klee p (31 Ergebnisse)

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

150 S. Lichtmarke auf Umschlag vorn, ansonsten jedoch sehr gutes Expl.

Zustand: New. Greulich, Michele Klee (illustrator). In.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1000grams, ISBN:9788434311428.

3. Aufl. 33 x 31,5 cm. Mit Illustr. u. 16 farb. Taf. unter Passepartout nebst 2 Wechselpassepartouts. 61 S. Farb. illustr. OHlwd. - Sehr gutes Ex. 1.

4°. Mit zahlr. (tls. farb. Abb. i. Text u. a. Taf. 62 S. OLwd. - DuMont's Neue Kunst-Reihe.- Gutes Expl. 1.

Gebundene Ausgabe. Zustand: Gut. SÃdwest 1971 : Denys Chevalier - gb . Gr.21.5x28.5cm. - Einband bestossen PP-SPGX-NEWB Sprache: Deutsch Gewicht in Gramm: 500.

Hardcover. Zustand: Sehr gut. 1. Auflage. Z : 21 x 28 cm, 140 Seiten mit 110 farbigen Abbildungen. - Dieser Katalog zum Werk Henry Moores (1898 1986) führt nochmals einen der großen Neuerer der Skulptur im 20. Jahrhundert in ausgewählten Arbeiten der Sammlung der Tate Modern, London, vor Augen. Das Motto »Great Art is Not Perfect« spielt dabei auf Henry Moores Grundprinzip an, die Natur zu beobachten, nach dieser zu arbeiten und seine plastischen Ideen mit der größtmöglichen Materialgerechtigkeit in Einklang zu bringen. Dabei ist Moore nicht nur zu Lebzeiten einer der populärsten englischen Künstler gewesen, sondern steht wie kaum ein Zweiter in der öffentlichen Wahrnehmung für ein explizit humanistisches Menschenbild. - This catalog of Henry Moore's (1898-1986) work presents once again one of the great innovators of 20th century sculpture with selected works, among others from the collection of Tate Modern, London. The motto »Great Art Is Not Perfect« refers to Henry Moore's basic principle of observing and working along nature, and realizing his sculptural ideas in line with the true nature of the material. Moore was one of the most popular ­English artists, not just during his lifetime. Like no other, he stands for an explicitly humanistic idea of man.

Hardcover. Zustand: Very Good. Folio Thames and Hudson 1958. Very good copy. complete with all cplour plates, printed glassine dust jacket and mounts contained inside back cover. Slade school prize presentation to end paper Contained in original cardboard slip case.

Third edition. 29,5x21 cm. 448 pp. Richly illustrated, partly in colour. Publisher's decorated cloth, dust-jacket a bit worn. Inscribed on first blank, a few small stains. Text in German.

Zustand: New. In.

Zustand: Good. Institute for Advanced Study, Princeton, 1954. Cover lightly soiled/rubbed, corners lightly rubbed/bumped, spine ends lightly rubbed; edges foxed/soiled; ffep has erasures; binding tight; cover, edges, and interior intact and clean except as noted. paperback. Good.

Zustand: Good. Volume 1. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1500grams, ISBN:3770106075.

Hardcover. Zustand: Like New. Immediate dispatch from Somerset. Book in excellent unread/unused condition. Multi language inc Hardcover. English. Pub Year 2015, See images for condition. About the book >.>.> This book, Henry Moore, produced by Zentrum Paul Klee, serves as a comprehensive exploration of the life and work of the renowned British sculptor Henry Moore. The foreword outlines Moore's artistic journey, beginning with his early sculptures in the 1920s, which faced significant criticism. Despite this rocky start, he evolved into one of the UK's most celebrated artists, achieving notable public commissions and winning the International Prize for Sculpture at the Venice Biennale in 1948. Following these successes, Moore garnered international acclaim and financial stability during the post-war era.The text also highlights a pivotal exhibition of Moore's work that took place in Switzerland in 1950 at Kunsthalle Bern, which surprisingly attracted limited visitors. In a notable return, the Zentrum Paul Klee is honouring Moore with a retrospective exhibition in Bern, marking the first in 25 years and anticipating far greater public interest. The publication aims to interlace Moore's oeuvre with that of his contemporaries, demonstrating the affinities in their artistic directions. It underscores the significance of Moore?s contributions, positioning him as a pivotal figure in modern art.Readers of this book can expect a thoughtful examination of Moore's legacy, enriched by the context of previous exhibitions and collaborations. As a retrospective, it aims to provide insights into the evolution of Moore's work and its lasting impact on the art world, appealing both to those familiar with his sculptures and newcomers seeking to understand his artistry. The combination of historical analysis and visual representation makes this publication an essential resource for appreciating Henry Moore's contributions to contemporary art.

Softcover. Zustand: Befriedigend. 68 S., zahl. teils farb. u. mont. Abb., kart., 24 x 21 cm. Einband unfrisch, innen von guter Erhaltung.

31x23 cm. 201, (6) pp. Richly illustrated. Publisher's hardcover, dust-jacket. Outer edge with stain, affecting small part of the marginal to many pages.

Hardcover. Zustand: Brand New. 1st edition. 461 pages. 9.25x6.00x0.75 inches. In Stock.

Hardcover. Ex-library, o/wise good (no markings to clean and bright text). No dust jacket. Part of the Molecular Aspects of Cellular Regulation series, Volume 5. 371pp. ISBN 0121850587.

Mit überwieg. farb. Abb. 96 S. Sprache: Deutsch Gewicht in Gramm: 900 OLwbd. Farb. OUmschl. 4to., *DEA. (12679).

4°. M. 198 (teils farb.) Abb. 220 S. OLwd. Einbd. minimal bestoßen. Sprache: Deutsch 0 gr.

OLwbd. 4to., 50 Farbtafeln und schw. Abb. im Text. 44 Textseiten Sprache: Deutsch Gewicht in Gramm: 1200.

Gr.-8°. Mit zahlr. Abb. a. Tafeln u. Textillustr. 191 S. OLwd. - Sehr gutes Ex. 1.

Couverture souple. Zustand: bon. RO40263126: 1848. In-8. Broché. Etat d'usage, 1er plat abîmé, Dos fané, Quelques rousseurs. 532 pages. Dos muet, consolidé. Etiquette de code sur la couverture. Quelques tampons de bibliothèque. 1er plat fortement déchiré et se détachant. . . . Classification Dewey : 262-Ecclésiologie, bréviaires.

429 S. m. 51 Abb. im Text u. auf Taf. (DuMont Dokumente, Reihe II). OKart. Erste Ausgabe der Tagebücher des jungen Klee, die zu den wichtigsten Dokumenten zur modernen Kunst gehören. Sprache: Deutsch.

Leather. Zustand: Very Good. None (illustrator). Two volumes of Henri Klee's look at the history of Christian dogmas, translated here into French from the original German by P. H. Mabire. Complete in two volumes. These volumes are in French. This work is an interesting look at the history of Christian principles, and the dogmas of faith. Christianity has a set of core beliefs that are shared by virtually all Christians. The author taught dogmatic and moral theology at the University of Bonn, and so this work is instructional and educational. Originally written in German by Henri Klee. Klee was a German theologian and Biblical interpreter. He also published works on Catholic dogmas, as well as 'Die Beicht', 'Commentar Uber den Romerbrief', and 'Enclcylopadie des Theologie'. Translated here into French by the Abbe PH Mabire. Bookplate to the front pastedowns belonging to a John Ponsonby. Rebacked with the original half calf with marbled paper boards laid on. Externally, smart. Very light marking to the spines. Evidence of where the joints and extremities had been worn before being rebacked. Bookplates to the front pastedowns. Internally, firmly bound. Pages are bright with scattered spots. Very Good. book.

15,5x20,5cm, broché, 66p. Edition originale. Un des 50 exemplaires sur papier Crèvecoeur du Marais (n°14), seul tirage. Typographie Pierre Faucheux. Bon état. Sommaire : Minotoréador, Maurice Henry. Logique symbolique, Lewis Carroll. Bougies, André Frédérique. Jubilate agno. Christopher Smart. Dans une église, Francis Picabia. Faits divers. Essai No 3, Berthold Brecht. M. Preble se débarrasse de sa femme, James Thurber. Dessin, James Thurber. Entre chien et loup, André Frédérique. Akara, Romain Weingarten. Akara : photos de travail. Huthbild, Kurt Schwitters. Kurt Schwitters, Jean Arp. Kurt Schwitters (3, Carola Giedion-Welker. La loterie du jardin zoologique (3), Kurt Schwitters. Scherz, Kurt Schwitters. Anna Mafleur (4), Kurt Schwitters. Automne (4), Kurt Schwitters. Danse du dormeur, Maurice Henry. L'insonore bleu, Jean Arp. Nuit de Walpurgis (3), Walter Moeschlin. A hue ni à dia, Henri Michaux. Les passants (5), Franz Kafka . Dessin, Paul Klee. Dôdi (6), Frédéric Karinthy. Le cocon (7), John B.L. Goodwin. Dessin, Henri Michaux. Notes, Henri Parisot, Claude Vernier.

Zustand: Sehr gut. Zustand: Sehr gut | Sprache: Deutsch | Produktart: Bücher | Keine Beschreibung verfügbar.

331 pp.; 28.9 x 21.4 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held the Bauhaus-Archive, Museum für Gestaltung, Berlin, February 9 - April 20, 1992. Texts by Klaus Weber, Peter Haffenden, Peter Hahn, Karsten Kruppa, Katja Schneider, Beate Manske, Helmut Erfurth, Thomas Heyden, Jutta Weber, and Karsten Hintz. Artists include August Agatz, Josef Albers, Waldemar Alder, Alfred Arndt, Carl Auböck, Gerd Balzer, Max Bill, Heinrich Siegfried Bormann, Marianne Brandt, Hin Bredendieck, Marcus Leser Bronstein, Maria Cyrenius, Christian Dell, Hermann Gautel, Walter Gropius, Lawrence H. Haase, Erika Hackmack, Walter Hartstang, Walther Erich Heller, Walter Holzhausen, Johannes Itten, Martin Jahn, Carl Jakob Jucker, Paul Klee, Josef Knau, Alfred Kopka, Max Sinowjewitsch Krajewski, Alfred Lipovac, Friedrich Marby, Erich Markiewiz, Erika Marx, Gerda Marx, Adolf Meyer, Laszlo Moholy-Nagy, Gyula (Julius) Pap, Hans Pistorius, Josef Pohl, Hans Przyrembel, Paul Reindl, Otto Rittweger, Wolfgang Rössger, Wilhelm Schabbon, Alfred Schäfter, Oskar Schlemmer, Herbert Schröter, Lili (Elisabeth) Schultz, Helmut Schulze, Rudolf Schwarz, Naum (Nachman Julius) Slutzky, Otto Umbehr, Gerhard Vallentin, Wilhelm Wagenfeld, Elisabeth Winkelmayer, Richard Winkelmayer, Willi Wirths, and Werner Zimmermann. Includes biography, Bauhaus chronology, bibliography. Text in German. Very Good. Light rubbing of covers and cover edges with wear at top edge of spine. Yellowing of pages. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Couverture souple. Zustand: Bon. Stockholm, 1919. Red. Georg Pauli. Un fascicule agrafé au format 254X342mm. Couverture illustrée. Illustrations de Henri Laurens, André Lhote, Paul Klee, Kandinsky, Cezanne, Hans Arp et al. Publicité pour "l'utra-moderne Dada Anthologie", la galerie "l'Effort Moderne". Charnière fendue. Voir les 5 photos. Le redacteur G. Pauli fit pour la première fois dans son pays la promotion du dadaïsme. (Cf. Fond Destribats. Bibliothèque Kandinsky).

Paris : Jean-Michel Place, 1991. 2 volumes (21,7x28cm) pleine toile imprimée sous jaquettes, 406 et 610 pages illustrées dans et hors texte. Fac-similé des 15 numéros parus, préface de Denis Hollier, index des auteurs et des illustrateurs. Exemplaires en bon état. Importante revue fondée par Georges Bataille et Georges-Henri Rivière. Michel Leiris était le secrétaire de rédaction et gérant en 1930. Livres.