Knox giles (28 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Brand New. 48 pages. 7.25x6.50x0.25 inches. In Stock.

Zustand: New.

Zustand: New. 2022. Paperback. . . . . . Books ship from the US and Ireland.

paperback. Zustand: New. **PAPERBACK** **SHRINKWRAPPED**.

Revised edition; small 4to; stiff pictorial wraps, softcover; 46 pages; wonderful color illustrations; edgeworn covers else a very good, clean, tight, unmarked copy.

Zustand: New.

paperback. Zustand: New. 1st.

Zustand: New.

Paperback. Zustand: Brand New. 01 edition. 220 pages. 12.00x8.50x0.50 inches. In Stock.

Hardcover. Zustand: Near fine. No dj, as issued. First Edition. 17 x 25cm 233pp several chapters plus black and white reproductions.

Paperback. Zustand: Brand New. 191 pages. 9.25x6.50x0.35 inches. In Stock.

Zustand: New.

Taschenbuch. Zustand: Neu. Neuware - Giles Knox examines how El Greco, Velaìzquez, and Rembrandt, though a disparate group of artists, were connected by a new self-consciousness with respect to artistic tradition. In particular, Knox considers the relationship of these artists to the art of Renaissance Italy, and sets aside nationalist art histories in order to see the period as one of fruitful exchange. Across Europe during the seventeenth century, artists read Italian-inspired writings on art and these texts informed how they contemplated their practice. Knox demonstrates how these three artists engaged dynamically with these writings, incorporating or rejecting the theoretical premises to which they were exposed. Additionally, this study significantly expands our understanding of how paintings can activate the sense of touch. Knox discusses how Velaìzquez and Rembrandt, though in quite different ways, sought to conjure for viewers thoughts about touching that resonated directly with the subject matter they depicted.…

Taschenbuch. Zustand: Neu. Neuware - This study argues that Diego Velázquez painted two of his most famous works, The Spinners and Las Meninas, as theoretically informed manifestos of painterly brushwork. Knox presents a Velázquez who was much more aware of the art theory of his era than previously acknowledged, leading to his new interpretation of these works as representing together a polemically charged celebration of the 'handedness' of painting.…

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. 2017. 1st Edition. paperback. . . . . . Books ship from the US and Ireland.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Zustand: New.

Hardcover. Zustand: Brand New. 0 edition. 233 pages. 9.50x6.75x0.75 inches. In Stock.

Zustand: New.

Zustand: New. pp. 208 48 Illus. (4 Col.).

Buch. Zustand: Neu. Neuware - Giles Knox examines how El Greco, Velaìzquez, and Rembrandt, though a disparate group of artists, were connected by a new self-consciousness with respect to artistic tradition. In particular, Knox considers the relationship of these artists to the art of Renaissance Italy, and sets aside nationalist art histories in order to see the period as one of fruitful exchange. Across Europe during the seventeenth century, artists read Italian-inspired writings on art and these texts informed how they contemplated their practice. Knox demonstrates how these three artists engaged dynamically with these writings, incorporating or rejecting the theoretical premises to which they were exposed. Additionally, this study significantly expands our understanding of how paintings can activate the sense of touch. Knox discusses how Velaìzquez and Rembrandt, though in quite different ways, sought to conjure for viewers thoughts about touching that resonated directly with the subject matter they depicted.…

Buch. Zustand: Neu. Neuware.

17 pp. & 39 pp.; 20.5 x 26.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Double / "flip" issue of the socio-political publication, The Flue, published by avant-garde arts organization Franklin Furnace. Publication reads on one side as "Sex, Performance and the 80's" and on the other side as " L.A. London Catalog." Contents for "Sex." includes: "Quotable Sex Quotes;" "The History of Sex at Franklin Furnace," by Martha Wilson; "Interview with Carolee Schneemann," by Linda Montano; "Interview with Charles Ludlam," by Vanalyne Green; "Live Sex Acts," by Linda Burnham; "On and Behind the Screen: Notes in Progress on Visual Pleasure in Performance and Film by Micki McGee; "The Summer of the Boy: Issues in Performance," by Melvyn Freilicher; "All You Need is Junk," by Barbara Baracks; "Performances from Franklin Furnace 1981 - 1982," photos by Benita Abrams of "Charms" by Dentures Art Club (Stan Kaplan and Joan Giannecchini), "Doing the Dishes," by Susan Mogul, "Life on the Farm," by George Sand; "Artist's Page," by Richard Zigun; "Artist's Page," by Cecilia Vicuña; "Artist's Page," by Sandy De Sando; "Book Reviews;" "Fuel," by Barbara Quinn; "Editorials;" and "More Quotable Sex Quotes." Cover photo by Vanalyne Green. "L.A. London" contents include: "Introduction," by Martha Wilson; "Artists' Pages," by Rose Finn-Kelcey, Feminist Art Workers, Rose English, Linda Montano, Tina Keane, Tam Giles, Linda Nishio, Hannah O'Shea, Nina Sobel, Sally Potter, Cheri Gaulke, Carlyle Reedy, and Sonia Knox; "Interview with Susan Hiller and Suzanne Lacy," by Tony Whitfield and Lisa Liebmann "Special Artist's Page" by Leslie Labowitz and Aria Natale Starus, born Sunday, May 23, 1982. Reference : No. 334 in "The Book on Books on Artists' Books" by Arnaud Desjardin. London, England : The Everyday Press, 2011, pp. 181. Fine / Very Good. Dust soiling of verso with red scuffing from title ink. 4 mm. tear to top edge of verso. Contents clean and unmarked. …

Amsterdam, AUP, 2019. 233 pp. 10 col. plts. 86 ills. Hardcover. - Working-copy; First endpaper and title-page missing; cancellation-stamps on fore-edges; text and ills. complete.