kruger stephen (30 Ergebnisse)

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Acceptable. Used - Acceptable. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library with wear and barcode page may have been removed. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

Paperback. Zustand: Very Good. Bumped edges Appears unread, may have minor damage from transit/storage. Next day dispatch from the UK (Mon-Fri). Please contact us with any queries.

Zustand: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Hardcover. Zustand: Brand New. Xin Li (illustrator). 40 pages. German language. 9.88x0.39x9.92 inches. In Stock.

Zustand: Used.

Zustand: Used.

166 pp.; 27 x 26.5 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; September 1987 issue edited by Ingrid Sischy. Essays "The Tale That Wags the Dog: Documenta 8. A Bite Before the Show"; "What Was that Masked Museum? The Mind's Construction in the Face. Gaetano Pesce," by Germano Celant; "Hugo: Ink into Ocean," by Donald Kuspit; "A Foundry of the Figure: Antonin Artaud, To be Somebody," by Stephen Barber; "Nuclear Towers Town & Country: A Project for Artforum," by Ilona Granet; "An Encounter with a Secret: The Sculpture of Susana Solano," by Gloria Moure; "Untitled Drawings: A Project for Artforum," by William Bailey; "The Critics' Way: Sculpture Goes to Town," by Donald Kuspit, Max Wechsler, Dan Cameron, Pier Luigi Tazzi, and Ingrid Rein, with photography by Shigeo Anzai; "Icons at Large: Icontact," by Lisa Liebmann; "Like Art: Amaretto di Ollie," by Glenn O'Brien; "Believe it or Not: Comrades in People," by J. Hoberman; "Games People Play: From 'Diamonds Are Forever: Artists and Writers on Baseball;'" "Ground Up: Color," by Herbert Muschamp; "Remote Control: Hearings and Seeing and the Law on Diaries," by Barbara Kruger; "Curies' Children: The Known within the Unknown within the Known," by Vilem Flusser "Object: In Pursuit of Unrealism," by Alessandro Mendini. Reviews by Donald Kuspit, Gloria Moure, Pier Luigi Tazzi, Carlo McCormick, Kate Linker, Charles Hagen, John Yau, Jean Fisher, Thomas McEvilley, John Howell, Patricia C. Phillips, Ronny Cohen, Nancy Stapen, Paula Marincola, Glenn Harper, Buzz Spector, Bill Berkson, Kenneth Baker, Colin Gardner, Susan Freudenheim, Catherine Cafopoulos, Aurora García, Ida Panicelli, Jole de Sanna, Denys Zacharopoulos, Daniel Soutif, Helmut Draxler, Anne Krauter, Martin Hentschel, Doris von Drateln, and Stuart Morgan. Cover: William Wegman. Good. Yellowing, dusting, scuffing of covers with light soiling and light edgewear. 2 cm. dog-ear to top right corner of pages 5-10. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

80 pp.; 22.9 x 15.2 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held May 31 - June 30, 1984. Organized by Linda Cathcart. Text by Linda Shearer, Susan Wyatt, and Linda Cathcart. Artists include Ericka Beckman, Gretchen Bender, Dara Birnbaum, Eric Bogosian, Jonathan Borofsky, Troy Brauntuch, Michael Brewster, Gary Burnley, Scott Burton, Michael Byron, Cynthia Carlson, James Casebere, Louisa Chase, Charles Clough, Arch Connelly, Marcia Dalby, Carroll Dunham, Nancy Dwyer, William Fares, R.M. Fischer, Hermine Ford, Stephen Frailey, Bobby G., Jack Goldstein, Don Gummer, David Haxton, Biff Henrich, Jenny Holzer, Rebecca Howland, Mel Kendrick, Jon Kessler, Jeff Koons, Barbara Kruger, Thomas Lanigan-Schmidt, Thomas Lawson, John Lees, Sherrie Levine, Robert Longo, Ree Morton, Matt Mullican, Nic Nicosia, Kevin Noble, Tom Otterness, Ken Pelka, Judy Pfaff, Ellen Phelan, Adrian Piper, James Pomeroy, Richard Prince, Walter Robinson, Tim Rollins, Ellen Rumm, Christy Rupp, David Salle, Cindy Sherman, Laurie Simmons, Charles Simonds, Michael Smith, Philip Smith, Ted Stamm, Donald Sultan, John Torreano, Roger Welch, Yunque, and Michael Zwack. Very Good / Fine. Light dusting to covers. Contents clean and unmarked.

211 pp.; 30 x 21 cm.; sewn bound; color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at Setagaya Art Museum, Tokyo, July 6 - August 18, 1991. Traveled to The National Museum of Art, Osaka, August 29 - September 29, 1991 and Fukuoka Art Museum, Fukuoka, November 15 - December 15, 1991. Essays by Lynn Gumpert and Brian Wallis. Artists include Richard Artschwager, John Baldessari, Gretchen Bender, Sarah Charlesworth, Nancy Dwyer, Kate Ericson and Mel Ziegler, Suzan Etkin, Jenny Holzer, Jasper Johns, Joseph Kosuth, Barbara Kruger, Louise Lawler, Sherrie Levine, Roy Lichtenstein, Gordon Matta-Clark, Allan McCollum, Bruce Nauman, Claes Oldenburg, Stephen Prina, Robert Rauschenberg, James Rosenquist, David Salle, Andres Serrano, Cindy Sherman, Lorna Simpson, Robert Smithson, Nancy Spero, Haim Steinbach, Andy Warhol and Lawrence Weiner. Includes exhibition checklist and selected bibliographies. Texts in Japanese and English. Very Good. Yellowing and light rubbing of covers with light edge wear. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Soft cover. Zustand: Very Good. Shipped from UK, will dispatch next working day.

Paperback. Zustand: Fair. AS Media Studies: The Essential Introduction This book is in good or better condition. It has no tears to the pages and no pages will be missing from the book. The spine of the book is still in great condition and the front cover is generally unmarked. It has signs of previous use but overall is in really nice, tight condition. Shipping is normally same day from our UK warehouse. We offer a money back guarantee if you are not satisfied.

Zustand: Very Good. Barbara Kruger (illustrator). First Edition. New York: Alfred A. Knopf / Borzoi Books, 1989. First Trade Edition. Quarto (34.6cm); pictorial paper-covered boards with white titling to spine; unpaginated. Illustrations. Housed in publisher's slipcase. Mild edgewear to boards; binding sound; pages unmarked. Heavier wear to slipcase with chipping and brief exposure to edges; some scuffing; overall Very Good.

Hardcover. Zustand: Sehr gut. Barbara Kruger (illustrator). 1. Auflage. B : First Trade Edition. Not paginated. - "My Pretty Pony" is a short story written by Stephen King and illustrated by the artist Barbara Kruger. It was the sixth publication in the Whitney Museum of American Art artist and writer series. Kruger's art often pairs appropriated black and white photographs with red bands of text carrying punchy, loaded phrases, such as "I shop therefore I am" or "Your body is a battleground." These provocative combinations of texts and images subvert commodity culture while simultaneously reveling in its attractive packaging.

Hardcover. Zustand: Fine. Barbara Kruger (illustrator). FIRST. A FINE FIRST IN FINE SLIPCASE. as new i.

Zustand: Near Fine. Barbara Kruger (illustrator). First printing. First trade edition of this unusual 1980s collaboration between the master of horror and the acclaimed art provocateur. Combining King's short story about a grandfather and his grandson with Kruger's vivid images and design, one of the more unusual modern livres d'artiste. A nice example. 13'' x 9''. Original color pictorial boards designed by Kruger. In original printed slipcase. No jacket, as issued. [64] pages. Slipcase and book spine faintly toned. Touches of shelfwear to case. Else bright and sharp. Near fine in near fine slipcase.

Hardcover. Barbara Kruger (illustrator). First Trade Edition, First Printing. Quarto, Unpaginated. In Very Good minus condition and housed in publisher's Good plus slipcase. Spine red with white lettering. Cracking to front hinge, measuring about 6 inches. Bumping to corners. Interior pages clean. Cracking and tearing to edges of slipcase. Signed flat by Stephen King in rear. DL consignment. Shelved above Case 4. 1392176. Shelved Dupont Bookstore.

Softcover. Zustand: Sehr gut. 208 Seiten Eine Sammlung von Kurzgeschichten, die von bekannten Autoren gespendet wurden, um die Opfer der Tsunami-Katastrophe von 2004 zu unterstützen. Zustand: Einband mit geringfügigen Gebrauchsspuren, insgesamt SEHR GUTER Zustand! HC1-617-4/8-00700660 Sprache: Deutsch Gewicht in Gramm: 239.

Hardcover. Zustand: Very Good. 1st Edition. folio. unpaginated. Illustrated by Barbara Kruger. boards (head of spine bumped with a split). slipcase (corners are bumped with splits and tears) First Trade Edition.

Hardcover. Zustand: Very good. First Trade Edition. Unpaginated. 36 cm. Colour illustrations. Hardcover in slipcase. Case has cracks in spine and light wear elsewhere. A story about the perception and experience of time.

Hardcover. Zustand: Fine. first trade edition. A fine, fresh, apparently unread copy in equally fine matching slipcase. Small folio in illustrated paper covered boards. Unpaginated. Illustrated with lithographs printed by Derriere L'Etoile Studios and silkscreens by Pinwheel. First trade edition after the 1988 deluxe signed limited edition of 250 copies in steel covers. Text of the short story by Stephen King and illustrations by conceptual artist and collagist Barbara Kruger. The story is about an elderly man who is nearing death, who takes his grandson up a hill behind his house, where he gives the boy his pocket watch. He tells the boy about the "nature of time" and that, as one grows older, time moves faster and faster, slipping away in great chucks unless you hold tightly on to it. Time is the pretty pony, one with a wicked heart. King included the story in the 1993 collection of short stories "Nightmares and Deamscapes".

Hardcover. Zustand: Gut. 1. Auflage. 40 S. Gutes Exemplar, geringe Gebrauchsspuren, Cover/SU berieben/bestoßen, innen alles in Ordnung. D260428axh57 ISBN: 9783328303794 Sprache: Deutsch Gewicht in Gramm: 410.

Hardcover. Zustand: Very Good. 1st Edition. folio. [ff. 32]. 9 colour lithographs, 8 silkscreens & 1 lithograph with screenprint. Uncut in original quarter red morocco, sheets of brushed aluminum mounted on sides, digital clock on upper cover. First Edition, Limited to 250 copies (+ 30 Author's copies) on Rives, signed by Kruger and King. This is the sixth of the Artists and Writers Series published by the Library Fellows of the Whitney Museum. The lithographs were printed by Maurice Sánchez at Derrière L'Étoile Studios, and the the silkscreens were printed by Pinwheel, New York. The text was set by hand in Century Schoolbook and printed at A.Colish under the supervision of Jerry Kelly. This artist's book combines King's short story about the perception and experience of time with Kruger's overlaid images of horses and riders. The images contain a small photograph of a hand holding a stopwatch punctuated by one or two words which together spell "Time ain't got nothing to do with how fast you can count". The brushed stainless steel cover of the book incorporates a digital clock to track the reader's own time but the battery has now run out. Signed by Author(s).

First Trade Issue. Quarto (35cm); pictorial paper-covered boards, with titling in white on spine; [n.p.]; illus. Spine-faded, with modest shelf-wear, 4" split to upper front joint, rubbing to spine ends and board edges, and bumped corners (affecting upper margins of text); Very Good. In publisher's slipcase, with shelf-soil and residue, tiny cracks and rubbing to edges, and splits to joints (the longest of which is 6" along lower edge); Very Good. First published as a deluxe, limited edition in the Artists and Writers series of fine press books, this trade issue includes reproductions of original lithographs, silkscreens, and typography. This short story was later included in King's Nightmares & Dreamscapes (1993), and explores a grandson and grandfather's relationship as they consider time. [84825].

Zustand: Near Fine. First Trade Edition. First trade edition, first printing. Signed by Stephen King and inscribed "For Sandy -- All the best -- And keep an eye on your pretty pony!" Folio. Bound in publisher's decorated red, white and blue paper-covered boards, housed in original paper-covered slipcase. Near Fine with light foxing, trivial wear to corners and spine ends. In a Near Fine slipcase with light toning and foxing, short superficial split to top joint, light offsetting from an old circular sticker and small bit of soiling to one panel. A lovely copy, signed by the author.

Zustand: Fine. Signed Deluxe Limited Edition. Limited first edition, one of 250 unnumbered copies signed by both Stephen King and Barbara Kruger. Folio. Bound in publisher's red morocco-backed brushed stainless steel-covered boards with inset digital clock on front board; housed in the original buckram slipcase. Near Fine. Clock batteries are dead, as usual; some thumbprints to steel, minor spotting to case. A stunning production with 8 silkscreens and 10 lithographs. With two manilla enveloped from the Whitney Museum laid in, one postmarked March 14, 1989, with prospectus and other related ephemera. King's short fable about mortality and time juxtaposed by Barbara Kruger's Lichtenstein-esque color lithographs of wranglers and their fallen horses. Fragmented text silkscreens in her iconic Futura Oblique font boldly form the phrase, "Time ain't got nothing to do with how fast you can count." The sixth publication in the Whitney Museum of American Art artist and writer series; uncommon in the original slipcase. A beautiful copy of this lavish production. Brooks A38.1.

Couverture rigide. Zustand: Comme neuf. Edition originale. Stainless steel cover, digital clock, nine lithographs, eight screenprints, and one lithograph with screenprint, created as a fundraiser for The Whitney Museum New York. Metal binding on book signed by Stephen King and Barbara Kruger. Edition of 250. Signé par l'illustrateur.