Sprache: Englisch
Verlag: Manchester University Press, 1992
ISBN 10: 0719031842 ISBN 13: 9780719031847
Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
EUR 9,24
Anzahl: 1 verfügbar
In den WarenkorbZustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,400grams, ISBN:0719031842.
Sprache: Englisch
Verlag: Arnoldo Mondadori Editore, London, 1996
ISBN 10: 0340645881 ISBN 13: 9780340645888
Anbieter: HJP VERSANDBUCHHANDLUNG, WEDEL, SH, Deutschland
Softcover. Zustand: Good. 3rd Edition. xi + 371 p. Buch.
Sprache: Englisch
Verlag: Macmillan, Basingstoke, 1988, 1988
ISBN 10: 0333389441 ISBN 13: 9780333389447
Anbieter: ROBIN SUMMERS BOOKS LTD, Aldeburgh, Vereinigtes Königreich
Erstausgabe
EUR 35,76
Anzahl: 1 verfügbar
In den WarenkorbZustand: Very Good. First edition. Hardback. About fine in very good, slightly worn, edge-rubbed and faded dust jacket.
Verlag: Berkeley and Napa: 2003, 2003
Anbieter: Wittenborn Art Books, San Francisco, CA, USA
Kunst / Grafik / Poster Signiert
Zustand: Good. Portfolio with 34 original graphic works by Northern California artists, each signed and numbered. One of 50 cloth and board slipcases by Taurus Bookbindery, Berkeley. 12 x 9.25 inches.DANGER PORTFOLIOArtist IndexIn no particular order, this portfolio contains the following original works of art:Robilee Frederick: Ash and Bone Ash and oil on drafting tissue; Gordon Huether: Solvent Enamel on monoprint on Reeves BFK paper;Bruce Cannon: Biological Counter Timers, Document Drawing, Mixed Media and Ink on Vellum; Kurt Kemp: Big Mouth Man with Dangerous Bird Intaglio; Nora Auston: Crushed Ink on paper; Andries Fourie: Land Mine, Inkjet print on vellum; Decatur Blue: Bombs Away, Toilet seat cover in glassine; Aaron De Beers: Trained Predators, Inkjet print; Eric Sanchez: Thank Heaven for Little Boys, Inkjet print; Constance Maher: Blood Drip, Construction paper and glue; Ry Rocklen: Nuclear Winter Wonderland, Drawing and glitter on card stock; Dennis Raines: Untitled, Intaglio; Brendan Carroll: Danger, Polaroid transfer; Rob Keller: Blood Hounds, Dog blood on various media; Lucy Puls: Ictus et Macula (Kitchen Knife), Ink on paper; Dona Kopol Bonick: Don't Let Me Be Misunderstood, Inkjet print with bullet hole; Connie Walsh: Untitled, Flocking on photo Inkjet paper; Rob Ceballos: Untitled, Woodcut on Arches paper; Ray Beldner: In Case of Emergency, Inkjet print on Kozo paper; Xavier Tiernan: Untitled, Burns on Reeves BFK paper; Joel Mesler: Cutting Cocaine Lines into Love Letters, Offset print; Ed Osborn: VLF Study #1, Very low frequency spectrogram of earth's natural radio activity; Ben Diller: Danger/Peril, Double woodblock print on Reeves BFK paper; Philip Wagner: Untitled, Offset print; Karen Hill: Folding Laundry, Inkjet print;Nancy Willis: Traces, Lipstick transfer on BFK Reeves paper; John Bonick: Bare It, Magnified sunlight and worry lines on waxed paper; William F. Wilson: II Stigmata, Mixed media inkjet print; Jackie Perez Gratz: Proof C, prints in evidence bag with label; Connell Ray Little: Untitled, Ink on card stock; Riccardo Toronto: War Surplus Hero, Offset print; Mark Garrett: Entropy II, Laser print;Lenny Gonzalez: Noel & Knoller, Inkjet photo print; Zakron: The Fear of Being Held Captive, Silver gelatin print individually processed to last an unknown amount of time.Danger logo design by Lewis deSoto.Each of these portfolio boxes was hand made and assembled by the show's curators. The Danger essay by Alison Bing was letterpress printed on Arches paper. Special thanks to Diane Newel at Taurus Bookbindery and Lisa Rappaport at Littoral Press, both in Berkeley, California.- Rob Keller and John Banick, Co-CuratorsNot all the portfolios contain all the prints so custom orders can be filled.
Sprache: Französisch
Anbieter: LA FRANCE GALANTE, Saint MARTIN sur LAVEZON, Frankreich
Couverture souple. Zustand: Bon. Paris . Place Clichy . Décembre 1930 . Une revue agrafée , sous cartonnage souple , 270 x 340 m/m , de 52 pages illustrées . Dos frotté , petite salissure au premier plat , menus défauts . Le numéro le plus recherché de cette revue .