Klaus kertess text (5 Ergebnisse)
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Anbieter: David Bunnett Books, London, Vereinigtes KönigreichDavid Bunnett Books
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SOFTCOVER. Zustand: AS NEW. Zustand des Schutzumschlags: Issued without a dustjacket. 1st Edition. Exhibition to commemorate the Parrish's centennial. 4to in colour printed stiff card covers, unpaginated, approx. 120pp on thick art paper, colour plates, etc . [CONDITION: An extremely well preserved AS NEW unread and unmarked cop…y ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.
Weitere BilderSprache: Englisch
Verlag: Staatliche Graphische Sammlung / Ostfildern: Edition Cantz, Munchen, 1994
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Anbieter: studio montespecchio, montespecchio, MO, Italienstudio montespecchio
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In den WarenkorbSoft cover. Zustand: As New. 2 Tall quartos. Volume 1: 135 pages, illustrated throughout. Illustrated wrappers / Volume 2: 38 pages, illustrated in black and white and in color. Illustrated wrappers. All together in cardboard slipcase. Mint. - First edition. Volume 1 with text by Klaus Kertess, Volume 2 with Notes by the artist.… Text in German and English.

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Anbieter: Antiquariat UEBUE, Zürich, SchweizAntiquariat UEBUE
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Hardcover. Zustand: Sehr gut. Zustand des Schutzumschlags: Sehr gut. 1. Auflage. Z : 204 pp., 65 ills. hardcover 24.70 x 30.80 cm - Willem de Kooning (1904-1997) is regarded as a leading exponent of Abstract Expressionism and celebrated in the U.S. as one of the most significant figures in twentieth-century painting. Yet in Euro…pe, the artist has yet to be fully recognized as the important figure he was. That applies in particular to his work of the sixties and seventies, his years of retreat from urban life to live and work on Long Island. This part of his oeuvre bears the imprint of a fundamental experience of landscape, and it is here that he developed a style of figuration (which de Kooning never really abandoned) characterized by a new sense of color and energetic gesture. This period of vigorous, pioneering creativity in the art of Willem de Kooning is explicitly illuminated for the first time in this book. Featuring a concentrated selection of painting in large formats, it shows how his works - although recognizable as landscapes - grew abstract under the influence of his intense experience of nature while his brushwork literally liberated itself from all bonds.

John Chamberlain: A Catalogue Raisonne of the Sculpture, 1954 - 1985
[John Chamberlain] Julie Sylvester [text]; Klaus Kertess [essay]
Sprache: Englisch
Verlag: Hudson Hills Press / Museum of Contemporary Art, New York / Los Angeles, CA, 1986
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Anbieter: Capitol Hill Books, ABAA, Washington, DC, USACapitol Hill Books, ABAA
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Zustand: Very Good. Zustand des Schutzumschlags: Very Good. New York / Los Angeles, CA: Hudson Hills Press / Museum of Contemporary Art, 1986. First Edition. Folio (31.5cm); publisher's cloth in unclipped pictorial dust jacket; 239pp.; photographic illus. throughout, about half in color. Moderate wear and bumping to cloth and ja…cket margins, jacket spine panel a shade sunned, almost imperceptible dampstain to upper cover cloth not affecting jacket or textblock; Very Good and sound.
Weitere Bilder- Hardcover
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Anbieter: ERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB), Santa Monica, CA, USAERIC CHAIM KLINE, BOOKSELLER (ABAA ILAB)
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Hardcover. Zustand: Fine condition. Limited First edition. 10/50. Folio. Unpaginated. Original gray-green cloth with black lettering in original photo-illustrated, heavy white paper dustjacket; housed in gray-green cloth oblong quarto clamshell box with black lettering on side. Gray endpapers. Signed Bill Jacobson on half-title.… Original matted print laid in, signed, titled and numbered. With text "Lost Profile" by Klaus Kertess: ".That tree he constantly stood next to in my dreams, that tree in my waking hours stands for another, for whom it was originally planted. I see it in the morning, as I look out the bedroom window, on my way to the bathroom." Illustrated with forty-eight photographs emanating the dreamlike transference of personality.