keith albarn (11 Ergebnisse)

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Binding firm and intact. Zustand: Near Fine. 1st edition. 4to. 144pp. Softcover with 138 illustrations, 30 in colour. Used copy with slightly worn wrappers. Sticker residue to front, near top right corner. Rear panel with circular sticker near top left corner. Interior clean and unmarked.

4°, 53/53 S./pp., XXIV Abbildungen (Illustrations), Originalbroschur (publisher's paper covers), Ecken gering gestaucht/Corners slightly bumped, Sprache: englisch.

Soft cover. Zustand: Very Good. Well-illustrated journal of the UK's Council of Industrial Design, its mission to promote the best in design practice. This issue with articles on aiding the disabled, Vortigern a new channel ferry, Rotaflex, Keith Albarn's Fun Palace at Girvan, plus many fascinating period advertisements. Shelf wear to edges and spine, address inscribed on back cover. Photographs available on request. All books dispatched same or next working day in robust packaging.

Zustand: Acceptable. Profusely Illustrated (illustrator). Used - Acceptable. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library with wear and barcode page may have been removed. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

Paperback. Zustand: Good. THERE ARE NO TARIFFS OR CUSTOMS DUTIES ON BOOKS. Please note there are a few feint marks and scrapes on the front cover, the book itself is in good condition. Maps, charts, graphs â?" all diagrams â?" are used by us to organize our experience of the world outside. Our senses coordinate information from our surroundings and organize it â?" often in linear form â?" so that we can know â??where we areâ?? and go from A to B in any situation.The authors of this book suggest an exciting method for applying the diagram to our internal world of thoughts, ideas, feelings and emotions. Diagramming an inner situation will, they argue, not only help us to understand an attitude or feeling, but will also put us into touch with our innermost organizing mechanism, whether we call it soul, spirit, psyche, mind or cerebral cortex.The way we experience the world, our perception of it and our perception mechanisms, contributes to the construction of our diagram; models, games, the ambivalence of coincidence, the relation between personality and cosmology â?" all these are topics round which important sections of the book are constructed and which are the basis of the excitement the authors convey so invitingly. A diagram, they say, is not an idea but a model of it, intended to clarify, in the way a map does, characteristic features of the terrain, inner or outer.Humans have been navigators and geometers for thousands of years, and the method suggested here is put forth as a way to bring our inner world into greater harmony with our outer world.The many drawings in the book â?" a large number of them in color â?" provide a graphic demonstration of diagramming, and offer the reader several opportunities to indulge in perceptual â??games.â??.

Zustand: Gebraucht / Used. Paperack. Good. 112pp.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First Edition. Ex Library.

221 pp.; 30.7 x 24.2 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; November 1971 issue of Studio International, with a cover specially designed for this issue by Allen Jones. Edited by Peter Townsend. Contents include: "Some Concern in fine art education - II," by Linda Morris, Digby Jacks, Charles Harrison; "Report from Vienna," by Kristian Sotriffer; "Correspondence;" "News and Notes;" "Edward Ihnatowicz's Senster," by Jonathan Benthall; "PASTA MOMA, or the strike-bound Modern," by Jeannie Weiffenbach; "Notes on a piece by Barry Le Va - Extended vertex meetings: blocked; blown outward;" "Some Memories of Mondrian," by Nelly van Doesburg; "Aspects of Islamic pattern," by Keith Albarn; "An Interview with Dennis Oppenheim," by Willoughby Sharp; "UK Commentary," by Mark Haworth-Booth, Norbert Lynton, Richard Morphet; "The Synoptic Loft," by Dore Ashton; "The State and the arts in Great Britain," by Andrew Faulds MP "Supplement: new and recent art books," reviews by John Gage, Tim Hilton, William Vaughan, Tim Clark, Peter Wollen, Peter Gidal, Andrew Forge, Frank Whitford, and Laura Mulvey. Very Good. Light edge-wear and dusting of covers. Contents clean and unmarked.

An enquiry inspired by Islamic decoration. Illustrated. Thames and Hudson, London 1974. 112 pages. Softcover.[#216017].

251 pp.; 30.7 x 24.1 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; May 1974 issue of Studio International edited by Peter Townsend. Contents include: "The Complete Artist," by John McEwen; "2 Fisherman: 1. An Appreciation of C.M. Wells," by J.W. Chance and "2. Ivan Marks: fishing as a profession;" "Correspondence;" "Acanthonemus Lubaurus Fossil;" "The Fish as a Symbol," by Cara Montgomery; "Multiple Exercise," by William Allan; "Sea Grant second narrative and two precedent works," by Newton Harrison; "Char and char fishing," by Geoffrey White; "Feuilleton," by Marcel Broodthaers; "The paintings of Joseph Raffael," by William S. Wilson; "A/S Mowi: industrial fish farming;" "Man's Impact on life in inland waters," by H.A. Hawkes; "Recipes," by Henri de Toulouse-Lautrec, Marcello Salvadori; and X-ray of a flounder" and reviews by Clive Phillpot, Malcolm LeGrice, John Walker, Liesbeth Corstius, Keith Albarn, Günther Wirth, R.C. Kenedy, David Troostwyck, Tony Rothon, Judy Marle, Paul Rosenbloom, Fenella Crichton, Christopher Fox, James Faure Walker, Robert Corbett, and Frank Whitford. Cover specifically designed for this issue by James Sneath. Also includes a ten page artist project by Hamish Fulton presented by Robert Self, presumably paid for as an advertisement in the magazine and not presented as editorial content. Good. Bumping of corners with creasing. 5.7 cm. area of writing in pencil on recto. 4 mm. tear to bottom right corner of verso and two 8 mm. tears across spine. Yellowing of pages. Contents clean and unmarked.