Sprache: Englisch
Verlag: Stanford University Press, 2011
ISBN 10: 0804761388 ISBN 13: 9780804761383
Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USA
Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 0.95.
Sprache: Englisch
Verlag: Stanford University Press, 2011
ISBN 10: 0804761388 ISBN 13: 9780804761383
Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
EUR 18,75
Anzahl: 1 verfügbar
In den WarenkorbZustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9780804761383.
Sprache: Englisch
Verlag: Stanford University Press, 2011
ISBN 10: 0804761388 ISBN 13: 9780804761383
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. From painting to poetry to new media technologies, this book theorizes "the image" beyond the logic of representationalism and provokes new ways of engaging topics of embodiment, agency, history, and technology. Editor(s): Khalip, Jacques; Mitchell, Robert; Agamben, Giorgio; Casarino, Cesare; Geimer, Peter; Hansen, Mark. Num Pages: 304 pages, black & white illustrations, figures. BIC Classification: HP. Category: (P) Professional & Vocational. Dimension: 5817 x 3887 x 18. Weight in Grams: 431. . 2011. 1st Edition. Paperback. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Stanford University Press, 2011
ISBN 10: 0804761388 ISBN 13: 9780804761383
Anbieter: moluna, Greven, Deutschland
EUR 29,02
Anzahl: Mehr als 20 verfügbar
In den WarenkorbKartoniert / Broschiert. Zustand: New. From painting to poetry to new media technologies, this book theorizes the image beyond the logic of representationalism and provokes new ways of engaging topics of embodiment, agency, history, and technology.Über den AutorrnrnJacques.
Sprache: Englisch
Verlag: Stanford University Press Aug 2011, 2011
ISBN 10: 0804761388 ISBN 13: 9780804761383
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - It has become a commonplace that 'images' were central to the twentieth century and that their role will be even more powerful in the twenty-first. But what is an image and what can an image be Releasing the Image understands images as something beyond mere representations of things. Releasing images from that function, it shows them to be self-referential and self-generative, and in this way capable of producing forms of engagement beyond spectatorship and subjectivity. This understanding of images owes much to phenomenology-the work of Husserl, Heidegger, and Merleau-Ponty-and to Gilles Deleuze's post-phenomenological work. The essays included here cover historical periods from the Romantic era to the present and address a range of topics, from Cézanne's painting, to images in poetry, to contemporary audiovisual art. They reveal the aesthetic, ethical, and political stakes of the project of releasing images and provoke new ways of engaging with embodiment, agency, history, and technology.
Sprache: Englisch
Verlag: Stanford University Press, 2011
ISBN 10: 080476137X ISBN 13: 9780804761376
Anbieter: Kennys Bookstore, Olney, MD, USA
EUR 160,26
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. 2011. 1st Edition. Hardcover. . . . . . Books ship from the US and Ireland.
EUR 124,71
Anzahl: Mehr als 20 verfügbar
In den WarenkorbGebunden. Zustand: New. From painting to poetry to new media technologies, this book theorizes the image beyond the logic of representationalism and provokes new ways of engaging topics of embodiment, agency, history, and technology.Über den AutorrnrnJacques.
Sprache: Englisch
Verlag: Stanford University Press Aug 2011, 2011
ISBN 10: 080476137X ISBN 13: 9780804761376
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware - It has become a commonplace that 'images' were central to the twentieth century and that their role will be even more powerful in the twenty-first. But what is an image and what can an image be Releasing the Image understands images as something beyond mere representations of things. Releasing images from that function, it shows them to be self-referential and self-generative, and in this way capable of producing forms of engagement beyond spectatorship and subjectivity. This understanding of images owes much to phenomenology-the work of Husserl, Heidegger, and Merleau-Ponty-and to Gilles Deleuze's post-phenomenological work. The essays included here cover historical periods from the Romantic era to the present and address a range of topics, from Cézanne's painting, to images in poetry, to contemporary audiovisual art. They reveal the aesthetic, ethical, and political stakes of the project of releasing images and provoke new ways of engaging with embodiment, agency, history, and technology.