Kean john m (4 Ergebnisse)

- Softcover
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Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

- Hardcover
- Erstausgabe
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Zustand: Good. First Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Verlag: The Poetry Review, London, 1959
- Softcover
- Erstausgabe
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USABetween the Covers-Rare Books, Inc. ABAA
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In den WarenkorbSoftcover. Zustand: Good. Magazine. Printed wrappers. Octavo. 59pp. Rubbing, edgewear, and a long tear on the rear panel, good. This issue features Hugh MacDiarmid, Sydney Goodsir Smith, Sir Compton Mackenzie, Naomi Mitchison, Douglas Young, A.V. Stuart, Alexander Buist, William Kean Seymour, David Low, C. Day Lewis, Sir Francis Meynell, Canon Adam Fox, John Smith, Lady Margaret Sackville, Vernon Scannell, and Margaret Stanley-Wrench. Additional contributors include Gilbert Thomas, Paul Selver, Ilko Iliev, Paula Nelson, Phyllis M. Scott, Canon Adam Fox, Mary Field, Rita Spurr, M. Shand Smith, Evelyn D. Bangay, Stephen Graham, Kathleen Valmai Richardson, Joan Forman, Geoffrey Johnson, Geoggrey Dearmer, Herbert Palmer, Robert Armstrong, and Kennedy Williamson.…
[Punch] Letter, headed 'Copy', in contemporary hand, from 'X.' to 'Mr. Editor' [of Punch].
'Punch, or The London Charivari' [Mark Lemon (1809-1870), editor; John Leech; Charles Kean; William Williams (1788-1865), Radical M.P. for Lambeth]
Verlag: 1 May, 1859
- Softcover
- Manuskript/Papierantiquität
Anbieter: Richard M. Ford Ltd, London, Vereinigtes KönigreichRichard M. Ford Ltd
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In den Warenkorb12mo, 4 pp. Bifolium. Watermarked 'TOWGOOD'S | SUPER FINE | 1859'. Eighty-seven lines of text. Text clear and complete on aged and grubby paper. With little hope of influencing the editor of Punch, the author feels compelled to 'write and tell you what I and many others think about your Publication and the malignant spite you display towards individuals who happen to incur your wrath'. This 'malignity', he feels, 'must be derived from that murderous old ruffian from whom your publication takes its name, and which alone prevents it being an influential publication. Men laugh at the jokes in it, and admire the skill of Mr. Leech and his assistants, but II have yet to find the Man whose opinions were ever changed by anything he saw in "Punch".' He gives two examples of 'many instances of individuals who have been persecuted' by the magazine: the actor Charles Kean and 'Mr Williams of Lambeth'. What had Kean 'done to incur the wrath of "Punch"? Simply offended one of its staff'. As for Williams, he had stated, 'in a Speech to the Electors of Lambeth [.] that he had been offered a Title which he rejected - now that was nothing but the truth, for you know very well that a Baronetcy really was offered to Mr Williams and rejected'. The author accuses 'Punch' of being 'ready enough to make yourself a mere tool of corruption [.] trying to do that by ridicule which those in power could not do by flattery'. Quotes 'the advice given this day by the "Weekly Dispatch" to the "Saturday Review", before concluding 'You need not make any funny (?) remarks about any grammatical errors that may appear in this letter. If there are any I admit them, for I do not profess to be a Scholar'.…