Kaushal molly (7 Ergebnisse)
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Hard Cover. Zustand: Good. No Jacket. The pages are clean and tight with no marks or flaws found. Binding is good. Cover shows light wear and has name label on front. 464 pages.
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Zustand: New. pp. xxxviii + 348.
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Soft cover. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition. Contents: Introduction/Molly Kaushal. Section I: Papers in English. I. Sacred Geography. 1. Archaeology of Ramkatha/B.M. Pande. 2. Sita worship: a social response to Ramkatha in the Garhwal Himalayas/D.P. Saklani. 3. Important locations (villages) and verba…l narratives associated with princess Sita in the central hills of Sri Lanka/H.M.D.R. Herath. II. Narrative Traditions. 4. Theatre of khyna in Indian Tradition/Radhavallabh Tripathi. 5. Ramkatha alive in performance/Paula Richman. 6. Living Ramayanas of the Adivasis of Gujarat: a study/Nila Shah. 7. Rama legend in Assam: tangible and intangible manifestation/A.K. Das. 8. The Ramayana tradition in Manipur/R.K. Jhalajit Singh. 9. Elements of the Ramayana among the Khasis and the Jaintias/Sylvanus Lamare. 10. Retelling of Rama stories in Karnataka/H.S. Shivaprakash. 11. Ramayana in Southeast Asian traditional theatre performances: adaptation and localization/Ghulam-Sarwar Yousof. III. Performance Traditions. 12. Ramkatha in the Yakshagana tradition/P. Bilimale. 13. Ramkatha in oral narratives and folk performance of Orissa/Mahendra Kumar Mishra. 14. Ramkatha in Performance in Garhwal Himalaya/D.R. Purohit and Roma Purohit. 15. Ramayana in Balinese performance/I. Nyoman Sedana. 16. The Reamker revisited: Akaeng Khameaso in Sophiline Cheam Shapiro's choreography/San Phalla. 17. Being Rama: performing Rama in the changing times/Urmimala Sarkar. IV. Pictorial Traditions. 18. In visible idiom: Transfigurements of the Ramayana in India/D. Venkat Rao. 19. Crisis in Ayodhya: A reading of one miniature painting from the Chamba Ramayana Folio/Alok Bhalla. 20. The Painter's Ramayana: Sahibdin's Paintings of Yuddha KÄÎa/Ratan Parimoo. 21. The Killing of Sindhu in the Painted Scrolls of Bengal/Mandakranta Bose. 22. Gond Ramayani: In Text and in Painting/Molly Kaushal. 23. Bringing Up Hanuman: Hanuman and the Changing Imagination of Childhood/Philip Lutgendorf. Section II: Papers in Hindi Transmission, mobility, adaptation and concrete expression of the Rama theme among different communities and regions in India and outside is the finest example of the power of the 'oral word' that transcends all boundaries, be they geographic, temporal, social or literary. It provides for plurality, diversity and continuity of the tradition transcending the rigid boundaries of the text to flow in multiple streams and directions meeting with tributaries and rivulets along the way. In order to explore, understand and comprehend this living and vibrant Rama tradition in Indian culture, the Indira Gandhi National Centre for the Arts, in 2008, convened an international conference Ramkatha: Ankan, Manchan aur Vaachan under its ongoing project, Living Traditions of Ramkatha and Mahabharata. The present volume consists of select papers presented in this conference along with others that were specially invited from eminent scholars in the field. The papers here range from textual to oral, performance and pictorial renderings of Rama theme both in traditional and contemporary contexts, covering a large geographic area and diverse communities. For example, Bhil Ram Sitama ni Varta, Kunkana Ramkatha, Gond Ramayani, Rama traditions among the Ramnamis of Chhattisgarh, Ramman of Garhwal, Bundeli Ramkatha, Mewati Ramkatha and Ramkatha traditions among the Khasis, to name a few. The volume also contains essays on traditional and modern presentations of Rama theme in Southeast Asia. The volume is broadly organised under four themes: sacred geography, narrative, performance, and pictorial traditions. However, several of them overlap and flow into one another. The book is further divided into two sections: the first contains papers in English and the second in Hindi. This book is a significant addition to the existing literature on Ramayana and Ramkatha traditions and of great value to scholars of Indian culture, folklorists, anthropologists and Indologists.
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Hardcover. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition. Indian embroidery is well known for its variety, composition, colour palette, motif, technique and its contextual significance. It forms part of our festivals, traditions, rituals, beliefs and spiritual practices. Each kind of embroidery has its own historic…al background and a traditional context. Over centuries of practice, the processes, methods and skills were developed which continued to evolve in specific ways through generations giving a particular character to the respective craft. The present volume includes some rare pieces from the IGNCA archives, which displays a fine insight into the handling of materials and tools and highlights different aspects of textile and embroidery traditions across India.
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Hardcover. Zustand: As New. Contents: Preface/Sachchidanand Joshi. Introduction/Molly Kaushal. Section I: Poetics and Ethics: 1. Poetic vision in the Mahabharata/Radhavallabh Tripathi. 2. Ethical dilemmas in the Mahabharata/Kavita A. Sharma. 3. Mahabharata and modern dilemmas a search for a living tradition beyond metaphysical t…rappings/Sehdev Kumar. Section II: Translations, Adaptations and Variations: 4. Ashvamedha Parva of Vyasa and Jaimini -A Comparison/Shekhar Sen. 5. Variations on Vyasa: The First Bengali Mahabharata/Pradip Bhattacharya. 6. Mahabharata: A Symbol of Composite Culture during the Mediaeval Period/Mansura Haidar. 7. The Mahabharata through the Eyes of Two Jaina Poets of Karnataka/H.S. Shiva Prakash. 8. Mahabharata and Regional Variations: Sarala Mahabharata in the Folklore of Odisha/Mahendra K. Mishra. 9. Mahabharata in the Literature and Lore of Kashmir/S.S. Toshkhani. Section III: Folk and Tribal Traditions: 10. Folk Adaptations of the Mahabharata: The Parallel Journey of Rajasthani Literature/Chandra Prakash Deval. 11. Bhilo nu Bharath in the Sociocultural and Religious Life of the Bhils/Bhagwandas Patel. 12. The Mahabharata in Adivasi Narrative, Creation, Myth, and Folk Theatre: Bhima's Persona in the Folklore of Gondwana-Chhattisgarh Region/N.K. Das. 13. Gond Pandavani: A Narration by Pardhans/Vasant Nirgune. 14. Mahabharata: Tangibility of the Intangible/A.K. Das. Section IV: The Himalayan Complex: 15. Sacred Landscape of the Pandavas in Garhwal/D.R. Purohit. 16. Multiple Realities, Realpolitik, and Anti-heroes Duryodhana and Karna of the Himalaya in a Secularizing India/Lokesh Ohri. 17. Worship of Heroes and Anti-heroes of the Mahabharata in Western Uttarakhand: Changing Self-perceptions and the Intimate Divine/Neeru Nanda. 18. The Mahabharata Lore: Temples and Legends in the Beas-Yamuna Region/O.C. Handa. Section V: Performance Traditions. 19. Thoda Dance-Drama Tradition in Himachal Pradesh/Tulsi Raman. 20. Pandavayana: Pandava Gatha Singing/Lalita Kaushal. 21. Lord Krishna in Jatra: The Popular Theatre of Bengal/Soumen Sen. 22. The Mahabharata, A Voyage into Celestial Space and Time: A Study of the Cult Tradition in South India/Pulikonda Subbachary. 23. "Making That Young Bride a Widow, Whoever She May Be": Aravan-Kuttantavar, From Kuvakkam to Coimbatore/Alf Hiltebeitel. 24. Mahabharata in Kutiyattam/G. Venu. 25. Fight between Narakasura and Satyabhama in Harivamsa and Southern Performance Tradition/A. Purushothaman and A. Harindranath. 26. From Nehru to Benegal: An Alternative Mahabharata/Bodh Prakash. Index. The fascinating world of multiple Bharatas that this book introduces its readers with is that of a perennial tale discovered and created afresh at each juncture of time; at each moment of self-doubt and self-exploration; at each rejoicing of self-discovery and self-recovery. If one does not come across a seamless continuity here, one does not encounter apparent ruptures either. The Bharatas, as narrated here, present us with amazing diversity with palpable consubstantiality expressed in myriad forms and multiple hues; tradition belonging as much to its contemporaneity as to its past; belonging as much to the spokes as to the axle; centrifugal and centripetal at once; a tradition old and new at the same moment of time. The book is based on the proceedings of a seven-day international conference organized by the Indira Gandhi National Centre for the Arts (IGNCA) on the living traditions of the Mahabharata in the year 2011. The conference explored the multiple tellings and retellings of the Mahabharata story as sung, danced, and celebrated in festivals, inscribed on to geographic landscapes, committed to memory as sacred genealogy, embodied in rituals, and sculpted in shrines and temples. The presentations ranged from issues of poetics and ethics to translations, adaptations, and variations to folk and tribal traditions as sung, recited, and performed. Rather than exploring the Mahabharata as a book or a singular narrativ.
