kragelund patrick (28 Ergebnisse)

hardcover. Zustand: Very Good. Pages clean and bright, no markings, light wear to edges. Binding tight. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN:9788763545945.

Separatum. Zustand: Gut. pp. 181-224. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Author's name and year of publication handwritten on cover, otherwise a perfect copy. - From the text: The latter half of the eighteenth century witnessed a decisive change in the appreciation of Homer. Even long after the conclusion of the Querelle entre les Anciens et les Modernes an influential figure like Voltaire would consider Virgil, and not Homer, to be the uncontested master of world literature.1 Half a century later, however, there were, at least in North-West Europe, few who did not reserve this place for Homer. This rapid reassessment of two of the founding heroes of European culture also had an impact on the visual arts. A count of the Iliad motifs in European art has shown, for example, that of a total of about three hundred works, two hundred are concentrated within the period 1750 1825, the remainder being more or less equally distributed throughout the centuries before and after this central period. The period in question also witnessed a remarkable growth in the quantity of commonly-known Homeric motifs: while the standard repertoire seems to have numbered around a dozen prior t.o 1750, it increased gradually during the subsequent decades to more than forty. - Wikipedia: Nicolai Abraham Abildgaard (11 September 1743 4 June 1809) was a Danish neoclassical and royal history painter, sculptor, architect, and professor of painting, mythology, and anatomy at the New Royal Danish Academy of Art in Copenhagen, Denmark. Many of his works were in the royal Christiansborg Palace (some destroyed by fire 1794), Fredensborg Palace, and Levetzau Palace at Amalienborg. Sprache: Englisch Gewicht in Gramm: 550.

Zustand: New. KlappentextrnrnA semiotic interpretation of the dreams of Aeneas and Turnus.

Zustand: New.

Zustand: New.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Softcover. Zustand: Gut. 224 Seiten Das Werk bietet eine Analyse von Homer\'s Einfluss auf die bildende Kunst im 18. Jahrhundert, fokussiert auf den Künstler Abildgaard und seine Arbeiten, die von den alten Mythen inspiriert wurden. Zustand: Einband mit stärkeren Gebrauchsspuren, Seiten geringfügig gebräunt, insgesamt GUTER Zustand. HC1-545-3/8-00603115 Sprache: Englisch Gewicht in Gramm: 185.

Zustand: New.

Zustand: New.

Zustand: New. KlappentextrnrnThis book is the first complete study of the painter Nicolai Abildgaard&aposs oeuvre. Abildgaard (1743-1809) is the only Danish artist of the 18th century to obtain a position in the European art history of the period. His works .

Buch. Zustand: Neu. Neuware - This book is the first complete study of the painter Nicolai Abildgaard's oeuvre. Abildgaard (1743-1809) is the only Danish artist of the 18th century to obtain a position in the European art history of the period. His works range from the Pre-Romantic sublime to Enlightenment history painting, anonymous satire and Neo-Classical allegory. 1789 radicalised his views and estranged him from his royal patrons. The imagery of his final, isolated years playfully evokes an erotic Neo-Classical Arcadia. Among his friends were the Swedish sculptor Tobias Sergel and the German sculptor Gottfried Schadow; and among his pupils were Asmus Carstens, Caspar David Friedrich, Phillipp Otto Runge and Bertel Thorvaldsen.

Zustand: New. In.

733pp with 93 colour and 337 monochrome illustrations. Cloth 24.5x17.5cms. ISBN: 8772895101. Complete study of the late 18th-century Danish history painter and his oeuvre. Abilgaard was a court painter and counted Caspar David Friedrich, Phillip Otto Runge and Bertel Thorvaldsen among his friends. Text in Danish with an English summary.

Hardcover. Zustand: Brand New. 475 pages. 8.00x5.00x1.00 inches. In Stock.

1st edn 1st printing. 8vo. Original gilt lettered blue cloth (Fine), dustwrapper (Fine). Pp. xiv + 475, with b&w illus (no inscriptions).

Museum Tusculanum Press, Copenhagen 2019. Large 8vo. 199 pages. Profusely illustrated in b/w and colour. Orig. illustrated boards. Fine.

Museum Tusculanums Forlag, København 1984. 118 sider. Heftet med orig. omslag. * Med dedikation til Johnny Christensen fra Marianne (Alenius).

2 bind. Museum Tusculanums Forlag, København 1999. 733 sider. Fortløbende paginering. Illustreret i s/h og farver. Orig. illustreret kartonbind. Ganske lette brugsspor.

2 bind. Museum Tusculanums Forlag, København 1999. 733 sider. Fortløbende paginering. Illustreret i s/h og farver. Orig. illustreret kartonbind. Pænt sæt.

orig. wrappers. Textual illustrations. (illustrator). 29x21cm, 121 pp. Volume 33 only. Contains 4 papers. Includes: Antonella Mezzolani "I materiali lapidei nelle costruzioni di eta fenicia e punica a Cartagine"; Gitte Lønstrup " Constructing Myths: The Foundation of Roma Christiania on 29 June"; Jens Viggo Nielsen "L'Esistenzialismo non è un umanesimo: La dialettica come approccio all'esistenzialismo di Luigi Pareyson"; Lise Bek "Innocence Lost: Symbolism to Rhetoric in Architecture & the Renaissance Concept of Invention". Minor wear. A rubberstamp to title-page. VG.

orig. wrappers. 23x16cm, 91 pp, Series: Opuscula Graecolatina. Vol. 7. Contents: Aeneas' Dream; The traditional interpretation; What did Aenaes ask Hector?; What does a mutilated figure signify in Roman divination?; Summary; The interpretation suggested by Donatus; A semiotic interpretation af Aeneas' dream; The mutilated figure; Aeneas' questions to Hector; Prediction in Aenea's dream; The fall of Troy; The foundation of Rome; Reevaluation of the past; Aeneas the narrator; Some reflections on psychological interpretation; A Freudian analysis of Aeneas' dream; Summary of Part one; The introductory dreams of the Aeneid; A semiotic interpretation of Turnus' dream; The introduction of Aeneas and Turnus; Appendix I: Introductory dreams in post- vergilian epic poetry; Appendix II: The dreams of Aeneas and Turnus (text and translation). Rubbed. Corner bumped. Small stain to side page-edge. Good.

orig. wrappers. Textual illustrations. (illustrator). 30x21cm, 173 pp., Weighs 700 grams. Volume 37 only. Contains 6 papers. Includes: Thomas Grane "Pliny & the Wandering Mountain: A New Interpretation of Pliny's Account of Northern Barbaricum with an Archaeological Comment"; Carsten Hjort Lange " Constantine's Civil War Triumph of AD 312 and the Adaptability of Triumphal Tradition"; Luigi Silvano "Saltationes: A Notebook on Ancient Dance by Angelo Poliziano"; Knud Arne Jürgensen "Con placido sembiante: L' opera 'Il Valdemaro' di Domenico Sarro (Roma,1726)" [includes 43 pages of musical scores]; Karen Ascani "Il carteggio di Georg Zöega (1755-1809) mediatore fra Roma e la Dinamarca"; Emma Salling "Relations between the Danish Academy of Fine Arts and the Accademia di S. Luca in Rome during the 18th & Early 19th Centuries". Minor wear. Rubberstamp to title-page. VG.

orig. wrappers. Textual illustrations. (illustrator). 30x20cm, 144 pp., Weighs 700 grams. Volume 35/36 only. Contains 6 papers. Includes: Stine Birk "Third-Century Sarcophagi from the City of Rome: A Chronological Reappraisal"; Ursula Lehmann-Brockhaus "Asger Jorn: Il grand relievo nell'Aarhus Statsgymnasium"; Mette Midtgård Madsen "Sonne's Frieze versus Salto's Reconstruction: Ethical & Practicval Reflections on a New Reconstruction of the Frieze on Thorvaldsen's Museum"; Erik Hansen; et al. "Due cupole a Villa Adriana, Calcoli statici"; Jørgen Nielsen; et al.: "Investigazioni statiche sull' edificio romano della 'Piazza d'Oro' e Villa Adriana"; Peter Dyrby "Genre and Intertextuality as a Dialogical Narrative Strategy for the Migrant Writer". Minor wear. Rubberstamp on half-title. VG.

Oxford University Press, Oxford 2016. Large 8vo. XIV+475 pages. Illustrations in b/w. Publisher's boards with dust wrappers. Fine/fine.

in brossura. 280x190mm, 236pagine, fotografie a colori e b/n, Copertine con alettea. Buono stato. En cas de problème de commande, veuillez nous contacter via notre page d'accueil / If there is a problem with the order, please contact us via our homepage.

Zustand: Gut. 28 x 19,5 cm. 236 Seiten, mit zahlreichen Abb. ISBN 887062708X Sprache: Italienisch Gewicht in Gramm: 1100 Orig.-Karton (mit leichten Randläsuren).