Zustand: Very Good. First Printing. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Paperback. Slight penciling, edge-worn and creased wrappers, slightly musty. 303 pp.
Sprache: Englisch
Verlag: Edinburgh University Press, 2017
ISBN 10: 1474426026 ISBN 13: 9781474426022
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
EUR 32,69
Anzahl: 3 verfügbar
In den WarenkorbZustand: New. pp. 192.
Sprache: Englisch
Verlag: Edinburgh University Press, 2017
ISBN 10: 1474426026 ISBN 13: 9781474426022
Anbieter: moluna, Greven, Deutschland
Zustand: New. Extreme Cinema examines the highly stylized treatment of sex and violence in post-millennial transnational cinema, where the governing convention is not the narrative but the spectacle.Über den AutorAaron Kerner is a Professo.
Anbieter: HALCYON BOOKS, LONDON, Vereinigtes Königreich
EUR 68,25
Anzahl: 1 verfügbar
In den Warenkorbhardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. We are closed 14th-23rd July items ordered after 9:00am on the 13th July will be shipped on 25th July, shipping times have been updated. ALL ITEMS ARE DISPATCHED FROM THE UK, ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.
Sprache: Englisch
Verlag: Edinburgh University Press Aug 2017, 2017
ISBN 10: 1474426026 ISBN 13: 9781474426022
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - Extreme Cinema examines the highly stylized treatment of sex and violence in post-millennial transnational cinema, where the governing convention is not the narrative but the spectacle. Using profound experiments in form and composition, including jarring editing, extreme close-ups, visual disorientation and sounds that straddle the boundary between non-diegetic and diegetic registers, this mode of cinema dwells instead on the exhibition of intense violence and an acute intimacy with the sexual body. Interrogating works such as Wetlands and A Serbian Film, as well as the sub-culture of YouTube 'reaction videos', Aaron Michael Kerner and Jonathan L. Knapp demonstrate the way content and form combine in extreme cinema to affectively manipulate the viewing body.