Krody sumru belger (24 Ergebnisse)

Hardcover. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: As New. Zustand des Schutzumschlags: Fine. 1st Edition. Large-format volume, measuring approximately 9.5" x 11.5", is bound in black cloth, with stamped silver lettering. Book is like new. Dust jacket shows very light shelfwear. Jacket is preserved in mylar cover. 159 pages. Catalogue of an exhibition at the Textile Museum, Washington D.C., February 18-July 30, 2000. "Until now, the rich textile tradition of the Ottoman Empire has rarely been been given the detailed consideration it deserves. Sumru Belger Krody here examines the practice of the intricate art of embroidery, which united the various ethnic and religious groups of the empire under a single aesthetic and gave rise to flowers of silk and gold that still enchant our imagination. The Imperial City of Istanbul was the seat of power of the Ottoman Empire for nearly five hundred years, and like most imperial capitals it was a center for trade. The bazaars of this cosmopolitan, ethnically diverse city were famous for the embroidered textiles produced both by men in the city's workshops, and by women in the seclusion of the harems. In the decoration of their homes, the Ottomans mirrored the colors and abundance of their astonishing gardens; the wall hangings, cushions, and divan covers of the private houses of the city, products of the most exquisite design on the finest and rarest of cloth, combined to give an impression of opulence and luxury to astonished Western eyes. Embroidered textiles served as furniture and ornament in daily life and during rites of passage, while their production and sale provided an income for their makers, who occupied every level of Ottoman society up to the Palace harem and court workshop. The Textile Museum's renowned collection of Ottoman embroidery began with a single purchase by its founder, George Hewitt Myers, in 1915. "Flowers of Silk and Gold" introduces this little-known but highly important collection for the first time. Examining the history of the various stitches, fabrics, and designs employed during Ottoman rule in Europe and Asia, as well as the social, political, and economic factors influencing their production and consumption, Flowers of Silk and Gold combines perspectives to give an engrossing insight into the glorious works of art of an unfamiliar, much-fantasized world.". …

Hardback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: Gut. 1. Auflage. 4to. 159, (1) S. OPb. mit farbig illustriertem OSchU. Minimale Gebrauchsspuren, sonst guter Zustand.

Mit 1 farb. Karte, 117 farb. Abb. u. 8, tls. mehrtlg. Illustr. 160 S. 4°. OPbd. SU. (1140 Gr.) Sprache: englisch.

Hardcover. Zustand: Brand New. 256 pages. 11.42x1.38x10.04 inches. In Stock.

4°, OPb., OSu. 159 S., zahlr. Ill. Wohlerhalten. ISBN: 1858941059 Sprache: Englisch Gewicht in Gramm: 1200.

Couverture rigide. Zustand: Très bon état. Zustand des Schutzumschlags: As New. Expédition très soignée, tous les mardis et vendredis. . In-4. Cartonné. Livre en Anglais. . Occasion comme neuf. in-4°.

Zustand: NEW.

Zustand: New. 2026. hardcover. . . . . . Books ship from the US and Ireland.

Soft cover. Zustand: New. 128 pages : color illustrations, 1 color map ; 28 cm. Issued in connection with an exhibition held Sept. 13, 2002-Feb. 16, 2003, Textile Museum, Washington, D.C. Summary:"A fresh and concise look at Anatolian carpets from the 14th to the 20th centuries, including some of the oldest surviving examples of Turkish carpets. Turkish rugs have been a part of European culture since the 14th century. Far more embedded in the Western consciousness than any other carpet type, they are among the most sought-after of all rugs by museums and collectors today. This book draws on the unparalleled collection at Washington's Textile Museum, as well as from other museums and private collections, dealing with issues such as history, lineage, design origins and meaning across the whole spectrum of Turkish carpet weaving.".…

Hardcover. Zustand: Brand New. 256 pages. 11.42x1.38x10.04 inches. In Stock.

Soft cover. Zustand: Good. Zustand des Schutzumschlags: No Jacket as Issued. 1st Edition. Light wear to covers. Spine not creased. A 1cm x 8cm white label covering name to top of half-title page, otherwise internally very clean. 160pp Size: 230mm x 280mm. Book.

Buch. Zustand: Neu. Neuware - A magnificent selection of saddle blankets, horse covers and other equestrian textiles from the past 1,300 years communicates the significance and status of horses and their riders.For millennia, horses have captivated humans with their beauty, strength and majesty. From Türkiye to Japan, civilizations have elaborately costumed these prized animals. A magnificent selection of saddle blankets, horse covers and other equestrian textiles from the past 1,300 years communicates the significance and status of horses and their riders. …

Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Washington, DC: The Textile Museum, 2010. First Edition. Full color illustrations throughout. Quarto (29cm). Unclipped pictorial dust jacket. Publisher's red cloth binding with title stamped in gilt to cover and spine. Pictorial endpapers. Attached yellow ribbon bookmark. 303 pp. Dust jacket has minor shelf wear and toning to edges; no tears; no chips. Boards bright. Corners square. Pages clean and unmarked. Overall, a Very Good copy with like jacket. …

4°. 303, (1) S. mit zahlr. farb. Abb. Orig.-Leinenband mit farbig illustr. Orig.-Schutzumschlag. "From October 16th to March 13th, the Textile Museum, in Washington D.C., reveals a cultural treasure of Uzbekistan, through "Colors of the Oasis: Central Asian Ikats". The exhibition is organised by Sumru Belger Krody, the curator of the Eastern Hemisphere Collections at the Textile Museum, as well considered the leading authority on Ottoman Turkish and Greek embroidery. One of the exceptionality of this showcase is that it allows the public to see for the very first time, more than 60 garments and other 19th-century textiles provided from the Megalli's collection, among one of the largest holdings of Central Asian ikats in the world. In the 19th century in particular, wearing Central Asian ikats, represented wealth, prestige, power. The exhibitions is divided into three sections, guiding the visitors to appreciate and learn more about the precious textile, aside from highlighting the contemporary revival of ikat after it was nearly extinct during the Soviet period: ikat design and artistic principles, the stories of the people who used them and who made them, and the technical aspects of ikat making and the people involved in the craft. The presentation displays a selection of coats for men and women, women's dresses and pants, bohce (wrapping cloth), cradle covers, hangings and fragments, in a warm atmosphere recalling the original context of Central Asian ikats, with early 19th century photographs illustrating scenes such as fabric merchants at bazaar selling ikat fabrics, and settings reproducing the typical Uzbek aesthetic and comfortable interior decoration based on textiles. The Megalli collection represents the artistic virtuosity of ikat tradition, with its stunning, colorful textiles made in silk and in cotton. The term "ikat" meaning "tie", derives from "mengikat" in the Malay language, and refers to the tie-dyeing method. Unlike a majority of textiles are woven with solid-thread or are printed or dyed after weaving, the ikat process consists in dyeing first the individual threads with several colors that, when woven together, produce the energetic patterns unique to this textile tradition. It is a complex process, requiring a forethrought and teamwork between various craftsmen and the designer. Maybe due to the complexity and time required to make ikats, the legend says that these cloths are impregnated with magical powers. Murad Megalli was a resident of Istanbul, Turkey. Fascinated by textiles which he collected for over 22 years, he learned much about them from his mentor, the late Josephine Powell, a renowned ethnographer and photographer. In 2005, he donated a collection of 149 19th-century Central Asian ikats to the Textile Museum, with subsequent gifts to the collection. On October 14, 2010, Murad Megalli was honored with the Textile Museum's Award of Distinction. The award recognizes an individual's distinguished service in fullfilment of the museum's mission to expend public awareness and appreciation (localy, nationally and internationally) of the artistic merits and cultural importance of the world's textiles. Special Note: While writing the article "Colors of the Oasis: Central Asian Ikats", I was saddened to learn the premature loss of Murad Megalli. Mr. Megalli has left forever a considerable historical and artistic heritage, to all textile lovers." (Dina Hajjé, The Textile Museum, Washington D.C.). - Sehr gutes Exemplar der gebundenen Ausgabe. - Very good copy of the hardcover edition.…

Softcover. First Edition. Quarto, 192 pages. In Very Good Minus condition. Minor creasing to rear board. Minimal scuffing and shelfwear. Interior of textblock clean. Shelved in Case 11. 1394025. Shelved Dupont Bookstore.

Zustand: gut. 2010. Colors of the oasis., Central Asian ikats. In englischer Sprache. pages.

leinen.m.SU.,4°,303 S.,SU leicht berieben,sonst im guten Zustand.

Hardcover. Zustand: Fair. 2000 , 160 pp Four Centuries of Ottoman Embroidery Sumru Belger Krody Photos with Artifacts in it Merrell In association with The Textile Museum, Washington, D. C. Hard Cover Bibilothèque Alain Guisson.