Kenji okada (7 Ergebnisse)
Verlag: The National Museum of Modern Art (Tokyo, Japa 1979) - Kyoto National Museum (1980), 1979
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In den WarenkorbSoft cover. Zustand: Fine. No Jacket. SC - Pictorial boards; gentle rubbing to corners; End papers fep + 2 reverse and second fly leaf. Clean Interior, no markings. FINE. Tight binding. 4to. Color Photography all throughout with Prolific LIST of Plates in Rear. Unpaginated after page 144. (Approx. 50pp following.) FINE COPY!!! --B.R. Box 86. …

- Hardcover
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Tankobon Hardcover. Zustand: Brand New. Japanese language. 7.40x5.12x0.79 inches. In Stock.

- Hardcover
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Tankobon Hardcover. Zustand: Brand New. Japanese language. 7.24x5.04x0.79 inches. In Stock.

- Softcover
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Tankobon Softcover. Zustand: Brand New. Japanese language. 7.48x5.12x0.79 inches. In Stock.
Verlag: National Museum of Modern Art, Tokyo, 1979
- Softcover
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In den WarenkorbEncuadernación de tapa blanda. Zustand: Muy Bien. 1979. Catálogo de exposición celebrada en The National Museum of Modern Art (Tokyo) en Noviembre - Diciembre de 1979. 190 pp. aprox. Excelentes reproducciones en color de 151 objetos expuestos. Idiomas: Inglés y japonés. LIB 6G.

Sprache: Japanisch
- Noten
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Sheet music. Zustand: Brand New. Japanese language. 10.00x7.09x0.39 inches. In Stock.
Weitere BilderArchive of eighteen self-published post-cards of performances, including eight signed by the artist, two exhibition flyers, and program, 1976-1984
Stelarc (artist); Mario Mutschlechner (speaker); Norman Ainsworth, Shigeo Anzai, Xicohtencatl Pavia Castro, Tamera Davis, Tony Figallo, Phil George, Yuichi Konno, Nina Kuo, Daniel J. Martinez, Jun Morioaka, Kenji Nozawa, Akiko Okada, Takayuki Ozawa, Harold Rumpf (photographers)
Verlag: N.p., N.p., 1984
- Signiert
- Manuskript//Papierbasiertes Sammlerstück
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In den WarenkorbArchive of eighteen self-published postcards of performances by Stelarc, 1976-1984, eight SIGNED (seven also dated) by the artist on the versos, a flyer, printed on the recto and verso for a 1981 performance of "The Third Hand Event" at Galeria Sloane Racotta, a flyer for "Suspensiones 1976-1981," a 1981 photography exhibit documenting Stelarc performances at Centro Teotihuacan S.A., and a program for "Modified Man: Una Conferencia Ilustrada Sobre Robotica Y Technologias Espaciales," at Museo Tecnológico de la Comisión Federal de Electricidad (MUTEC), a 1981 multi-media lecture by Stelarc and photographer Mario Mutschlechner. Stelarc is a Cyprus-born, Australian based performance artist whose work explores body suspensions, robotics, medical instruments, prosthetics, and the internet, to test and extend the limits of the human body which Stelarc defines as "obsolete." The archive includes: Eighteen self-published postcards of performances by Stelarc: "Event for Stretched Skin" at the Maki Gallery, Tokyo on May 16, 1976. Unmailed. "Event for Penetration/Extrapolation" at Museu Universitario, Mexico City on August 14, 1976. Unmailed. "Event for Stretched Skin No. 4" at Art Academy, Munich on August 8, 1977. Unmailed. "Event for Lateral Suspension" at Tamura Gallery, Tokyo on March 12, 1978, SIGNED and dated "24/4/1978" on the bottom of the verso by the artist, addressed to librarian, archivist, lecturer, and author Judith Hoffberg and curator Joan Hugo. "Event for a Propped Body" at Tokiwa Gallery, Tokyo on May 14, 1978, SIGNED and dated "23/8/1978" on the bottom of the verso by the artist, addressed to Hoffberg and Hugo. "Event for Inclined Suspension" at Tamura Gallery, Tokyo on January 1, 1979. Unmailed. "Event for Support Structure" at Tamura Gallery, Tokyo on July 9-15, 1979. Unmailed. "Event for Amplified Tension" at Tenjo Sajiki, Tokyo on August 6, 1979. Unmailed. "Pull Out/Pull Up: Event for Self Suspension" at Tokiwa Gallery, Tokyo on March 2, 1980. Unmailed. "Sitting/Swaying: Event for Rock Suspension" at Tamura Gallery, Tokyo on May 11, 1980. Unmailed. "Event for Obsolete Body" at La Mama, Melbourne on August 13, 1980. Unmailed. "Up/Down: Event for Shaft Suspension" at Hardware Str. Studio, Melbourne on August 17, 1980. Unmailed. "The Third Hand / The Third Hand" at Tamura Gallery, Tokyo on May 8, 1981, SIGNED and dated "18/6/1981" on the bottom of the verso by the artist. Unmailed. "Handswriting (Evolution)" at Maki Gallery, Tokyo on May 22, 1982, SIGNED and dated "6/12/82" on the bottom of the verso by the artist, addressed to curator Bob Smith, curator at LAICA (Los Angeles Institute of Contemporary Art). "Moving/Modifying: Suspension for Obsolete Body" at Espace DBD, Los Angeles on July 17, 1983, SIGNED and dated "5/1/1983" on the bottom of the verso by the artist, addressed to Smith. "Prepared Tree Suspension: Event for Obsolete Body No. 6" at Black Mountain, Canberra on October 10, 1982, SIGNED and dated "9/5/1983" on the bottom of the verso by the artist, addressed to Smith. "Event for Amplified Hands No. 2" at City Art Institute, Sydney on October 15, 1982, SIGNED on the bottom of the recto by the artist, addressed to LAICA. And "Street Suspension" at Mo David Gallery on July 21, 1984, SIGNED and dated "'84" on the bottom of the verso by the artist. Unmailed. A long rectangular flyer, printed with matte black and white photographs on the recto, and illustrated on the verso, for "Evento Para La Tercera Mano (The Third Hand)" at Galeria Sloane Racotta on August 25, 1981. A flyer for "Suspensiones 1976-1981," a photography exhibit documenting Stelarc performances, at Centro Teotihuacan S.A., on August 18-25, 1981. And a four page program for the multi-media lecture by Stelarc and photographer Mario Mutschlechner, "Modified Man: Una Conferencia Ilustrada Sobre Robotica Y Tecnologias Espaciales," at Museo Tecnológico de la Comisión Federal de Electricidad (MUTEC) on August 20, 1981. Postcards, 6 x 4 inches. Near Fine overall with faint soiling, six with address labels and stamped with postmarks, one with a brief pencil annotation on the verso, and one with a small chip to the top left corner. "Evento Para La Tercera Mano (The Third Hand)" Flyer, 9.25 x 5.25 inches. Near Fine. "Suspensiones 1976-1981" Flyer, 8.5 x 12.25 inches. Very Good plus, with light edgewear and a tiny bruise to the top right corner. "Modified Man" Program, 8.5 x 11 inches, saddle-stapled. Light toning, else Near Fine. Signed.…