kinoy ernest (11 Ergebnisse)

Paperback. Zustand: ACCEPTABLE. THE SCRIPT! Not so pretty ACTING SCRIPT for your theatrical needs. Some shelf wear and edge wear to the covers. Former actor name. Good binding. The text flows clearly. Enjoy this ACTING EDITION SCRIPT.

Paperback. Zustand: Good. You will receive THE SCRIPT! Presentable ACTING EDITION SCRIPT. Some shelf wear to the covers. Good binding and the dialogue flows clearly. Enjoy this presentable Acting Script useful for performance.

Paperback. Zustand: Acceptable. STARVING STUDENT SCRIPT! Not so pretty. Some noticeable shelf wear and edge wear to the covers. Former actor has marked the script with pen, pencil and highlighting. Still worthwhile pages with plenty of clean clear text. USED but still USEFUL especially when you need an extra. Enjoy this acceptable script for all your dramatic and theatrical needs. Book.

Vintage studio still photograph from the 1972 film. Directed by Sidney Poitier and significant as an early cinematic example of black resistance against a white majority. Poitier stars as Buck, a freed slave who partners with a con-man preacher in this 1972 Western. Shot on location in California and Mexico. 8 x 10 inches. Near Fine.

Vintage studio still photograph from the 1986 television movie. Television movie that follows the infamous newsman Edward R. Murrow, whose frank condemnation of McCarthy helped put an end to the senator's "witch-hunts." Shot on location in New York and London. 8 x 10 inches. Very Good plus, with a red manuscript notation to the recto and to the verso.

Softcover. Zustand: Near Fine. First edition. Octavo. 92, [4]pp. Stapled pale gray wrappers. Light bend on front wrap, else near fine. Based on the novel by Mark Harris.

Softcover. Zustand: Fine. First edition. Octavo. 92, [4]pp. Stapled pale gray wrappers. Fine. Based on the novel by Mark Harris.

Vintage one sheet poster for the 1972 Blaxploitation film. Loosely based on Chester Himes' 1966 novel "The Heat is On," about a pair of detectives unraveling a string of bizarre murders committed by a vigilante named Charleston Blue. Sequel to the 1970 film "Cotton Comes to Harlem." Set in and shot on location in Harlem. 27 x 41 inches. Folded as issued. Near Fine. Howard, Blaxploitation Cinema. Parish & Hill 65.

Final Draft script for the 1976 television movie, originally aired on December 13, 1976, on ABC, and seen here under the working title "Ordeal at Entebbe." A dramatization of the real-life 1976 Entebbe raid, an Israeli counter-terrorist mission in Uganda, launched in response to the hijacking of a passenger plane by two Palestinian PFLP-EO terrorists and two German RZ terrorists. Dark blue titled wrappers. Title page present, dated October 23, 1976, noted as FINAL DRAFT, with credit for screenwriter Ernest Kinoy. 286 leaves, with last page of text numbered 284. Xerographic duplication, rectos only. Pages Fine, wrapper about Fine, bound with two gold brads.

Draft script for the 1971 film, here under the working title "Kane." Copy belonging to actor Bradford Dillman, with his stamp to the title page, and his manuscript ink annotations throughout. Laid in with the script are two manuscript pages with Dillman's notes on blocking for various scenes, and two gatherings of cast and crew contact information. A mysterious African American man returns to his hometown for a funeral and is suspected by the police and district attorney of being a union organizer. His aging family doctor, however, knows the man holds a larger, more meaningful purpose in the world. Set in Alabama, shot on location in Marysville, California. Blue titled wrappers, dated January 30, 1970, noted as production No. 8981. Title page present, dated January 30, 1970, with credits for director James Goldstone and screenwriter Ernest Kinoy. 141 leaves, with last page of text numbered 140. Mimeograph duplication on eye-rest green stock, rectos only, with rainbow revision pages throughout, dated variously between February 11, 1970 and March 4, 1970. Pages and wrapper Near Fine, bound with two gold brads.

Vintage borderless reference photograph of director James Goldstone with a camera on the set of the 1971 film. A mysterious African American man returns to his hometown for a funeral and is suspected by the police and district attorney of being a union organizer. His aging family doctor, however, knows the man holds a larger, more meaningful purpose in the world. Set in Alabama, shot on location in Marysville, California. 10 x 8 inches. Near Fine.