Kingman dong (47 Ergebnisse)

Hardback. Zustand: Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Fair. Black cloth spine with yellow boards. The book has the normal library markings and attachments. The pages are lightly tanned. The dust jacket flaps are trimmed to fit the clear plastic dust jacket cover, however all text on the flaps is legible. The dust jacket spine has some fading. 108 pages. A drama in two acts. Kingman, Dong (illustrator).…

Hardcover. Zustand: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

hardcover. Zustand: Acceptable. Includes dust jacket. Signed. First Edition. SIGNERD by the author. There is a dampstain on the front of the jacket and it does blead through onto the cover. Staining/soiling has occurred on the top edges of the pages.

Hardcover. Zustand: Good.

Cloth. Zustand: Good. Zustand des Schutzumschlags: Good. 1st Edition. Stated First Printing. Red cloth binding. The book has the normal library markings and attachments. Illustrated. 143 pages.

Hardcover. Zustand: Fine. Dust Jacket Included. 1st Edition. US PBL ART Floor: 1st Edition. Signed and Inscribed By the Author. This 4to hardback is in fine condition with a DJ in fine condition. Kingman, Dong (illustrator). Inscribed by Author(s).

First Edition. Fine cloth copy in a near fine dw, very slightly edge-dulled dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. ; 143 pages; Description: 143 p. : ill. (some col. ) ; ; 32 cm. Subjects: Kingman, Dong, 1911-. Watercolor painting --Technique. Watercolorists --United States --Interviews. For the first time , the world renowned artist , acclaimed for his vibrant watercolors, invites you inside his studio and reveals the secrets of his success in this book about his paintings and his working methods. 2 Kg.…

hardcover. Zustand: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. Author inscription to FFEP o/w clean, unmarked copy with DJ in VG+ condition. BP/Art Instruction. Inscribed by Author(s).

Hardcover. Zustand: Very Good. y Fair. y First Edition, First Printing. New York / London: Watson-Guptill Publications / Pitman House, 1980. Book. Very Good. Burgundy Cloth Boards. First Edition, First Printing. Folio - over 12 - 15" tall. Interviews with the California-born artist Dong Kingman, revealing his working methods and influences, including traditional Chinese watercolours and calligraphy learned in Hong Kong. 143pp with index, illustrated profusely throughout, mainly in colour. Silver lettering to spine. Minimal bumping to top corner, otherwise very good copy with no inscriptions. Unclipped DJ worn and frayed to edges, with slight marking to surfaces. HEAVY BOOK, extra postage may be required for Air Mail shipping. . Book. …

Zustand: Very Good. Very Good condition. Acceptable dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. 128 Pp. Red Boards, Gilt. First Printing, 1991. Fine In Near Fine Dust Jacket With Light Wear At Tips. Inscribed By Kingman In 1995 To California Art Expert And Publisher Ruth Westphal. Dong Kingman (1911 -2000) Was A Chinese American Artist And One Of America's Leading Watercolor Masters. As A Painter On The Forefront Of The California Style School Of Painting, He Was Known For His Urban And Landscape Paintings, As Well As His Graphic Design Work In The Hollywood Film Industry. He Has Won Widespread Critical Acclaim And His Works Are Included In Over 50 Public And Private Collections Worldwide, Including Metropolitan Museum Of Art, Museum Of Fine Arts, Boston; Brooklyn Museum; Deyoung Museum And Art Institute, Chicago. Dong Kingman Was Born Dong Moy Shu In Oakland, California, The Son Of Chinese Immigrants From Hong Kong. At The Age Of Five And A Half, He Traveled With His Family Back To Hong Kong, Where His Father Established A Dry Goods Business. He Began His Formal Education At The Bok Jai School, Where He Was Given A School Name In Accordance With Chinese Customs. Hearing That He Aspired To Be An Artist, His Instructor Gave Him The Name "King Man" (Lit. "Scenery" And "Composition" In Cantonese). He Would Later Combine The Two Names Into Kingman, Placing His Family Name First In Accordance With Chinese Naming Conventions, Creating The Name Dong Kingman. Kingman Continued His Education At The Chan Sun Wen School, Where He Excelled At Calligraphy And Watercolor Painting. He Studied Under Szeto Wai, The Paris-Trained Head Of The Lingnan Academy. It Was Under Szeto's Instruction That Kingman Was First Exposed To Northern European Trends. Kingman Would Later State That Szeto Was His "First And Only True Influence." Kingman Returned To The United States In His Late Teens. In 1929 He Attended The Fox Morgan Art School While Holding Down A Variety Of Jobs. It Was At This Time That He Chose To Concentrate On Watercolor Painting. His Critical Breakthrough Occurred In 1936, When He Gained A Solo Exhibition At The San Francisco Art Association. This Exhibition Brought Him National Recognition And Success. In The Late 1930S, Kingman Served As An Artist In The Works Progress Administration, Painting Over 300 Works With The Relief Program. In 1942 And 1944, Kingman Received The Guggenheim Fellowship. During World War Ii, He Was Drafted Into The U.S. Army, But Was Transferred To Work As A Map Artist In The Office Of Strategic Services[1] At Camp Beal, California And Washington, D.C, By A Fan Of His Work, Eleanor Roosevelt. Kingman Settled In Brooklyn, New York After The War, Where He Held A Position As An Art Instructor At Columbia University And Hunter College From 1946 For The Next Ten Years. In New York He Was Associated With Midtown, Wildenstein And Hammer Galleries. During The 1950S, Kingman Served As A United States Cultural Ambassador And International Lecturer For The Department Of State. In The 1950S And 1960S, Kingman Worked As An Illustrator In The Film Industry, Designing The Backgrounds For A Number Of Major Motion Pictures Including "55 Days At Peking", The Sand Pebbles And The Hollywood Adaptation Of "Flower Drum Song". Over 300 Of His Film-Related Works Are Permanently Housed At The Fairbanks Center For Motion Picture Study At The Margaret Herrick Library Of The Academy Of Motion Picture Arts And Sciences In Beverly Hills, California. Kingman Was Faculty At The Famous Artists School And His Students Included Artists Win Pe And Paw Oo Thet, Among Others. In 1981, Kingman Made History As The First American Artist To Be Featured In A Solo Exhibition Following The Resumption Of Diplomatic Relations Between The U.S. And China When The Ministry Of Culture Of The People's Republic Of China Hosted A Critically Acclaimed Exhibition That Drew Over 100,000 People. The 1990S Saw Major Exhibitions In Taiwan At The Taipei Modern Art Museum In 1995 And The Taichung Provincial Museum In 1999. Inscribed by Author(s).…

Hardback. Zustand: Good.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Fair. 1st Edition. 143 pages (complete). Jacket edge worn and marked. Boards shelf rubbed. Still in a good condition, tightly bound and internally clean. 1st edition. MK. Our orders are shipped using tracked courier delivery services.

Hardcover. Zustand: Very Good+. Zustand des Schutzumschlags: Very Good+. First Edition; First Printing. Signed and dated by author on fep; 9.1 X 6.6 X 1.1 inches; 132 pages; Signed by Author fmc2%262D. Signed By Author.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. 134 Pp. Red Boards, Gilt. First Printing. Fine In Fine Dust Jacket, Not Price-Clipped. Inscribed By Kingman To Architect Robert P. Meyerghofl, Dated In 1998, And Signed In Both English And Chinese. Dong Kingman (1911 -2000) Was A Chinese American Artist And One Of America's Leading Watercolor Masters. As A Painter On The Forefront Of The California Style School Of Painting, He Was Known For His Urban And Landscape Paintings, As Well As His Graphic Design Work In The Hollywood Film Industry. He Has Won Widespread Critical Acclaim And His Works Are Included In Over 50 Public And Private Collections Worldwide, Including Metropolitan Museum Of Art, Museum Of Fine Arts, Boston; Brooklyn Museum; Deyoung Museum And Art Institute, Chicago. Dong Kingman Was Born Dong Moy Shu In Oakland, California, The Son Of Chinese Immigrants From Hong Kong. At The Age Of Five And A Half, He Traveled With His Family Back To Hong Kong, Where His Father Established A Dry Goods Business. He Began His Formal Education At The Bok Jai School, Where He Was Given A School Name In Accordance With Chinese Customs. Hearing That He Aspired To Be An Artist, His Instructor Gave Him The Name "King Man" (Lit. "Scenery" And "Composition" In Cantonese). He Would Later Combine The Two Names Into Kingman, Placing His Family Name First In Accordance With Chinese Naming Conventions, Creating The Name Dong Kingman. Kingman Continued His Education At The Chan Sun Wen School, Where He Excelled At Calligraphy And Watercolor Painting. He Studied Under Szeto Wai, The Paris-Trained Head Of The Lingnan Academy. It Was Under Szeto's Instruction That Kingman Was First Exposed To Northern European Trends. Kingman Would Later State That Szeto Was His "First And Only True Influence." Kingman Returned To The United States In His Late Teens. In 1929 He Attended The Fox Morgan Art School While Holding Down A Variety Of Jobs. It Was At This Time That He Chose To Concentrate On Watercolor Painting. His Critical Breakthrough Occurred In 1936, When He Gained A Solo Exhibition At The San Francisco Art Association. This Exhibition Brought Him National Recognition And Success. In The Late 1930S, Kingman Served As An Artist In The Works Progress Administration, Painting Over 300 Works With The Relief Program. In 1942 And 1944, Kingman Received The Guggenheim Fellowship. During World War Ii, He Was Drafted Into The U.S. Army, But Was Transferred To Work As A Map Artist In The Office Of Strategic Services[1] At Camp Beal, California And Washington, D.C, By A Fan Of His Work, Eleanor Roosevelt. Kingman Settled In Brooklyn, New York After The War, Where He Held A Position As An Art Instructor At Columbia University And Hunter College From 1946 For The Next Ten Years. In New York He Was Associated With Midtown, Wildenstein And Hammer Galleries. During The 1950S, Kingman Served As A United States Cultural Ambassador And International Lecturer For The Department Of State. In The 1950S And 1960S, Kingman Worked As An Illustrator In The Film Industry, Designing The Backgrounds For A Number Of Major Motion Pictures Including "55 Days At Peking", The Sand Pebbles And The Hollywood Adaptation Of "Flower Drum Song". Over 300 Of His Film-Related Works Are Permanently Housed At The Fairbanks Center For Motion Picture Study At The Margaret Herrick Library Of The Academy Of Motion Picture Arts And Sciences In Beverly Hills, California. Kingman Was Faculty At The Famous Artists School And His Students Included Artists Win Pe And Paw Oo Thet, Among Others. In 1981, Kingman Made History As The First American Artist To Be Featured In A Solo Exhibition Following The Resumption Of Diplomatic Relations Between The U.S. And China When The Ministry Of Culture Of The People's Republic Of China Hosted A Critically Acclaimed Exhibition That Drew Over 100,000 People. The 1990S Saw Major Exhibitions In Taiwan At The Taipei Modern Art Museum In 1995 And The Taichung Provincial Museum In 1999. Color Illustrations And Photographs (illustrator). Inscribed by Author(s). …

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. 134 Pp. Red Boards, Gilt. First Printing. Fine In Fine Dust Jacket, Not Price-Clipped. Inscribed By Kingman To Art Expert And Publisher Ruth Westphal, Dated In 1998, And Signed In Both English And Chinese. Dong Kingman (1911 -2000) Was A Chinese American Artist And One Of America's Leading Watercolor Masters. As A Painter On The Forefront Of The California Style School Of Painting, He Was Known For His Urban And Landscape Paintings, As Well As His Graphic Design Work In The Hollywood Film Industry. He Has Won Widespread Critical Acclaim And His Works Are Included In Over 50 Public And Private Collections Worldwide, Including Metropolitan Museum Of Art, Museum Of Fine Arts, Boston; Brooklyn Museum; Deyoung Museum And Art Institute, Chicago. Dong Kingman Was Born Dong Moy Shu In Oakland, California, The Son Of Chinese Immigrants From Hong Kong. At The Age Of Five And A Half, He Traveled With His Family Back To Hong Kong, Where His Father Established A Dry Goods Business. He Began His Formal Education At The Bok Jai School, Where He Was Given A School Name In Accordance With Chinese Customs. Hearing That He Aspired To Be An Artist, His Instructor Gave Him The Name "King Man" (Lit. "Scenery" And "Composition" In Cantonese). He Would Later Combine The Two Names Into Kingman, Placing His Family Name First In Accordance With Chinese Naming Conventions, Creating The Name Dong Kingman. Kingman Continued His Education At The Chan Sun Wen School, Where He Excelled At Calligraphy And Watercolor Painting. He Studied Under Szeto Wai, The Paris-Trained Head Of The Lingnan Academy. It Was Under Szeto's Instruction That Kingman Was First Exposed To Northern European Trends. Kingman Would Later State That Szeto Was His "First And Only True Influence." Kingman Returned To The United States In His Late Teens. In 1929 He Attended The Fox Morgan Art School While Holding Down A Variety Of Jobs. It Was At This Time That He Chose To Concentrate On Watercolor Painting. His Critical Breakthrough Occurred In 1936, When He Gained A Solo Exhibition At The San Francisco Art Association. This Exhibition Brought Him National Recognition And Success. In The Late 1930S, Kingman Served As An Artist In The Works Progress Administration, Painting Over 300 Works With The Relief Program. In 1942 And 1944, Kingman Received The Guggenheim Fellowship. During World War Ii, He Was Drafted Into The U.S. Army, But Was Transferred To Work As A Map Artist In The Office Of Strategic Services[1] At Camp Beal, California And Washington, D.C, By A Fan Of His Work, Eleanor Roosevelt. Kingman Settled In Brooklyn, New York After The War, Where He Held A Position As An Art Instructor At Columbia University And Hunter College From 1946 For The Next Ten Years. In New York He Was Associated With Midtown, Wildenstein And Hammer Galleries. During The 1950S, Kingman Served As A United States Cultural Ambassador And International Lecturer For The Department Of State. In The 1950S And 1960S, Kingman Worked As An Illustrator In The Film Industry, Designing The Backgrounds For A Number Of Major Motion Pictures Including "55 Days At Peking", The Sand Pebbles And The Hollywood Adaptation Of "Flower Drum Song". Over 300 Of His Film-Related Works Are Permanently Housed At The Fairbanks Center For Motion Picture Study At The Margaret Herrick Library Of The Academy Of Motion Picture Arts And Sciences In Beverly Hills, California. Kingman Was Faculty At The Famous Artists School And His Students Included Artists Win Pe And Paw Oo Thet, Among Others. In 1981, Kingman Made History As The First American Artist To Be Featured In A Solo Exhibition Following The Resumption Of Diplomatic Relations Between The U.S. And China When The Ministry Of Culture Of The People's Republic Of China Hosted A Critically Acclaimed Exhibition That Drew Over 100,000 People. The 1990S Saw Major Exhibitions In Taiwan At The Taipei Modern Art Museum In 1995 And The Taichung Provincial Museum In 1999. Color Illustrations And Photographs (illustrator). Inscribed by Author(s).…

No Binding. Zustand: Near Fine. 1st Edition. Single Sheet, Folded, With Menu Inside And Two Paragraphs Of Advertising By Panam On Other Outer Cover. Dong Kingman (1911 -2000) Was A Chinese American Artist And One Of America's Leading Watercolor Masters. As A Painter On The Forefront Of The California Style School Of Painting, He Was Known For His Urban And Landscape Paintings, As Well As His Graphic Design Work In The Hollywood Film Industry. He Has Won Widespread Critical Acclaim And His Works Are Included In Over 50 Public And Private Collections Worldwide, Including Metropolitan Museum Of Art, Museum Of Fine Arts, Boston; Brooklyn Museum; Deyoung Museum And Art Institute, Chicago. Dong Kingman Was Born Dong Moy Shu In Oakland, California, The Son Of Chinese Immigrants From Hong Kong. At The Age Of Five And A Half, He Traveled With His Family Back To Hong Kong, Where His Father Established A Dry Goods Business. He Began His Formal Education At The Bok Jai School, Where He Was Given A School Name In Accordance With Chinese Customs. Hearing That He Aspired To Be An Artist, His Instructor Gave Him The Name "King Man" (Lit. "Scenery" And "Composition" In Cantonese). He Would Later Combine The Two Names Into Kingman, Placing His Family Name First In Accordance With Chinese Naming Conventions, Creating The Name Dong Kingman. Kingman Continued His Education At The Chan Sun Wen School, Where He Excelled At Calligraphy And Watercolor Painting. He Studied Under Szeto Wai, The Paris-Trained Head Of The Lingnan Academy. It Was Under Szeto's Instruction That Kingman Was First Exposed To Northern European Trends. Kingman Would Later State That Szeto Was His "First And Only True Influence." Kingman Returned To The United States In His Late Teens. In 1929 He Attended The Fox Morgan Art School While Holding Down A Variety Of Jobs. It Was At This Time That He Chose To Concentrate On Watercolor Painting. His Critical Breakthrough Occurred In 1936, When He Gained A Solo Exhibition At The San Francisco Art Association. This Exhibition Brought Him National Recognition And Success. In The Late 1930S, Kingman Served As An Artist In The Works Progress Administration, Painting Over 300 Works With The Relief Program. In 1942 And 1944, Kingman Received The Guggenheim Fellowship. During World War Ii, He Was Drafted Into The U.S. Army, But Was Transferred To Work As A Map Artist In The Office Of Strategic Services[1] At Camp Beal, California And Washington, D.C, By A Fan Of His Work, Eleanor Roosevelt. Kingman Settled In Brooklyn, New York After The War, Where He Held A Position As An Art Instructor At Columbia University And Hunter College From 1946 For The Next Ten Years. In New York He Was Associated With Midtown, Wildenstein And Hammer Galleries. During The 1950S, Kingman Served As A United States Cultural Ambassador And International Lecturer For The Department Of State. In The 1950S And 1960S, Kingman Worked As An Illustrator In The Film Industry, Designing The Backgrounds For A Number Of Major Motion Pictures Including "55 Days At Peking", The Sand Pebbles And The Hollywood Adaptation Of "Flower Drum Song". Over 300 Of His Film-Related Works Are Permanently Housed At The Fairbanks Center For Motion Picture Study At The Margaret Herrick Library Of The Academy Of Motion Picture Arts And Sciences In Beverly Hills, California. Kingman Was Faculty At The Famous Artists School And His Students Included Artists Win Pe And Paw Oo Thet, Among Others. In 1981, Kingman Made History As The First American Artist To Be Featured In A Solo Exhibition Following The Resumption Of Diplomatic Relations Between The U.S. And China When The Ministry Of Culture Of The People's Republic Of China Hosted A Critically Acclaimed Exhibition That Drew Over 100,000 People. The 1990S Saw Major Exhibitions In Taiwan At The Taipei Modern Art Museum In 1995 And The Taichung Provincial Museum In 1999.…

Hardcover. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.