and armor. These diverse objects, which have never been catalogued or published in detail, span ten centuries and represent nearly every Islamic culture, from Spain to the Caucasus. Among these masterpieces are rare early works, such as the oldest documented Islamic sword, and fine examples of decorated helmets and body armor from late-15th-century Iran and Anatolia. Also included are lavish gem-studded weapons from royal courts in the Ottoman world and India. Each piece is handsomely photographed, with a detailed discussion of its technical, historical, and artistic importance. Made by master artisans in conjunction with leading designers, goldsmiths, and jewelers, these stunning objects demonstrate how utilitarian military equipment could be transformed into striking and extravagant works of art. Contents : American collectors and the formation of the Metropolitan Museum's collection of Islamic arms and armor / Stuart W. Pyhrr -- Catalogue / David G. Alexander. Armor : Mail and plate armor (cats. 1-18) ; Helmets (cats. 19-43) ; Shields ; (cats. 44-46) ; Horse armor (cats. 47-53) -- Edged weapons : Swords and sabers (cats. 54-74) ; Daggers (cats. 75-92) ; Shafted weapons (cats. 93-107) -- Firearms and archery : Firearms (cats. 108-123) ; Archery (cats. 124-126) -- Appendix A: comments on iconography and decoration on Islamic arms and armor / David. G Alexander -- Appendix B: Turkman-style armor / David G. Alexander. Condition : as new copy. ISBN 9781588395702. Keywords : HISTORY ART.…

Paperback. Zustand: New. In shrink wrap. Looks like an interesting title.

Zustand: As New. Unread book in perfect condition.

Paperback. Zustand: New. In shrink wrap. Looks like an interesting title.

Hardcover. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition. 31 by 26cm., 336pp., fully illustrated on colour. From its origins in the 7th century, armor and weaponry were central to Islamic culture not only as a means of conquest and the spread of faith, but also as symbols of status, wealth, and power. More than 120 exceptional examples from the renowned collection of The Metropolitan Museum of Art are presented in detail to demonstrate the remarkable craftsmanship and beauty of Islamic arms and armor. These diverse objects, which have never been catalogued or published in detail, span ten centuries and represent nearly every Islamic culture, from Spain to the Caucasus. Among these masterpieces are rare early works, such as the oldest documented Islamic sword, and fine examples of decorated helmets and body armor from late-15th-century Iran and Anatolia. Also included are lavish gem-studded weapons from royal courts in the Ottoman world and India. Each piece is handsomely photographed, with a detailed discussion of its technical, historical, and artistic importance. Made by master artisans in conjunction with leading designers, goldsmiths, and jewelers, these stunning objects demonstrate how utilitarian military equipment could be transformed into striking and extravagant works of art. …

Buch. Zustand: Neu. Neuware - A stunning collection, accumulated over many years, of paintings, drawings and calligraphy of the highest quality mostly created for albums from the Safavid, Uzbek, Ottoman and Mughal Empires from the 16th to early 19th century. Lavishly illustrated, this unusually exquisite and scholarly book is a noteworthy addition to its field. This publication presents a collection of over sixty paintings, drawings and calligraphic specimens mostly made in the Safavid, Uzbek, Ottoman and Mughal Empires in the period from the 16th through the early 19th century for inclusion in albums (muraqqa¿). The compilation of these albums, involving the collection and ordering of the works to be included as well as the design and execution of decorative borders, was an art form in itself and amounted to a broader cultural phenomenon that has increasingly become the focus of scholarly attention. This was the age of the master artist, whose work was eagerly sought by collectors, imitated by admirers and forgers, taken as loot by invaders, and exchanged as gifts that had value across political borders. The international currency of a master artist¿s work is particularly apparent in the case of the calligrapher Mir ¿Ali of Herat (d. 1544), whose calligraphies were almost obsessively sought out by the Mughal rulers of India and provided a model for subsequent generations of calligraphers in India and Iran. In Iran, Shah ¿Abbas¿ new capital of Isfahan was the breeding ground for a generation of artists specialized in single-page calligraphic compositions, paintings and drawings, often working in distinctive styles. These included calligraphers such as Mir ¿Imad al-Hasani and ¿Ali Riza ¿Abbasi, and painters like Riza ¿Abbasi, Muhammad Qasim and, later, Mu¿in Musavvir. The processes of collection and compilation were complex, as albums were gifted and reassembled to suit the tastes and outlook of new owners. An eloquent example of this ongoing evolution is the famous St. Petersburg Album. Compiled and given decorative borders in Iran in the mid-18th century, the album contains a number of Mughal and Deccani paintings and drawings presumed to have been taken to Iran as plunder by Nadir Shah following the invasion of India in 1739. The end of this tradition is marked in the publication by a number of works from Mughal-style albums of calligraphy and painting acquired by officers and administrators of the British East India Company such as Warren Hastings and William Fraser.…

4°. 64 S. m. zahlr. Tafeln. Br. Folie v. Rückendeckel löst sich.

Zustand: gut. 2006. Ink And Gold: Islamic Calligraphy: Islamic Calligraphy (French Edition) (Sam Fogg) In englischer Sprache. pages.

Zustand: Used: Like New. LIVRE A L?ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9781911300731.

Hardcover. Zustand: Brand New. 336 pages. 12.25x10.00x1.75 inches. In Stock.

cm 24x30, pp 140, illustrazioni a colori. Catalogo della mostra di calligrafia islamica a Berlino nel 2005. Scrittura Hijazi, Cufica, Eastern Kufic, Maghribi, corsivo. Ex libris.