Kostelanetz andre (25 Ergebnisse)

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paperback. Zustand: Good.

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Sprache: Englisch
Verlag: Um 1960., 1960
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In den Warenkorb13,0 x 10,5 cm. Oben mit Heftzwecken-Loch.
Verlag: VIctoria Music, London, 1939
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In den WarenkorbPaperback. Zustand: Good. 4to. Small tear to top front edge and leading edge of rear. Foxing. Creasing. Book.
Verlag: Columbia Stereo Tape, USA, 1963
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In den WarenkorbHardcover. Zustand: Fine. Fine/hardcover. 4 Track Tape, 6" reel. 20 All-time yuletide favorites. Still in its plastic shrink wrap.

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Hardcover. Zustand: Fair. 247 pages. ex library.

Sprache: Englisch
Verlag: Sony
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In den WarenkorbZustand: Sehr gut. B1071-253 Sprache: Englisch Gewicht in Gramm: 109 Audio CD, Maße: 14.27 cm x 12.5 cm x 0.84 cm.
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In den WarenkorbPostkarte. Zustand: Gut. Kleines Kärtchen von Andre Kostelanetz bildseitig mit blauem Kuli signiert mit eigenhändigem Zusatz "Best wishes" /// Autogramm Autograph signiert signed signee /// Andre Kostelanetz (Russian: ????? ???????? ??????????; December 22, 1901 - January 13, 1980) was a Russian-American popular orchestral music… conductor and arranger who was one of the major exponents of popular orchestra music. Biography This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources in this section. Unsourced material may be challenged and removed. (October 2015) (Learn how and when to remove this message) Abram Naumovich Kostelyanetz was born in Saint Petersburg, Russia to a prominent Jewish family. He was a cousin of physicist Lew Kowarski.[1][2][3] His father, Nachman Yokhelevich (Naum Ignatyevich) Kostelyanetz, was active on the St. Petersburg stock exchange; his maternal grandfather, Aizik Yevelevich Dymshitz, was a wealthy merchant and industrialist, engaged in timber production. Kostelanetz began playing the piano at four and a half years old. He studied composition and orchestration at the Petrograd Conservatory of Music. When he was 19, the Grand Petrograd Opera Company held a competition to select a chorusmaster and assistant conductor, in which he was selected despite being the youngest applicant.[4] Kostelanetz continued there until leaving Russia in March 1922 after the Russian Revolution,[5] when he stayed in Paris for a time before moving on to the United States. He arrived in the United States that year, and in the 1920s, conducted concerts for radio. In the 1930s, he began his own weekly show on CBS, Andre Kostelanetz Presents. Kostelanetz was known for arranging and recording light classical music pieces for mass audiences, as well as orchestral versions of songs and Broadway show tunes. He made numerous recordings over the course of his career, which had sales of over 50 million. For many years, he conducted the New York Philharmonic in pops concerts and recordings, in which they were billed as Andre Kostelanetz and His Orchestra.[citation needed] Kostelanetz may be best known to modern audiences for a series of easy listening instrumental albums on Columbia Records from the 1940s until 1980. Kostelanetz actually started making this music before there was a genre called "easy listening". He continued until after some of his contemporaries, including Mantovani, had stopped recording. Outside the United States, one of his best known works was an orchestral arrangement of the tune "With a Song in my Heart", which was the signature tune of a long-running BBC radio program, at first called Forces Favourites, then Family Favourites, and finally Two Way Family Favourites.[citation needed] He commissioned many works, including Aaron Copland's Lincoln Portrait, Jerome Kern's Portrait of Mark Twain, William Schuman's New England Triptych, Paul Creston's Frontiers, Ferde Grofé's Hudson River Suite, Virgil Thomson's musical portraits of Fiorello La Guardia and Dorothy Thompson, Alan Hovhaness's Floating World, and Ezra Laderman's Magic Prison. William Walton dedicated his Capriccio burlesco to Kostelanetz, who conducted the first performance and made the first recording, both with the New York Philharmonic.[6] His last concert was A Night in Old Vienna with the San Francisco Symphony Orchestra at that city's War Memorial Opera House on December 31, 1979.[7][8][5] Personal life His first wife was soprano Lily Pons from 1938 to 1958, when they divorced. They owned a home in Palm Springs, California which was built in 1955.[9] In 1960 he married Sara Gene Orcutt; the marriage lasted several years.[5] Both unions were childless.[10][5] His brother, Boris Kostelanetz (1911-2006), was a prominent tax defense lawyer.[11] Death After the December 31, 1979 concert with the San Francisco Symphony Orchestra, Kostelanetz left for a vacation in Haiti. While in Haiti, Kostelanetz contracte.
Verlag: CBS SS 62 917 (deutsche Pressung). Ohne Jahr (1967)., 1967
Anbieter: Antiquariat Les-art, Burgstetten, DeutschlandAntiquariat Les-art
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In den WarenkorbLP 30 cm. Farbig illustriertes OCover. Cover mit minimalen Altersspuren und am unteren Falz mittig ca. 3 cm aufgeplatzt, sonst gut. Platte nahezu tadellos. "Brazilian Dance", "Fantasy on Japanese Woodprints", "Dance of the persian Slaves" u.a. Easy listening exotisch. Die Andre Kostelanetz Strings u.a. mit Shinichi Yuize, japani…sche Koto und Yoichi Hiraoka, Xylophon. Der russisch-amerikanische Orchesterleiter, Dirigent und Arrangeur (1901-1980) floh nach der Oktoberrevolution 1922 aus der Sowjetunion in die USA. Dort arbeitete er zunächst fürs Radio und wurde später mit Arrangements und Aufnahmen leichter klassischer Musik für ein Massenpublikum berühmt. Er vergab auch zahlreiche Kompositionsaufträge an namhafte amerikanische Komponisten wie Aaron Copland, Jerome Kern, Ferde Grofé u.a. Kostelanetz war maßgeblich an der Schaffung des heute als "Easy Listening" bezeichneten Genres beteiligt. Sprache: de.

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In den WarenkorbThe Russian-born conductor (husband of soprano Lily Pons) led the Columbia Broadcasting Orchestra throughout the 1930s before moving on to the New York Philharmonic, which he led from 1952 to 1979; it was he who commissioned Aaron Copland to compose his famed "Lincoln Portrait"; his influence on the American public's classical m…usic taste was vast. Large, bold signature, heavy stock 5" X 3" card, n.p., 1971 October 27. Fine. With original envelope.
Weitere BilderS. Prokofieff Peter Und Der Wolf Op. 65 [10'' Vinyl, NR: S 06705 R]
Prokofieff , Serge, Andre Kostelanetz und Gudrun Thielemann:
Sprache: Deutsch
Verlag: Philips Minigroove, 1985
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In den WarenkorbMade in Germany. Zustand: Sehr gut. 10-Zoll Vinyl Vinyl in sehr gutem Zustand. Coverzustand gut. Rückseite berieben. Preisetikett auf Front. Ohne Jahresangabe, daher auf 1985 geschätzt. Sprache: Deutsch Gewicht in Gramm: 1005.

Verlag: Art-Rite Publishing Co. New York, NY, 1977
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In den Warenkorb79 pp.; 26.4 x 19 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue number 14 of Art-Rite, the artists' books issue, edited by Walter Robinson and Edith deAk. Contents include: "Market Research," statements about artists' books by Kathy Acker, John Baldessari, Luciano Barton…lini, Roberta Allen, Ulises Carrion, Daniel Buren, Robert Delford, Brown, Robert Cumming, Ted Castle, Agnes Denes, Peter Downsbrough, Mary Fish, Jon Gibson, Peter Grass, George Griffin, Judith A. Hoffberg, Douglas Huebler, Alan Kaprow, Richard Kostelanetz, Sharon Kulik, Robert Leverant, Sol LeWitt, Lucy Lippard, Christof Kohlhofer, Jane Logemann, Paul McMahon, Robert Morgan, Mauritio Nannuci, Richard Nonas, Adrian Piper, Lucian Pozzi, Marcia Resnick, The Roseprint Detective Club, Carolee Schneemann, John Shaw, Bob Smith, Pat Steir, Ellen Sragow, Ted Stamm, Peter Stansbury, Richard Tuttle, Fred Truck, Lawrence Weiner, Robert Winters, Rachel Youdelman; "Catalog of Books"; "A Syntax of Self," by John Howell; "Between Covers," by David Salle; "Self Hipnosis," by Al Moore; "The Complete Works of Connie DeJong," by Al Moore; "Performing Burden, and the Legendary Bruce McLean, Piece," by Rosalie Goldberg; "The Fall," Lawrence Alloway; "Samples: Publications by Italian Artists," by Peggy Gale; "The Rise and Fall of the Peanut Party," by A.A. Bronson; "Some Notes on Art Books," by Naomi Spector; "But Can You Wrap Fish In It," by Eve Sonneman; "JAAP Rietman and the Art Business," Irena Von Zahn "Confessions of a Professional Bookie," by Peter Frank. Cover: Carl Andre. References : No. 328 in "The Book on Books on Artists' Books" by Arnaud Desjardin. London, England : The Everyday Press, 2011, pp. 178. "Artist / Author : Contemporary Artists' Books" by Cornelia Lauf, Clive Phillpot, Glenn O'Brien, Jane Rolo, Brian Wallis, Martha Wilson, Thomas Padon. New York, NY : Distributed Art Publishers / The American Federation of Arts, 1998, pp. 122, 128. No. 5.5 and 5.6 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 136, 138, 239. Good. 1.2 cm., 2 cm., 6 mm. of soiling to recto; 7 mm. and 8 mm. tears to top edge of recto; 8 mm. and 9 mm. tears to bottom edge of recto; tears to spine edge measuring 7 mm., 1 cm. (x 2), 3.1 cm., and 7 mm. tears. Yellowing of covers and pages. Contents clean and unmarked.

Verlag: Art-Rite Publishing Co. New York, NY, 1977
- Softcover
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In den Warenkorb79 pp.; 26.4 x 19 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue number 14 of Art-Rite, the artists' books issue, edited by Walter Robinson and Edith deAk. Contents include: "Market Research," statements about artists' books by Kathy Acker, John Baldessari, Luciano Barton…lini, Roberta Allen, Ulises Carrion, Daniel Buren, Robert Delford, Brown, Robert Cumming, Ted Castle, Agnes Denes, Peter Downsbrough, Mary Fish, Jon Gibson, Peter Grass, George Griffin, Judith A. Hoffberg, Douglas Huebler, Alan Kaprow, Richard Kostelanetz, Sharon Kulik, Robert Leverant, Sol LeWitt, Lucy Lippard, Christof Kohlhofer, Jane Logemann, Paul McMahon, Robert Morgan, Mauritio Nannuci, Richard Nonas, Adrian Piper, Lucian Pozzi, Marcia Resnick, The Roseprint Detective Club, Carolee Schneemann, John Shaw, Bob Smith, Pat Steir, Ellen Sragow, Ted Stamm, Peter Stansbury, Richard Tuttle, Fred Truck, Lawrence Weiner, Robert Winters, Rachel Youdelman; "Catalog of Books"; "A Syntax of Self," by John Howell; "Between Covers," by David Salle; "Self Hipnosis," by Al Moore; "The Complete Works of Connie DeJong," by Al Moore; "Performing Burden, and the Legendary Bruce McLean, Piece," by Rosalie Goldberg; "The Fall," Lawrence Alloway; "Samples: Publications by Italian Artists," by Peggy Gale; "The Rise and Fall of the Peanut Party," by A.A. Bronson; "Some Notes on Art Books," by Naomi Spector; "But Can You Wrap Fish In It," by Eve Sonneman; "JAAP Rietman and the Art Business," Irena Von Zahn "Confessions of a Professional Bookie," by Peter Frank. Cover: Carl Andre. References : No. 328 in "The Book on Books on Artists' Books" by Arnaud Desjardin. London, England : The Everyday Press, 2011, pp. 178. "Artist / Author : Contemporary Artists' Books" by Cornelia Lauf, Clive Phillpot, Glenn O'Brien, Jane Rolo, Brian Wallis, Martha Wilson, Thomas Padon. New York, NY : Distributed Art Publishers / The American Federation of Arts, 1998, pp. 122, 128. No. 5.5 and 5.6 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 136, 138, 239. Fair / Good. 9.6 cm. loss to bottom left corner of verso with multiple areas of tearing and loss along length of spine. Light yellowing of covers and contents. Contents clean and unmarked.

Verlag: Art-Rite Publishing Co. New York, NY, 1977
- Softcover
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In den Warenkorb79 pp.; 26.4 x 19 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue number 14 of Art-Rite, the artists' books issue, edited by Walter Robinson and Edith deAk. Contents include: "Market Research," statements about artists' books by Kathy Acker, John Baldessari, Luciano Barton…lini, Roberta Allen, Ulises Carrion, Daniel Buren, Robert Delford, Brown, Robert Cumming, Ted Castle, Agnes Denes, Peter Downsbrough, Mary Fish, Jon Gibson, Peter Grass, George Griffin, Judith A. Hoffberg, Douglas Huebler, Alan Kaprow, Richard Kostelanetz, Sharon Kulik, Robert Leverant, Sol LeWitt, Lucy Lippard, Christof Kohlhofer, Jane Logemann, Paul McMahon, Robert Morgan, Mauritio Nannuci, Richard Nonas, Adrian Piper, Lucian Pozzi, Marcia Resnick, The Roseprint Detective Club, Carolee Schneemann, John Shaw, Bob Smith, Pat Steir, Ellen Sragow, Ted Stamm, Peter Stansbury, Richard Tuttle, Fred Truck, Lawrence Weiner, Robert Winters, Rachel Youdelman; "Catalog of Books"; "A Syntax of Self," by John Howell; "Between Covers," by David Salle; "Self Hipnosis," by Al Moore; "The Complete Works of Connie DeJong," by Al Moore; "Performing Burden, and the Legendary Bruce McLean, Piece," by Rosalie Goldberg; "The Fall," Lawrence Alloway; "Samples: Publications by Italian Artists," by Peggy Gale; "The Rise and Fall of the Peanut Party," by A.A. Bronson; "Some Notes on Art Books," by Naomi Spector; "But Can You Wrap Fish In It," by Eve Sonneman; "JAAP Rietman and the Art Business," Irena Von Zahn "Confessions of a Professional Bookie," by Peter Frank. Cover: Carl Andre. References : No. 328 in "The Book on Books on Artists' Books" by Arnaud Desjardin. London, England : The Everyday Press, 2011, pp. 178. "Artist / Author : Contemporary Artists' Books" by Cornelia Lauf, Clive Phillpot, Glenn O'Brien, Jane Rolo, Brian Wallis, Martha Wilson, Thomas Padon. New York, NY : Distributed Art Publishers / The American Federation of Arts, 1998, pp. 122, 128. No. 5.5 and 5.6 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 136, 138, 239. Poor / Fair / Good. Yellowed brittle pages with multiple tears and areas of loss to covers including 6.5 cm. 3.5 cm., and 2.9 cm. losses. Light chipping and folding of pages, contents otherwise clean and unmarked. Sold "as-is.".
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0,0 x 0,0 x 0,0 cm, Audio CD. Zustand: Gut. 1 CD kleine Gebrauchsspuren OM102F4 Sprache: Deutsch Gewicht in Gramm: 505.
Verlag: (NY), 1936
- Softcover
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In den WarenkorbPaperback. Zustand: Very Good. 8 x 10", vintage black and white photo inscribed in black fountain pen. Some staining and edge wear. Obtained in person at CBS Fri. Dec 18, 1936. COA included. Shows K with a baton, music stand and CBS microphone. There is a fadeout to music on stand. Popular orchestra music conductor and arranger.

Verlag: Art-Rite Publishing Co. New York, NY, 1977
- Softcover
Anbieter: Specific Object / David Platzker, New York, NY, USASpecific Object / David Platzker
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In den Warenkorb79 pp.; 26.4 x 19 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue number 14 of Art-Rite, the artists' books issue, edited by Walter Robinson and Edith deAk. Contents include: "Market Research," statements about artists' books by Kathy Acker, John Baldessari, Luciano Barton…lini, Roberta Allen, Ulises Carrion, Daniel Buren, Robert Delford, Brown, Robert Cumming, Ted Castle, Agnes Denes, Peter Downsbrough, Mary Fish, Jon Gibson, Peter Grass, George Griffin, Judith A. Hoffberg, Douglas Huebler, Alan Kaprow, Richard Kostelanetz, Sharon Kulik, Robert Leverant, Sol LeWitt, Lucy Lippard, Christof Kohlhofer, Jane Logemann, Paul McMahon, Robert Morgan, Mauritio Nannuci, Richard Nonas, Adrian Piper, Lucian Pozzi, Marcia Resnick, The Roseprint Detective Club, Carolee Schneemann, John Shaw, Bob Smith, Pat Steir, Ellen Sragow, Ted Stamm, Peter Stansbury, Richard Tuttle, Fred Truck, Lawrence Weiner, Robert Winters, Rachel Youdelman; "Catalog of Books"; "A Syntax of Self," by John Howell; "Between Covers," by David Salle; "Self Hipnosis," by Al Moore; "The Complete Works of Connie DeJong," by Al Moore; "Performing Burden, and the Legendary Bruce McLean, Piece," by Rosalie Goldberg; "The Fall," Lawrence Alloway; "Samples: Publications by Italian Artists," by Peggy Gale; "The Rise and Fall of the Peanut Party," by A.A. Bronson; "Some Notes on Art Books," by Naomi Spector; "But Can You Wrap Fish In It," by Eve Sonneman; "JAAP Rietman and the Art Business," Irena Von Zahn "Confessions of a Professional Bookie," by Peter Frank. Cover: Carl Andre. References : No. 328 in "The Book on Books on Artists' Books" by Arnaud Desjardin. London, England : The Everyday Press, 2011, pp. 178. "Artist / Author : Contemporary Artists' Books" by Cornelia Lauf, Clive Phillpot, Glenn O'Brien, Jane Rolo, Brian Wallis, Martha Wilson, Thomas Padon. New York, NY : Distributed Art Publishers / The American Federation of Arts, 1998, pp. 122, 128. No. 5.5 and 5.6 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 136, 138, 239. Very Good. 6 mm. tear and 1 mm. loss to bottom edge of recto. Tearing along staple binding at spine measuring 6 mm., 5 mm., 1.3 cm., 1.1 cm. tears. Light yellowing of covers and pages. Contents clean and unmarked.
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In den WarenkorbANDRE KOSTELANETZ (1901-80) am. Dirigent russ. HerkunftEigenhändiger Briefm.Datum, Unterschrift - bes. schöner Brief an einen Bekannten, dem er für s. Arbeit dankt You have been a Tower of Strength.! 14.9.1971 1 S. 4° DAZU: Eigenhändiger BriefUMSCHLAG.

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In den Warenkorb200 : 250 mm. Brustbild von vorn.

- Signiert
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In den Warenkorbframed. Zustand: near fine. Signed photograph of of the Russian-America popular orchestral music conductor and arranger. For many years, he conducted the New York Philharmonic in pops concerts and recordings, in which they were billed as Andre Kostelanetz and His Orchestra. Circa 1950. Please inquire for more information. Andre…Kostelanetz was a Russian-American popular orchestral music conductor and arranger who was one of the major exponents of popular orchestra music. Abram Naumovich Kostelyanetz was born in Saint Petersburg, Russia to a prominent Jewish family. He was a cousin of physicist Lew Kowarski.