Releasing the Image : From Literature to New Media. Dieser Artikel ist nicht verfügbar.
Sprache: Englisch
Verlag: Stanford University Press, 2011
- Softcover
- Neu

Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
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EUR 34,88
Artikelbeschreibung des Verkäufers
nach der Bestellung gedruckt Neuware - Printed after ordering - It has become a commonplace that 'images' were central to the twentieth century and that their role will be even more powerful in the twenty-first. But what is an image and what can an image be Releasing the Image understands images as something beyond mere representations of things. Releasing images from that function, it shows them to be self-referential and self-generative, and in this way capable of producing forms of engagement beyond spectatorship and subjectivity. This understanding of images owes much to phenomenology-the work of Husserl, Heidegger, and Merleau-Ponty-and to Gilles Deleuze's post-phenomenological work. The essays included here cover historical periods from the Romantic era to the present and address a range of topics, from Cézanne's painting, to images in poetry, to contemporary audiovisual art. They reveal the aesthetic, ethical, and political stakes of the project of releasing images and provoke new ways of engaging with embodiment, agency, history, and technology.…
Bestandsnummer des Verkäufers 9780804761383
- Titel
- Releasing the Image : From Literature to New Media
- Autor
- Jacques Khalip
- Verlag
- Stanford University Press
- Erscheinungsjahr
- 2011
- Zustand
- Neu
- Einband
- Taschenbuch
- Sprache
- Englisch
- ISBN-10
- 0804761388
- ISBN-13
- 9780804761383
- Artikelgewicht
- 431 Gramm
- Abmessungen
- 226x152x18 mm
It has become a commonplace that "images" were central to the twentieth century and that their role will be even more powerful in the twenty-first. But what is an image and what can an image be? Releasing the Image understands images as something beyond mere representations of things. Releasing images from that function, it shows them to be self-referential and self-generative, and in this way capable of producing forms of engagement beyond spectatorship and subjectivity. This understanding of images owes much to phenomenology-the work of Husserl, Heidegger, and Merleau-Ponty-and to Gilles Deleuze's post-phenomenological work. The essays included here cover historical periods from the Romantic era to the present and address a range of topics, from Cézanne's painting, to images in poetry, to contemporary audiovisual art. They reveal the aesthetic, ethical, and political stakes of the project of releasing images and provoke new ways of engaging with embodiment, agency, history, and technology.
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Über die Autorin bzw. den Autor
Jacques Khalip is Associate Professor of English and Modern Culture and Media at Brown University. He is the author of Anonymous Life: Romanticism and Dispossession (2009).Robert Mitchell is Associate Professor of English at Duke University and author of Bioart and the Vitality of Media (2010).
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