Keyser brian (13 Ergebnisse)

Hardback. Zustand: Very Good. Curate Surprising and Delicious Cheese Boards at Home Tired of the same-old cheese plate? So were fromager Brian Keyser and pastry chef Leigh Friend when they set out to change the cheese game at New York City's Casellula Cheese & Wine Cafe,and change it they did. Now they're sharing their secrets in this insider's guide to the wide, wondrous world of cheese, and the condiments that bring it to the next level.With seventy recipes for accompaniments,from spicy fruit chutneys to whole grain mustards and nut brittles,and dozens of unexpected pairings, Composing the Cheese Plate will help you create a one-of-a-kind cheese course every time.…

Hardback. Zustand: Fair. Curate Surprising and Delicious Cheese Boards at Home Tired of the same-old cheese plate? So were fromager Brian Keyser and pastry chef Leigh Friend when they set out to change the cheese game at New York City's Casellula Cheese & Wine Cafe,and change it they did. Now they're sharing their secrets in this insider's guide to the wide, wondrous world of cheese, and the condiments that bring it to the next level.With seventy recipes for accompaniments,from spicy fruit chutneys to whole grain mustards and nut brittles,and dozens of unexpected pairings, Composing the Cheese Plate will help you create a one-of-a-kind cheese course every time.…

Hardback. Zustand: Good. Curate Surprising and Delicious Cheese Boards at Home Tired of the same-old cheese plate? So were fromager Brian Keyser and pastry chef Leigh Friend when they set out to change the cheese game at New York City's Casellula Cheese & Wine Cafe,and change it they did. Now they're sharing their secrets in this insider's guide to the wide, wondrous world of cheese, and the condiments that bring it to the next level.With seventy recipes for accompaniments,from spicy fruit chutneys to whole grain mustards and nut brittles,and dozens of unexpected pairings, Composing the Cheese Plate will help you create a one-of-a-kind cheese course every time.…

Hardcover. Zustand: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Zustand: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: New. Num Pages: 224 pages, Color photos throughout. BIC Classification: WBTR; WJX. Category: (G) General (US: Trade). Dimension: 177 x 223 x 28. Weight in Grams: 742. . 2016. Hardcover. . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Brand New. 192 pages. 9.00x7.00x1.25 inches. In Stock.

For a detailed report of the Incorporated Society of Musicians conference at which these autographs were given, and which took place in Birmingham over the five days between 30 December 1912 and 3 January 1913, see Musical Times, 1 February 1913, pp.113-114. Thirteen signatures of British pre-war musical figures, on ten pieces of paper, ranging from 16 x 19 cm to 7 x 13 cm, nine of them on parts leaves of various colours cut from an album. In good condition, lightly aged. In only two cases are the signatures on both sides of the paper, on the other eight the reverse is blank. The ten pieces of paper are as follows. ONE: Edgar Leslie Bainton (1880-1956), British, and latterly Australian, composer: 'Edgar L. Bainton | Birmingham. January. 1913.' With bar from 'The Cap & Bells'. On the reverse are the signatures of the violinists Albert Sammons (1908-1917) and Thomas W. Petre of the London String Quartet: 'The London String Quartet | Albert Sammons. | Thomas Petre'. TWO: Edward Bennett: 'Edward Bennett | I. S. M. Conference Birmingham | January 1st - 1913 -' With five bars from 'My soul doth magnify the Lord and my spirit hath rejoiced'. THREE: Havergal Brian [born William Brian] (1876-1972), composer: 'Birmingham | Friday Jany 3 - 1913 | Havergal Brian'. With two bars from 'Doctor Merryheart'. FOUR: John David Davis (1869-1942), composer: 'J. D. Davis . | Birmingham | Jan . 2. 1913 .' FIVE: Henry Balfour Gardiner (1877-1950): 'H. Balfour Gardiner'. With two bars from 'Cargoes'. SIX: Allen Gill, conductor, a protege of Barnby: 'Allen Gill | Birmingham Conference | Jan. 1. 1913'. SEVEN: Monk Gould [William Monk Gould] (1856-1923), British composer of light music: 'Monk Gould. | Birm: Conf: 1913.' With two bars from his most famous composition, 'The curfew'. EIGHT: Julius Harrison [Julius Allan Greenway Harrison] (1885-1963), composer and operatic conductor: 'Julius Harrison | Birmingham Conference I. S. M. | Jany. 1913'. With three bars from 'Down among the Dead Men'. NINE: William Wallace (1860-1940), Scottish composer and Dean of the Faculty of Music in the University of London: 'William Wallace : | Birmingham : | January 1 : 1913.' With two bars of unidentified music. TEN: Charles Warwick Evans (1885-1974): 'C. Warwick-Evans | Birmingham Conference 1913'. On the reverse is signature of the composer Harry Assur Keyser (1871-1962): 'Harry. A. Keyser. | Birmingham', with cropped bars from 'Othello Act [.]'.…