keith penelope (18 Ergebnisse)

Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

paperback. Zustand: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Soft cover. Zustand: Fine. 1st Edition. [1st edition], 1st printing ; 96 pp. ; color illustrations ; 28 cm ; ISBN: 0897214811 (pbk.) ; 9780897214810 (pbk.); LCCN: 2001-132250 ; OCLC: 48896327 ; LC: SB411; Dewey: 635.9/33734 ; color photographic stiff paper wrappers ; Contents: Roses for Every Garden - How to Use This Book - A World of Flowers - Plants in All Shapes and Sizes - Roses in the Landscape - Success the Easy Way - Buying Healthy Plants- Soil Preparation and Planting - Planting and Caring for Roses in Containers - Watering and Fertilizing - Pruning - Top Roses for Disease Resistance - Top Roses for Cold Climates - Top Roses for Hot Climates - Top Roses for Partial Shade - Ortho's all-Stars - Ortho's All-Star Hybrid Teas and Grandifloras - Ortho's All-Star Floribund as and Polyanthas - Ortho's All-Star Miniatures and Mini-Floras - Ortho's All-Star Old Garden Roses and Species - Ortho's All-Star Shrubs : Classic and Modern - Easiest Roses for Massing - Easiest Roses for Ground Covers - Easiest Roses for Beds - Easiest Roses for Hedges - Easiest Roses for Edging - Easiest Roses for the Country Look - Easiest Roses for Mixed Borders - Easiest Roses for Companion Planting - Easiest Companion Plants for Roses - Easiest Roses for Cottage Gardens - Easiest Roses for the Wild Garden - The Easiest Climbing Roses - Easiest Climbers for Fences - Easiest Climbers for Pillars and Posts - Easiest Climbers for Arbors and Pergolas - Easiest Climbers for High Walls - The Easiest Roses for Small Spaces & Containers - Easiest Roses for Narrow Beds - Easiest Roses for Containers - Easiest Roses for Hanging and Cascading Effects - Easiest Small Climbers for Vertical Effects - Easiest Roses for Standards and Patio Trees - The Easiest Roses for Cut Flowers & Fragrance - Easiest Roses for Long-Stemmed Cutting - Easiest Clustered Roses for Bouquets-on-a-Stem - Easiest Roses for Old-Fashioned Bouquets - Easiest Roses for Splendid Fragrance - The Ortho Rose Problem Solver -Selected Mail-Order Sources - USDA Plant Hardiness Zone Map and Metric Conversions - Index ; FINE. Book.

Soft cover. Zustand: Very Good. No Jacket. This is a Very Good Copy of this Hand Signed Photograph of the Actress Penelope Keith in Black and white.Measures 5.5'' by 3.5'' it's Signed ''For Jack Good Luck Penelope Keith''. Signed by Author(s).

Soft cover. Zustand: Very Good. No Jacket. This is a Very Good Copy of this Hand Signed Card of the Actress Penelope Keith in Black and white from Thames Television's Growing Places,measures 6'' by 4''. Signed by Author(s).

Zustand: New. In.

Soft cover. Zustand: Very Good. No Jacket. This is a Very Good Copy of this black and white photocard with the Autograph of Actress Penelope Keith in blue pen.Measures 5.3'' by 3.5'' and is signed ''Best Wishes Penelope Keith'' Size: 8vo - over 4¾" - 5¾" Tall. Signed by Author(s).

Audio Cassette. Zustand: Very Good. Complete and unabridged audiobook, narrated over 6 cassettes by Penelope Keith. NOT ex-library. Has some light general reading/shelfwear - otherwise, this is a clean, tight copy. Dispatch within 24hrs from the UK. Book.

Compact Disc. Zustand: Brand New. unabridged edition. 1 pages. 5.25x6.00x0.50 inches. In Stock.

Zustand: Very Good. Original wire stitched colour illustrated souvenir theatre brochure programme. 8'' x 6''. Contains 24 pages with cast photographs. In Very Good condition. Member of the P.B.F.A. THEATRE PROGRAMMES.

Zustand: Very good.

Audio Book (Cassette). Zustand: Near Fine. Complete and Unabridged on 6 Audio Cassettes. 6hrs 30mins duration. Read by Penelope Keith. Not library copy. (5/5).

Hardcover. Zustand: Brand New. 272 pages. 10.12x7.80x1.42 inches. In Stock.

Exhibition catalogue. First edition 2011. 314pages. Illustrated mainly in colour. Pictorial boards. Fine in dustjacket with sticker removal marks to rear. From Leighton to Lucas, this magnificent survey explores sculpture in Britain over the last 130 years. Considering the way in which sculpturemediates issues of national identity and how Britains links with its Empire have shaped its artistic output, the book also highlights the dialogues between British and international sculpture. The importance of the countrys landscape as a location andmediumis examined, as is the perennial choice faced by the sculptor between figuration and abstraction. Sculpture has changed dramatically in the last century. Traditionalmaterials have given way to expanded practices and the dematerialisation of the art object altogether. With incisive essays by a number of leading authorities, and including previously unpublished archivematerial and new bibliographic sources, this compelling book documents these seismic shifts. We are specialists in Catalogues: Exhibitions, Auctions, Collections, etc. All items are as described and dispatched within 24 hours in a secure package. We are professional booksellers with over 35 years experience, you may order with confidence.

Hardback. Zustand: Fine. Various (illustrator). First edition. An excellent first edition of this illustrated study on modern British sculpture from the Royal Academy of Arts, London. First edition. Illustrated throughout with numerous colour images. A fascinating book exploring sculpture in Britain from the end of the Victorian era to the dawn of the new millennium. Considering the way in which sculpture mediates issues of national identity and how Britain's links with its empire have shaped its artistic output, highlighting dialogues of the international art world. Edited by Penelope Curtis, a British art historian and curator, and Keith Wilson, an English artist, curator, educator, and cultural producer. In the original paper covered boards. Externally, excellent. Internally, firmly bound. Pages are very bright and clean throughout. Fine. book.

Echtfoto. Zustand: Gut. Schwarzweissfoto von Penelope Keith bildseitig mit blauem Stift signiert mit eigenhändigem Zusatz "For Petra Best Wishes" /// Autogramm Autograph signiert signed signee /// Dame Penelope Anne Constance Keith, DBE, DL (née Hatfield; born 2 April 1940) is an English actress and presenter, active in film, radio, stage and television and primarily known for her roles in the British sitcoms The Good Life and To the Manor Born. She succeeded Lord Olivier as president of the Actors' Benevolent Fund after his death in 1989, and was appointed Dame Commander of the Order of the British Empire (DBE) in the 2014 New Year Honours for services to the arts and to charity.[1] Keith joined the Royal Shakespeare Company in 1963, and went on to win the 1976 Olivier Award for Best Comedy Performance for the play Donkeys' Years. She became a household name in the UK playing Margo Leadbetter in the sitcom The Good Life (1975-78), winning the 1977 BAFTA TV Award for Best Light Entertainment Performance. In 1978, Keith won the BAFTA TV Award for Best Actress for The Norman Conquests. She then starred as Audrey fforbes-Hamilton in the sitcom To the Manor Born (1979-81), a show that received audiences of more than 20 million. She went on to star in another six sitcoms, including Executive Stress (1986-88), No Job for a Lady (1990-92) and Next of Kin (1995-97). Since 2000, she has worked mainly in the theatre, with her roles including Madam Arcati in Blithe Spirit (2004) and Lady Bracknell in The Importance of Being Earnest (2007). Early life Penelope Anne Constance Hatfield was born in Sutton in 1940.[2] Her father, an army officer who was a Major by the end of the Second World War, left her mother Connie when Keith was a baby, and she spent her early years in Clacton-on-Sea, Essex and Clapham, south London. Her great uncle, John Gurney Nutting, was a partner in the coachbuilding firm of J Gurney Nutting & Co Limited, and Keith recalls sitting in the Prince of Wales's car.[3] Although not a Roman Catholic, at the age of six she was sent to a Catholic convent boarding school, run by French nuns, in Seaford, East Sussex, with Judy Cornwell.[4][5] Here she became interested in acting,[2] and she frequently went to matinées in the West End with her mother. When she was eight years old, her mother remarried and she adopted her stepfather's surname, Keith. While she did not get on with her stepfather, her mother was a "rock of love" to her. She was rejected by the Central School of Speech and Drama, on the grounds that, at 5'10" (1.78 m), she was too tall. However, she was then accepted at the Webber Douglas Academy of Dramatic Art and spent two years there while working at the Hyde Park Hotel in the evenings.[6] Keith began her career working in repertory theatre around Britain, including Lincoln, Manchester, and Salisbury. Keith's earliest appearances were in The Tunnel of Love, Gigi, and Flowering Cherry. In 1963, she joined the Royal Shakespeare Company and acted with them in Stratford and at the Aldwych Theatre in London.[7] Career Early career Keith began her television career in programmes such as The Army Game, Dixon of Dock Green, Wild, Wild Women and The Avengers.[8] In the early 1970s, she appeared in The Morecambe & Wise Show, Ghost Story and The Pallisers. Her film appearances during this time included Every Home Should Have One, Take A Girl Like You, Rentadick and Penny Gold. In 1967, she had a minor role in Carry On Doctor, but the scene was cut from the final edit.[8][9] She appeared as a nurse in A Touch of Love 1969. Her best known theatre appearance, in 1974, was playing Sarah in The Norman Conquests, alongside Felicity Kendal, her co-star in The Good Life. Keith and Kendal would often film The Good Life during the day and perform on stage in the West End in the evening.[citation needed] Television fame Keith achieved popular fame in 1975 when the BBC sitcom The Good Life began. In the first episode, she was only heard and not seen in her role as Margo Leadbetter, but as the episodes and series went on, the scope of her role increased. In 1977, Keith won a BAFTA award for "Best Light Entertainment Performance" for her role of Margo Leadbetter.[10] From 1979 to 1981, she played the lead role of Audrey fforbes-Hamilton in the TV series To the Manor Born. Following To the Manor Born, Keith has appeared in the lead role in six other sitcoms: Sweet Sixteen, Moving, Executive Stress, No Job for a Lady, Law and Disorder and Next of Kin. She also had the starring role in a TV adaptation of Agatha Christie's play Spider's Web. She won a second BAFTA award as "Best Actress" in 1978 for The Norman Conquests.[11] In 1982, Keith starred in a TV production of Frederick Lonsdale's On Approval. In 1988, she hosted one series of the ITV panel show What's My Line?, following the death of its former presenter, Eamonn Andrews. She had a featured role in the 1998 ITV serial Coming Home.[12] Work Keith has regularly appeared on stage, taking the classics and new plays across the UK. These include Shakespeare, Shaw, Sheridan, Wilde, Rattigan and Congreve. She played Lorraine in Noël Coward's Star Quality, while in 2004 she played Madame Arcati in Coward's Blithe Spirit at the Savoy Theatre. In 2004, Keith starred in the first of ten full-cast BBC radio dramatisations of M.C. Beaton's Agatha Raisin novels, playing the title role. Two years later, she appeared at the Chichester Festival in the premiere of Richard Everett's comedy Entertaining Angels, which she later took on tour.[13] In 2007, she played the part of Lady Bracknell in The Importance of Being Earnest on tour, which transferred to the West End in 2008, at the Vaudeville Theatre.[14] She has voiced adverts including ones for Pimm's, Lurpak, Tesco and most famously, The Parker Pen Company, which was named one of the 100 Greatest Adverts in a Channel 4 programme. In 2012, she starred in Keith Waterstone's Good Grief,[15] having previously appeared in the play's pre.

kl 4°, geb. Pappeinbd., 315 S. - sehr gutes Exemplar. Buch.