kienholz ed (22 Ergebnisse)

First Edition. First edition. Softcover. Exhibition catalog for a show that ran January 15 through February 25, 2002. Features text by Marco Livingstone. Includes numerous color illustrations, list of previous exhibitions, list of selected public collections. From the library of the Visual Studies Workshop with their sticker to the last page but otherwise free of marks. Thus, a very good copy in wrappers.

Paperback. Zustand: Used-Very Good. Pap. Slight shelf wear.

First Edition. First edition. Softcover. Exhibition catalog for a show that ran January 15 through February 25, 2002. Features text by Marco Livingstone. Includes numerous color illustrations, list of previous exhibitions, list of selected public collections. A clean very near fine copy in wrappers.

Zustand: Good. 4to. [82 pp]. Stiff, white and color pictorial wraps with white and silver titling. Good with creasing along corners. Printed vellum front endpaper. Color plates. Silver title page. Includes a foreword by Lisa Jenn and Peter Goulds. Catalogue created on occasion of exhibition "Kienholz: Televisions" at L. A. Louver in Venice, CA from 24 February through 2 April, 2016. L.A. From the Collection of the Art Historian Peter Selz.

Zustand: Good. 4to. 52 pp. Soft color pictorial wraps. Near Fine. Color plates. Black and white photographic endpapers. Features works by Ed Kienholz and essays by David Anfam, Tom Preiss, Rich Post and Nancy Reddin Kienholz. Created on occasion of exhibition at L.A. Louver in Venice, CA from March 13 through April 26, 2014.From the Collection of the Art Historian Peter Selz.

Zustand: as new. Humlebaek : Louisiana Museum of Modern Art, 2011. Orig. cloth binding. Dustjacket. 127 pp. 27 cm. - This book is published on the occasion of the first American tour of Ed Kienholz's "Five Car Stud" (1969-1972) organised by Louisiana Museum ; LACMA, Los Angeles, USA, September 4, 2011 - January 15, 2012 ; Louisiana Museum of Modern Art, Humlebaek, Denmark, June 6, 2012 - October 21, 2012]. Condition : as new copy. ISBN 9788791607967. Keywords : ART,

Paperback. Zustand: Very Good. Qto., 20 pages, colour illustrated. A Fine copy.

Mit Beiträgen von Monte Factor, Walter Hopps, Richard Jackson,Nancy Reddin Kienholz, Thomas McEvilley, Jörn Merkert, Günter Metken, Marcus Raskin, David A. Ross und Karl Ruhrberg. München / New York: Prestel Verlag, 1997. Farb. illustr. OBrosch. 332 Seiten mit 319 Tafeln, Abbildungen, Fotos (davon 159 farbig), Biografie mit 122 Fotos, Liste der Einzel- und Gruppenausstellungen, Bibliografie und Werkverzeichnis mit 151 Nummern. - 29 x 24. * Stark erweiterter Katalog der Retrospektive, die 1996 im Museum of Contemporary Art Los Angeles und im Whitney Museum of American Art New York erstmals gezeigt wurde. - Sehr gut erhalten mit lose beiliegender Sonderausgabe zur "Kienholz-Retrospektive" der Berliner Zeitung !

26,5x26,5 cm. 127 pp. Illustrated. Publisher's hardcover, dust-jacket. A fine copy.

quadr.8°, 36 S. mit Farb-Abb., illustr. original Kartonage (geheftet), schönes, sauberes Exemplar Wer den tollen 254seitigen Katalog hat, sollte auch diese informative Einführung haben. ACHTUNG: Hier NICHT der Katalog, sondern eben das eher selten angebotene Einführungsheft. Abholung im Ladengeschäft in Frankfurt am Main (Nordend ggü. Musterschule) möglich. Das spart die Portokosten. Pickup at the store in Frankfurt am Main (Nordend, close to Musterschule) is possible. It saves the shipping costs.

4°, 245 S., mit zahlreichen farbigen Abbildungen. Orig.-Halbleinen. Erste Ausgabe.- Deutsch-englischer Ausstellungskatalog.- Gutes Exemplar.

Zustand: very good. Venice, Calif. : L.A. Louver, [2012]. Orig. printed wrappers. 40 pages : illustrations (some color), portraits ; 29 cm. English text. Catalogue of an exhibition held at LA Louver, 24 January - 3 March 2012. - Contents : Foreword / by Peter Goulds -- Kienholz before LACMA -- Kienholz at LACMA, 1966 / by Maurice Tuchman. Condition : very good copy. ISBN . Keywords : ART, Kienholz, Edward (1927-1994).

4°, 22 S., 1 Bl., mit vielen farbigen und s/w Tafeln und Abbildungen. Orig.-Karton. Erste Ausgabe.- (= repères. cahiers d'art contemporain n° 3).- Gutes Exemplar.

27,5x20 cm. (54) pp. Richly illustrated. + 1 poster (59x82 cm). Printed wrappers. A poster to the exhibition is loosely added to the catalogue. The poster is folded three times. Text in German, French and English.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "Q & A: David Colman on Hard-Core Culture," by David Colman; "Gadget Love: R. U. Sirius on the Information State," by R. U. Sirius; "Hot List: Mark Van de Walle on Web Sights," by Mark Van de Walle; "Books: Simon Reynolds on Joe Carducci's 'Rock and the Pop Narcotic,'" by Simon Reynolds; "Museum Piece: jeff Weinstein on the American Visionary Art Museum," by Jeff Weinstein; "Real Life Rock: Richard Flood's Top Ten," by Richard Flood; "Where Are We Going? And What Are We Doing?: Rirkrit Tiravanija's Art of Living," by Bruce Hainley; "Walter Hopps Hopps Hopps," Hans-Ulrich Obrist talks with Walter Hopps; "Hundertwasser: Night Train," by William T. Vollmann; "The Big Picture," David Carrier talks with Ernst Gombrich; "Olivier Zahm's Flash Track," Designer: Véronique Leroy, Photographers: Inex van Lamsweerde and Vinoodh Matadin; "Eden Rocks: The Art of Alexis Rockman," by Katherine Dunn: "Openings: Ellen Gallagher," by Mark Van de Walle. Reviews by James Meyer, Alexander Alberro, Donald Kuspit, Kristin M. Jones, David Frankel, Nicolai Ouroussoff, Barry Schwabsky, Faye Hirsch, Joshua Decter, David Levi Strauss, Ingrid Schaffner, Tom Moody, Justin Spring, Jenifer P. Borum, Steven Drukman, James Yood, Maria Porges, Rosetta Brooks, Menene Gras Balaguer, Marco Meneguzzo, Olivier Zahm, Hans Rudolf Reust, Yilmaz Dziewior, Harald Fricke, Jeff Crane, Frank-Alexander Hettig, Daniel Birnbaum, and James Hall. Cover: Ed Kienholz.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "Q & A: David Colman on Hard-Core Culture," by David Colman; "Gadget Love: R. U. Sirius on the Information State," by R. U. Sirius; "Hot List: Mark Van de Walle on Web Sights," by Mark Van de Walle; "Books: Simon Reynolds on Joe Carducci's 'Rock and the Pop Narcotic,'" by Simon Reynolds; "Museum Piece: jeff Weinstein on the American Visionary Art Museum," by Jeff Weinstein; "Real Life Rock: Richard Flood's Top Ten," by Richard Flood; "Where Are We Going? And What Are We Doing?: Rirkrit Tiravanija's Art of Living," by Bruce Hainley; "Walter Hopps Hopps Hopps," Hans-Ulrich Obrist talks with Walter Hopps; "Hundertwasser: Night Train," by William T. Vollmann; "The Big Picture," David Carrier talks with Ernst Gombrich; "Olivier Zahm's Flash Track," Designer: Véronique Leroy, Photographers: Inex van Lamsweerde and Vinoodh Matadin; "Eden Rocks: The Art of Alexis Rockman," by Katherine Dunn: "Openings: Ellen Gallagher," by Mark Van de Walle. Reviews by James Meyer, Alexander Alberro, Donald Kuspit, Kristin M. Jones, David Frankel, Nicolai Ouroussoff, Barry Schwabsky, Faye Hirsch, Joshua Decter, David Levi Strauss, Ingrid Schaffner, Tom Moody, Justin Spring, Jenifer P. Borum, Steven Drukman, James Yood, Maria Porges, Rosetta Brooks, Menene Gras Balaguer, Marco Meneguzzo, Olivier Zahm, Hans Rudolf Reust, Yilmaz Dziewior, Harald Fricke, Jeff Crane, Frank-Alexander Hettig, Daniel Birnbaum, and James Hall. Cover: Ed Kienholz.

24 pp.; 42.8 x 31.5; loose leaves; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; February - March 1971 issue of Flash Art, edited by Giancarlo Politi. Cover artworks: Field that can be entered, by Gianni Colombo; Amore Mio, exhibition at Montepulciano, July 1970, by Jannis Kounellis; One-man show at the Daniel Templon Gallery, Paris, October, 1970, by Ben Vautier and Mass at the Daniel Templon Gallery, Paris, November, 1969 by Michel Journiac. Contents include: artists' statements, images and texts by Michel Journiac, Catherine Millet, Gianni Colombo, Jannis Kounellis, Ben Vautier, Angela Davis, Enea Ferrari, Joseph Beuys, Bruce Nauman, Walter de Maria, Gilbert and George, Emilio Prini, Gail Schneider, Clair Colquitt, William Wiley, Italo Tomassoni, Francois Morellet, Dan Flavin, Fred Sandback, Ed Kienholz, Bernar Venet, Roberto Sanesi, Claudio Costa, Mario Ceroli, Giancarlo Croce, Gina Pane, Aldo Tagliaferro, James Coleman, Kenneth Snelson, and Georges Noel. Texts in English and Italian. Good / Very Good. Folded in through the horizonal center as issued. Light edgewear and bumping of corners. 4 cm. staining on bottom right corner of verso. Contents otherwise clean and unmarked.

[4] pp.; 30 x 30 cm.; black-and-white; edition size 20; unsigned and unnumbered; offset-printed Vinyl 33-1/3 LP record issued as exhibition catalogue for show held November 1 - December 14, 1969. "Shortly after its opening, the Museum of Contemporary Art planned an exhibition to record the trend, incipient then and pervasive today, toward conceptualization of art. This exhibition, scheduled for the spring of 1968 and abandoned because of technical difficulties, consisted of works in different media, conceived by artists in this country and Europe and executed in Chicago on their behalf. The telephone was designated the most fitting means of communication in relaying instructions to those entrusted with fabrication of the artists' projects or enactment of their ideas. To heighten the challenge of a wholly verbal exchange, drawings, blueprints or written descriptions were avoided." - Jan van der Marck from record jacket. Artists on LP include: Siah Armajani, Richard Artschwager, John Baldessari, Iain Baxter, Mel Bochner, George Brecht, Jack Burnham, James Lee Byars, Robert H. Cumming, Francoise Dallegret, Jan Dibbets, John Giorno, Robert Grosvenor, Hans Haacke, Richard Hamilton, Dick Higgins, Davi Det Hompson, Robert Huot, Alani Jacquet, Ed Kienholz, Joseph Kosuth, Les Levine, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Richard Serra, Robert Smithson, Guenther Uecker, Stan Van Der Beek, Bernar Venet, Frank Lincoln Viner, Wolf Vostell, William Wegman, William T. Wiley. The 2008 screenprinted gatefold cover, produced by Specific Object, is an exacting reproduction of original 1969 offset printed cover, which incorporates an installation image on the back cover, and extensive introductory text and additional texts on each participating artist. References : "Record As Artwork 1959 - 73" by Germano Celant. London, United Kingdom : Royal College of Art Gallery, 1973. "Bruce Nauman : Disappearing Acts" by Kathy Halbreich, Thomas Beard, Briony Fer, Nicolás Guagnini, Rachel Harrison, Ute Holl, Suzanne Hudson, Julia Keller, Liz Kotz, Ralph Lemon, Glenn Ligon, Catherine Lord, Roxana Marcoci, Magnus Schaefer, Felicity Scott, Martina Venanzoni, Taylor Walsh, Jeffrey Weiss. New York, NY : The Museum of Modern Art, 2018, pp. 49. Fine. Original 1969 vinyl LP housed in 2008 screenprinted facsimile album cover. Vinyl in good condition, jacket is New.

Cartella (cm 23 x 31 circa), all'interno 3 bifogli sciolti per un totale diÂ12 pagine con 2 tavole doppie illustrate su carta in acetato trasparente, 2 riproduzioni fotografiche di opere in bianco/nero. Catalogo della mostra di opere di PierreÂRichard Jackson. svoltasi alla Galleria Maeght di Zurigo nel 1979. ITA.

Zustand: Wie neu. ca. 30 Seiten Die Ausstellung "The Faith and Charity in Hope Gallery" von Richard Jackson fand 1978 statt und ist ein bemerkenswertes Beispiel für seine frühe Auseinandersetzung mit Installationskunst und performativen Elementen und den absichtlich unleserlichen Beitrag zum Katalog, der für seine innovativen und oft provokativen Werke bekannt ist, untersuchte in dieser Ausstellung Konzepte von Religion, Nächstenliebe und Gemeinschaft, indem er traditionelle Werte und Ideale in einem kritischen und oft satirischen Kontext darstellte. Richard Jackson (*1939 in Sacramento, Kalifornien) ist ein amerikanischer Konzeptkünstler, der vor allem für seine radikalen Beiträge zur Installations- und Performancekunst bekannt ist. Jacksons Arbeiten hinterfragen oft die traditionellen Grenzen von Malerei und Bildhauerei und erweitern diese durch die Einbeziehung von Bewegung und Raum. Statt eines fertigen, statischen Kunstwerks betont Jackson den Schaffensprozess selbst, was seinen Werken eine performative und oft provokative Dimension verleiht. Seine Arbeiten zu dieser Zeit integrierten häufig unkonventionelle Materialien und brachten Malerei, Skulptur und Performance in einzigartiger Weise zusammen. Jacksons Ansatz in The Faith and Charity in Hope Gallery reflektierte eine kritische Auseinandersetzung mit den Normen und Erwartungen der Kunstwelt und bot dem Publikum zugleich eine interaktive und herausfordernde Erfahrung. Die Ausstellung ist ein wichtiges Werk in seiner Karriere, das seinen Übergang von der Malerei zu komplexeren und raumgreifenden Installationen markiert.Edward Kienholz (* 23. Oktober 1927 in Fairfield, Washington; 10. Juni 1994 Hope, Idaho) war ein amerikanischer Objekt- und Konzeptkünstler. Er gilt als einer der führenden neodadaistischen Künstler, die den Schritt vom dadaistischen Environment zur Objektmontage vollzogen haben. 1977 eröffnete er gemeinsam mit seiner Frau Nancy Reddin Kienholz die Faith and Charity in Hope Gallery in Hope, Idaho. Die Galerie bot Künstlern wie Richard Jackson eine Plattform und spiegelte Kienholz' Bestreben wider, außerhalb traditioneller Kunstzentren wie New York oder Los Angeles eine alternative Kunstszene zu etablieren. /// Versand gratis Innerhalb Deutschlands - Portofrei in Deutschland- ab 20 Euro mit Post ID - Gratisversand deutschlandweit innerhalb Deutschlands gratis Versand -Versandkostenfrei innerhalb Deutschlands /// Sprache: Deutsch Gewicht in Gramm: 300 25, x 19,5 cm, Heft mit Drahtklammerheftung.

[4] pp.; 30 x 30 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Vinyl 33-1/3 LP record issued as the exhibition catalogue for show held November 1 - December 14, 1969. "Shortly after its opening, the Museum of Contemporary Art planned an exhibition to record the trend, incipient then and pervasive today, toward conceptualization of art. This exhibition, scheduled for the spring of 1968 and abandoned because of technical difficulties, consisted of works in different media, conceived by artists in this country and Europe and executed in Chicago on their behalf. The telephone was designated the most fitting means of communication in relaying instructions to those entrusted with fabrication of the artists' projects or enactment of their ideas. To heighten the challenge of a wholly verbal exchange, drawings, blueprints or written descriptions were avoided." - Jan van der Marck from record jacket. Artists on LP include Siah Armajani, Richard Artschwager, John Baldessari, Iain Baxter, Mel Bochner, George Brecht, Jack Burnham, James Lee Byars, Robert H. Cumming, Francoise Dallegret, Jan Dibbets, John Giorno, Robert Grosvenor, Hans Haacke, Richard Hamilton, Dick Higgins, Davi Det Hompson, Robert Huot, Alani Jacquet, Ed Kienholz, Joseph Kosuth, Les Levine, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Richard Serra, Robert Smithson, Guenther Uecker, Stan Van Der Beek, Bernar Venet, Frank Lincoln Viner, Wolf Vostell, William Wegman, William T. Wiley. Artist notes and texts on gatefold interior. References : "Record As Artwork 1959 - 73" by Germano Celant. London, United Kingdom : Royal College of Art Gallery, 1973. "Bruce Nauman : Disappearing Acts" by Kathy Halbreich, Thomas Beard, Briony Fer, Nicolás Guagnini, Rachel Harrison, Ute Holl, Suzanne Hudson, Julia Keller, Liz Kotz, Ralph Lemon, Glenn Ligon, Catherine Lord, Roxana Marcoci, Magnus Schaefer, Felicity Scott, Martina Venanzoni, Taylor Walsh, Jeffrey Weiss. New York, NY : The Museum of Modern Art, 2018, pp. 49. Good. Mild bump to top left corner of jacket and light surface wear to album covers and spine including scratching and scuffing. 2.5 cm. and 3 cm. of soiling to recto. Yellow spitting to verso. Yellowing and dust soiling to inside of album cover. Light scratching of record. This is a copy of the original album jacket and original vinyl LP.

[4] pp.; 30 x 30 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Vinyl 33-1/3 LP record issued as the exhibition catalogue for show held November 1 - December 14, 1969. "Shortly after its opening, the Museum of Contemporary Art planned an exhibition to record the trend, incipient then and pervasive today, toward conceptualization of art. This exhibition, scheduled for the spring of 1968 and abandoned because of technical difficulties, consisted of works in different media, conceived by artists in this country and Europe and executed in Chicago on their behalf. The telephone was designated the most fitting means of communication in relaying instructions to those entrusted with fabrication of the artists' projects or enactment of their ideas. To heighten the challenge of a wholly verbal exchange, drawings, blueprints or written descriptions were avoided." - Jan van der Marck from record jacket. Artists on LP include Siah Armajani, Richard Artschwager, John Baldessari, Iain Baxter, Mel Bochner, George Brecht, Jack Burnham, James Lee Byars, Robert H. Cumming, Francoise Dallegret, Jan Dibbets, John Giorno, Robert Grosvenor, Hans Haacke, Richard Hamilton, Dick Higgins, Davi Det Hompson, Robert Huot, Alani Jacquet, Ed Kienholz, Joseph Kosuth, Les Levine, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Richard Serra, Robert Smithson, Guenther Uecker, Stan Van Der Beek, Bernar Venet, Frank Lincoln Viner, Wolf Vostell, William Wegman, William T. Wiley. Artist notes and texts on gatefold interior. References : "Record As Artwork 1959 - 73" by Germano Celant. London, United Kingdom : Royal College of Art Gallery, 1973. "Bruce Nauman : Disappearing Acts" by Kathy Halbreich, Thomas Beard, Briony Fer, Nicolás Guagnini, Rachel Harrison, Ute Holl, Suzanne Hudson, Julia Keller, Liz Kotz, Ralph Lemon, Glenn Ligon, Catherine Lord, Roxana Marcoci, Magnus Schaefer, Felicity Scott, Martina Venanzoni, Taylor Walsh, Jeffrey Weiss. New York, NY : The Museum of Modern Art, 2018, pp. 49. Good. Mild bump to top left corner of jacket and light surface wear to album covers and spine. LP's vinyl is clean showing only light wear. LP has been played and tested and has no material defects. This is a copy of the original album jacket and original vinyl LP.