Klenner jens (4 Ergebnisse)

Hardcover. Zustand: Very Good.

Zustand: Gebraucht - Gut. original Heft, nicht paginiert, 8 Seiten, einzelne Illustrationen, beiliegende Besetzungsliste. Zustand: sehr gut, Ablagelochung Komische Oper in drei Akten nach einer Novelle von Guy de Maupassant frei gestaltet von Eric Crozier. Musikalische Leitung: Hans-Peter Kirchberg. Regie: Christoph Thomm. Ausstattung: Udo Klenner. Mitwirkende: Christine Haubold-Menkhoff, Sabine Münkner / Barbara Zosel, Reinhild Wäntig, Horst Behrend / Andreas Sommerfeld, Klaus-Dolf Schubert, u.a. ------- Program booklet Benjamin Britten ALBERT HERRING Stages Zwickau 1987 - Original booklet, unpaginated, 8 pages, individual illustrations, cast list included. Condition: very good, filing holes. - Comic opera in three acts based on a novella by Guy de Maupassant, freely adapted by Eric Crozier. Musical direction: Hans-Peter Kirchberg. Stage direction: Christoph Thomm. Set design: Udo Klenner. Cast: Christine Haubold-Menkhoff, Sabine Münkner / Barbara Zosel, Reinhild Wäntig, Horst Behrend / Andreas Sommerfeld, Klaus-Dolf Schubert, and others. deu. …

Zustand: New. In English.

Buch. Zustand: Neu. Neuware - Writing the Mountains reconsiders the role of mountains in German language fiction from 1800 to the present and argues that in a range of texts, from E.T.A. Hoffmann's 'Die Bergwerke zu Falun' (1819) to Elfriede Jelinek's Die Kinder der Toten (1995) and beyond, mountains serve as dynamic spaces of material change that generate aesthetic and narrative innovation. In contrast to dominant critical approaches to the Alpine landscape in literature, in which mountain ranges often features as passive settings, or which trace the influence of geographical and geological sciences in literary productions, this study argues for the dynamic role in literature of presumably rigid mineral structures.In German-language fiction after 1800, the counter-intuitive topology of rocky mountain ranges and unfathomable subterranean depths of the Alpine imaginary functions as a space of exception which appears to reconfirm and radically challenge the foundations of Enlightenment thought. Writing the Mountains reads the mountain range as a rigid yet permeable liminal space. Within this zone, semiotic orders are unsettled, as is the division between organic and inorganic, between the human and the other. …