kendall william robert (5 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. *Price HAS BEEN REDUCED by 10% until Monday, May 11 (SALE item)* 46 pp., Paperback, very good, Charlie Chaplin on front cover. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. First edition. Large octavo. 202pp. Cloth. Illustrated. Gift inscription, pencil loop detached, else a fine, bright copy in price-clipped, fine dust jacket. The pictorial jacket reproduces a design by O. Soglow. Contributions include "How To Sleep" by Robert Benchley, a preface and "The Art of Breaking a Neck" by W.C. Fields, "The Doctor and the Contraption" by Stephen Leacock, "The Body Beautiful" by S.J. Perelman, "Essay on the Advantages of Sleeping in Bed Alone" by Groucho Marx, etc. Scarce in this condition.

Hardcover. Zustand: Very Good. No Jacket. 1st Edition. [1st edition, 1st printing] ; 179 pages illustrations 26 cm ; LCCN: 50-9725 ; LC: NB1250; Dewey: 736.4 ; OCLC: 227669 ; beige and brown cloth ; no dustjacket ; Contents: Art is what you make it -- Wood as material for the sculptor -- Ideas and subject matter -- Tools and their care -- Rasps for carving in the round -- Carving in the round -- Carving a head -- Carving in low relief -- Finishing -- How to use sculpture ; "n simple every-day language and with lavish use of photographs, a noted sculptor takes you, step-by-step, through the process of wood sculpture and explains how to appreciate and use this kind of art in your own home. The how-to-do-it section contains information on the tools needed, the various woods and their qualities, and finishes. Photographs showing examples of the author's work and that of other contemporary sculptors illustrate his points clearly. The beginner will find this book opens the way to a rewarding hobby; the serious artist will be challenged by Mr. Rood's forceful ideas on art." ; contains numerous illustrations of beautifully photographed artwork of William Zorach, Maria Nunez del Prado, Aaron Goodelman, C Ludwig Brumme, Warren Wheelock, Ernst Barlach, Jose De Creeft, Chaim Gross, Peter John Lupori, Milton Hebald, Ossip Zadkine, Ann Wolfe, Dorothea Greenbaum, Gwen Lux, Evelyn Raymond and Alonzo Hauser ; copy of award-winning Santa Clara, New Mexico sculptor and painter, Joe Rodriguez Valles (1922-1982) ; foxing to endpapers ; else VG. Book.

Four draft screenplays for the 1959-1960 television series. Copies belonging to an unknown cast or crew member, with their name in manuscript ink on the front wrapper of two scripts. All four episodes directed by Robert Altman, then only just beginning his directorial career. Rare. Collection includes one Final Draft script for episode two, one Final Draft script for episode four, one Revised Final Draft script for episode 17, and one Final Draft script for episode 22. Laid in with the screenplay for episode two is a master shooting schedule, laying out filming locations from May 21 to May 25, 1959. "The Troubleshooters" followed a construction team as they traveled the world for different jobs, headed by two engineers?one older, gruff, and grizzled, the other young, well-educated, and soft-spoken. The series was canceled after a single season, with 26 episodes produced in total. Episode two script ("Disaster," here under the working title "The Law and the Profits"): Orange titled wrappers, noted as FINAL DRAFT on the front wrapper, noted as production No. 107, dated May 5, 1959, with credits for director Robert Altman, producer Allen Rivkin, and screenwriters William Kendall Clarke and Paul Gangelin. Title page integral with the front wrapper, as issued. 23 leaves, with last page of text numbered 20. Mimeograph duplication, rectos only, with blue revision pages throughout, dated May 5. Pages Fine, wrapper About Fine, bound with two gold brads. Episode four script ("The Lower Depths"): Red titled wrappers, noted as FINAL DRAFT on the front wrapper, noted as production No. 121, dated May 18, 1959, with credits for director Robert Altman, producer Allen Rivkin, and screenwriter Ward Wood. Title page integral with the front wrapper, as issued. 38 leaves, with last page of text numbered 36. Mimeograph duplication, rectos only, with blue revision pages throughout, dated 5/22. Pages Fine, wrapper about Fine, bound with two gold brads. Episode 17 script ("Harry Maru"): Orange titled wrappers, noted as FINAL DRAFT on the front wrapper, noted as production No. 112, dated May 26, 1959, with credits for director Robert Altman, producer Allen Rivkin, and screenwriter Jack Natteford. Title page integral with the front wrapper, as issued. 29 leaves, with last page of text numbered 28. Mimeograph duplication, rectos only, with blue revision pages throughout, dated 6/4. Pages Fine, wrapper about Fine, bound with two gold brads. Episode 22 script ("The Town That Wouldn't Die"): Orange titled wrappers, noted as REVISED FINAL DRAFT on the front wrapper, noted as production No. 112, dated May 26, 1959, with credits for director Robert Altman, producer and screenwriter Allen Rivkin, and screenwriter Robert Presnell Sr. Title page integral with the front wrapper, as issued. 38 leaves, with last page of text numbered 37. Mimeograph duplication, rectos only. Pages Fine, wrapper Near Fine, bound with two gold brads.