keyser william (4 Ergebnisse)

softcover. Zustand: Fine copy. Well-illustrated (illustrator). 1st. 4to, 24 pp.

Soft cover. Zustand: Fine. pages 248 + [6] pp. ; 23 cm ; LCCN 2007215003 ; ISSN 0021-4183, 1938-6036 ; pictorial stiff paper wrappers ; Contents: Clive Hart (1931-2016) / Fritz Senn -- "Obstructing the thoroughfare": A Report on the Dublin James Joyce Summer School, 3-9 July 2016 / Niels Caul -- "Real Adventures Must Be Sought Abroad": Swedish Students Encounter Dublin and the Dubliners / Angelica Granqvist -- Milly Bloom as Blind Spot in Ulysses / Katherine Ryan -- An Abode of Bliss: Plumtree's Potted Meat and the Allegory of the Theologians / Blake Leland -- The Stability of Laughter in A Portrait of the Artist as a Young Man, or Quis est in malo humore . ego aut vos? / James Nikopoulos -- "Ordovico or viricordo": Joyce's Road from Newman to Vico / John D. Schaeffer -- Credible Resonance, or Believable Euphony in the Joyce Oeuvre / Jefferey Simons -- Reviews and Notices of James Joyce in the United States, 1916-1920 / George Monteiro -- With Joyce in Saint Gérand-le-Puy: Maria Jolas's "Joyce en 1939-1940" in Translation / Neil R. Davison -- Current JJ Checklist / William S. Brockman -- Exhuming the Monks of Mount Melleray from "The Dead" / Kieran Quinlan -- A Source for the "Most Profound Sentence" in A Portrait of the Artist as a Young Man / Daniel Aureliano Newman -- Two Gallants / Robert Berry -- Joyce Smithy: A Curated Review of Joyce in Visual Art, Music, and Performance / Ollie Evans, Christa-Maria Lerm Hayes, Derek Pyle -- Medieval Invasions in Modern Irish Literature by Julieann Veronica Ulin (review) / Joseph Kelly -- Conspicuous Bodies: Provincial Belief and the Making of Joyce and Rushdie by Jean Kane (review) / Marcia K. Farrell -- Translatin Joyce: Global Transmissions in Ibero-American Literature ed. by Brian L. Price (review) / Jesús Isaías Gómez-López -- Haunted Historiographies: the Rhetoric of Ideology in Postcolonial Irish Fiction by Matthew Schultz (review) / Emer Nolan -- YEATS AND AFTERWORDS ed. by Joseph Valente and Marjorie Howes (review) / Anna Finn -- The Disappointed Bridge: Ireland and the Post-Colonial World by Richard Pine (review) -- Flann O'Brien & Modernism ed. by Julian Murphet, Rónán McDonald, and Sascha Morrell (review) / Paul Fagan -- Modernism and Christianity by Erik Tonning (review) / Jack Dudley -- Waywords and Meansigns: Recreating "Finnegans Wake" (In Its Whole Wholume) dir. by Derek Pyle (review) / Aodhán Kelly, Tom De Keyser -- Beckett in Brooklyn: The Brooklyn Academy of Music's Next Wave Festival Revival of Three One-Act Plays, "Not I," "Footfalls," and "Rockaby," by Samuel Beckett (review) / Richard J. Gerber -- Letters / Sidney Feshbach, Richard Barlow -- Modernism, Middlebrow and the Literary Canon: the Modern Library Series, 1917-1955 by Lise Jaillant (review) / Hannah McGregor ; FINE. Book.

Zustand: very good. Alphen aan den Rijn : Sijthoff Noordhoff, 1978. Hardcover. xi,94 pp. (Public enterprise in the EEC, 6). Condition : very good copy. ISBN 9789028606081. Keywords : ,

For a detailed report of the Incorporated Society of Musicians conference at which these autographs were given, and which took place in Birmingham over the five days between 30 December 1912 and 3 January 1913, see Musical Times, 1 February 1913, pp.113-114. Thirteen signatures of British pre-war musical figures, on ten pieces of paper, ranging from 16 x 19 cm to 7 x 13 cm, nine of them on parts leaves of various colours cut from an album. In good condition, lightly aged. In only two cases are the signatures on both sides of the paper, on the other eight the reverse is blank. The ten pieces of paper are as follows. ONE: Edgar Leslie Bainton (1880-1956), British, and latterly Australian, composer: 'Edgar L. Bainton | Birmingham. January. 1913.' With bar from 'The Cap & Bells'. On the reverse are the signatures of the violinists Albert Sammons (1908-1917) and Thomas W. Petre of the London String Quartet: 'The London String Quartet | Albert Sammons. | Thomas Petre'. TWO: Edward Bennett: 'Edward Bennett | I. S. M. Conference Birmingham | January 1st - 1913 -' With five bars from 'My soul doth magnify the Lord and my spirit hath rejoiced'. THREE: Havergal Brian [born William Brian] (1876-1972), composer: 'Birmingham | Friday Jany 3 - 1913 | Havergal Brian'. With two bars from 'Doctor Merryheart'. FOUR: John David Davis (1869-1942), composer: 'J. D. Davis . | Birmingham | Jan . 2. 1913 .' FIVE: Henry Balfour Gardiner (1877-1950): 'H. Balfour Gardiner'. With two bars from 'Cargoes'. SIX: Allen Gill, conductor, a protege of Barnby: 'Allen Gill | Birmingham Conference | Jan. 1. 1913'. SEVEN: Monk Gould [William Monk Gould] (1856-1923), British composer of light music: 'Monk Gould. | Birm: Conf: 1913.' With two bars from his most famous composition, 'The curfew'. EIGHT: Julius Harrison [Julius Allan Greenway Harrison] (1885-1963), composer and operatic conductor: 'Julius Harrison | Birmingham Conference I. S. M. | Jany. 1913'. With three bars from 'Down among the Dead Men'. NINE: William Wallace (1860-1940), Scottish composer and Dean of the Faculty of Music in the University of London: 'William Wallace : | Birmingham : | January 1 : 1913.' With two bars of unidentified music. TEN: Charles Warwick Evans (1885-1974): 'C. Warwick-Evans | Birmingham Conference 1913'. On the reverse is signature of the composer Harry Assur Keyser (1871-1962): 'Harry. A. Keyser. | Birmingham', with cropped bars from 'Othello Act [.]'.