Sprache: Englisch
Verlag: Square-Rigger Press., Lexington, Ky., 1981
Anbieter: Jason Burley, Camden Lock Books, ABA, ILAB ., London, Vereinigtes Königreich
EUR 71,68
Anzahl: 1 verfügbar
In den WarenkorbKoschembahr, Daniel. (illustrator). 32, [1] pages in garamond type. Designed, illustrated, and handset by Carol Charles von Koschembahr. 63 mm. The publication is quite scarce, with only 200 copies produced. The book is noted for its high-quality, fine binding? a quarter blue cloth over paper boards?and features traditional Japanese-style binding. Text and illustrations printed in blue ink on double leaves. "This first endeavor was printed in Garamond type on a George P. Gordon letterpress. The book was designed, illustrated and handset by Carol Charles von Koschembahr. The author assisted in the printing and binding. May 1981. Limited edition of 200."-Colophon. Includes a glossary of nautical terms. Issued with white wraparound sleeve. The book contains the author's foreword, a glossary of nautical terms, an errata, and a colophon. It focuses on themes related to sailing and square-riggers.
Sprache: Englisch
Verlag: Square-Rigger Press., Lexington, Ky., 1984
Anbieter: Jason Burley, Camden Lock Books, ABA, ILAB ., London, Vereinigtes Königreich
EUR 77,65
Anzahl: 1 verfügbar
In den Warenkorb28 unnumbered leaves. Title page printed in red and black. Handset text in italic Garamond. 7 cm. Original cream paper covered boards and black cloth. Complete with printed cream card sleeve. OCLC, 263444536. WorldCat records nine copies worldwide. The fact that this copy is uniquely numbered '42' and that, in pop culture, particularly to fans of Douglas Adams' The Hitchhiker's Guide to the Galaxy, 42 is famous as the "Answer to the Ultimate Question of Life, the Universe, and Everything", owning the 42nd copy makes the item a meta-reference to the book itself. The book is a product of the Square-Rigger Press in Lexington, Kentucky, and features 26 calligraphic, lower-case letters drawn by the author, Daniel von Koschembahr. The publication is quite scarce, with only 200 copies produced. The book is noted for its high-quality, fine binding? a quarter blue cloth over paper boards?and features traditional Japanese-style binding. It is not merely a typeface specimen but a showcasing of handcrafted, calligraphic italic script. The work represents a blend of 20th-century private press tradition with the delicate artistry of calligraphy.