Katz leandro (30 Ergebnisse)

Zustand: New. Idioma/Language: Español. Catálogo de la primera exposición individual de Leandro Katz en España. La exposición, organizada por el Ministerio de Educación, Cultura y Deporte (Subdirección General de Promoción de las Bellas Artes) y comisariada por Berta Sichel para Bureau Phi Art Projects, es una inmersión multimedia en cuatro décadas de la producción del artisa argentino, El rastro de la gaviota- título de una de sus obras- es un ensayo visual de la conexión del artista con la antropología, la historia y la literatura desde diversos acercamientos conceptuales. La publicación recoge, además de las obras en exposición, textos sobre su trabajo y una entrevista con el artista. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.…

Unknown. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Author (illustrator).

First Edition. First edition. Softcover. [24 pages.] Printed in an edition of only 1000 copies. Artist's book with numerous black and white illustrations. A fine copy in stapled wrappers. Leandro Katz (illustrator).

Zustand: Usado - Bueno. Usado - Bueno.

Zustand: Nuevo. [Narrativa breve] Leandro Katz (Buenos Aires, 1938-) es poeta, escritor, artista visual y cineasta. 95 pages. Leandro Katz (illustrator).

2010 edición Tiempo y Naturaleza, desde cascadas y ríos hasta el mar y la luna, construyen una meditación sobre la naturaleza de la fotografía y sobre la diferencia entre eventos mayores y menores. Con prólogo de Luis Pérez-Oramas. páginas/pasges. Author (illustrator).

Zustand: Usado - Bueno. Usado - Bueno.

Tapa Blanda. Zustand: Aceptable. Nació en Bs,As. en 1938, en 1961 emprendió un largo viaje por latinoamérica y se radicó en Mew york.119pp. Sell Antiguo Propietario.

Zustand: New. Zustand des Schutzumschlags: Nuevo.

Zustand: New. Zustand des Schutzumschlags: Nuevo.

Zustand: New. Zustand des Schutzumschlags: Nuevo. Leandro Katz (illustrator).

Zustand: New. Zustand des Schutzumschlags: Nuevo.

17x11. 119 pgs. (Q8784).

Zustand: Usado - Bueno. Usado - Bueno.

Zustand: Usado - Bueno. Usado - Bueno.

Zustand: Usado - Bueno. Usado - Bueno.

[unpaginated]; 24.3 x 20.5 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Artist''s book composed of images and texts. "The photographs for this piece were taken in a period of thirty-six seconds during a trip to the island of Curacao, where Papiamento--a tropicalization of cold-weather languages --is spoken. There I read the work of Sylvanus G. Morley, whose obsession with the American past I swear made me scribble Mayan numerals in my sleep off the ground and into the night very possibly after a cabalistic formula to be used the next evening in the local roulette. The piece was written during the year and finished in New York near the end of 1975 with the editorial assistance of Sara Blackburn and Ted Castle. The sources of Severo Sarduy, Roland Barthes, Guy Debord, Charles Ludlam and very especially Raoul Vaneigem are acknowledged for the writing of Self Hipnosis." -- from Katz''s afterword in the book Reference : "Artist / Author : Contemporary Artists' Books" by Cornelia Lauf, Clive Phillpot, Glenn O'Brien, Jane Rolo, Brian Wallis, Martha Wilson, Thomas Padon. New York, NY : Distributed Art Publishers / The American Federation of Arts, 1998, pp. 62, 64. Very Good. Four 1 mm. dots on recto cover. Otherwise covers and contents clean and unmarked.…

Zustand: Usado - Bueno. Usado - Bueno.

Encuadernación de tapa blanda. Zustand: Bien. 1ª Edición. Buenos Aires. La Lengua Viperina. 2010. 45p. 1h. Rústica con solapas. Edición de 500 ejemplares. Buen estado.

Vipers Tongue Books, TVRT Press, New York 1975. Gr.-8°. 20 Blatt. OBroschur.

Rústica. Zustand: Bueno. 24.8 x 20.4. 40pp. Rústica.

Zustand: Good. 4to. [18 pp]. Good with marginal staining and loose pages. Soft covers. Black and white plates.

[2] pp.; 10.8 x 15.2 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Double sided card / announcement published in conjunction with show held January 25 - May 5, 1996. Guest curated by Julia P. Herzberg. Projects included "The Catherwood Project" and "Project for the Day You'll Love Me." Good. Mailed copy with mailing marks and mailing wear. Bumping of corners and light rubbing of edges. 6 mm. tear to upper edge of recto.…

[10] pp.; 28.5 x 22.5 cm.; slide bound; black-and-white; edition size 250; unsigned and unnumbered; photocopy / xeroxed Artist's book / unsolicited contribution to Documenta 1972, by Leandro Katz. Based around the exploration of a Western-style obelisk monument built in Guatemala in the 1940s. Printed in black-and-white. Ten xeroxed pages, bound in a plastic binder with transparent covers. Text in English and Spanish. Very Good / Fine. Light wear to vinyl covers. Contents in Fine conditioned. …

[28] pp.; 28.2 x 21.6 cm.; slide bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed A situationist text by Leandro Katz, published as an unsolicited contribution to the third Coltejer Art Biennial, held in Medellin, Columbia, in May of 1972. Text in Spanish. Very Good / Fine. Light wear to plastic covers, bumping of bottom edge of second page, and light yellowing of verso edges. Contents clean and unmarked.…

[28] pp.; 28 x 21.5 cm.; slide bound; black-and-white & color; edition size 150; signed and numbered; offset-printed Artist's book by Leandro Katz. "The material of this work of art has been enlarged photographically ninety-two times from the impression of the IBM Executive Typewriter Ñ. Ñ is a unique character of the Spanish alphabet. The sound Ñ did not exist in classic Latin, Greek, Hebrew nor Arabic. It was first writen nn. It appears as the initial of a syllable. Most of the words whose initial is Ñ today are words adopted into Spanish from the indigenous American speech, (Quichua, Aymará, Mapuche, Calepino, Lule, Tonocoté, Allentiac, Toba, Mataco, Tehuelche and Ona languages)." -- publisher's statement. Very Good / Fine. Signed by Leandro Katz and numbered (#00075) in black ink. Very light soiling of verso, yellowing of slide binding, and light soiling of plastic covers. Contents clean and unmarked.…

2008 edición 20 El tema del Retrato de S (h) elfo de Leandro Katz es una pequeña área de trabajo cuya característica principal es un teléfono público montado en la pared. Fotografiado durante un período de tiempo, el espacio sufre una serie de cambios dictados por los cambios naturales de la luz del día, así como por la intervención humana con la adición y sustracción de diversos materiales de oficina y objetos personales. Si estas imágenes proporcionan un retrato del habitante presente fugazmente, como sugiere el título, entonces se encuentra en un estado constante de cambio y autoexamen, ya que muchas de las fotografías son imágenes de sí mismas. Compiladas en 2008, las fotografías se tomaron originalmente en Nueva York en 1972. páginas/pasges.…

[10] pp.; 28 x 21.5 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Schedule of independent films shown at The Kitchen Center May 1, 2, 3, 1979. Featured films, organized by Leandro Katz, included Jack Goldstein's "Metro-Goldwyn-Mayer," "Bone China," and "The Jump," Ericka Beckman's "We Imitate We Break Up," Beth B and Scott B's "Black Box," Viktor Vondracek's "Mrs. Wong," Klaus Wyborny's "Six Little Pieces of Film," Gordon Matta-Clark's "Freshkill," Sheila McLaughlin's "Inside Out," Ernie Gehr's "Untitled," Barbara Ess / Carla Liss' "Seesaw" and "Technology/Transformation: Wonder Woman," JJ Murphy's "Science Ficton," Tom Chomont's "Space Time Studies," Stuart Sherman's "5 Films," Leandro Katz's "Splits," Bette Gordon's "Exchanges," Michael Oblowitz's "Table Conversation," Pat O'Neil's "Sleeping Dogs (Never Lie)," John Lurie's "Hell Is You With African Queen," Howard Guttenplan's "Diary 78," Warren Sonbert's "Divided Loyalties," Bill Brand's "Split Decision," Lawrence Weiner's "Altered to Suit," Martha Haslanger "Frames and Cages and Speeches" and "Lived Time," Manuel de Landa's "The Itch, Scratch, Itch Cycle" and "Incontinence," and Harry Smith's "Mirror Animation." Short synopses provided for each film indexed. Very Good. Discoloration towards edges, light handling marks and edge wear.…

[1] pp.; 28 x 21.6 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Flyer / announcement published to promote events held between 13th and 14th Streets and 6th and 5th Avenues, New York City, on April 18, 1969. Participating artists included Vito Hannibal Acconci, Terence Anderson, Arakawa, Gregory Battcock, Matthew Benedict, Michael Brownstein, Scott Burton, James Lee Byars, Rosemarie Castoro, Eduardo Costa, Bill Creston, Larry Fagin, Madeline Gins, John Giorno, Bobbi Gormley, Tom Gormley, Dan Graham, Katherine Greef, Stephen Kaltenbach, Joseph Kosuth, Leandro Katz, Alcides Lanzy, Lucy Lippard, Rosemary Mayer, Ben Patterson, John Perreault, Lil Picard, Adrian Piper, H Alexander Roberts, Marjorie Strider, Mr. T., Bernar Venet, Frank Lincoln Viner, Anne Waldman, Lewis Warsh, Luis Wells, Hannah Weiner and Lawrence Weiner. These organized street works can be understood as extensions of both the Pop art Happenings of the earlier 1960s and the street protests taking place in New York City and throughout the country during the 1968 elections, the Civil Rights Movement, and the Vietnam War. Whereas the Pop happenings usually took place in galleries and performance spaces, the street works were unconfined by physically walled-in spaces. Enacted in open environments, comingled with the natural flow of pedestrians, these performances created unlimited possibilities for happenstance with the sidewalk as the stage and the city as backdrop, the inhabitants of New York became active participants with the artists, willingly or not. Fair / Good. Folded in three and two tape stains. Name of recipient on verso in ink. …

Encuadernación de tapa blanda. Zustand: Bueno. 1ª Edición. Revista. Airón. 1 a 9. 1960-1965. Colección completa. Redactora Responsable: Marta Teglia. Grupo de redacción: E. Costa, M. Ezcurra, L. Katz, A. Lede, M. Martín, B. Papastamatíu, M. Teglia. Rústica. Rústica. Colaboraciones: Saúl Karsz, John Osborne, Susana Thenón, Alfredo Lede, Dylan Thomas, Allen Ginsberg, Michel Leiris, Robert Creeley, Marta Teglia, Leandro Katz, Marcelin Pleynet, Eduardo Costa, Robert Sward, Roland Barthes, Joaquín Battle, José María Bottaro, Leopoldo Bartolomé, Carlos María Gómez, J. M. Bottaro, Aimé Cesaire, Jaime Rest, Enrique Molina y otros. Dos de los números conservan su faja. Además, el N° 3-4 cuenta con una nota enviada por los responsables de Airón, a la revista Poesía=Poesía de Roberto Juarroz. En el N° 3-4 se publica por primera vez en español Aullido de Allen Ginsberg, traducido por Madela Ezcurra y Leandro Katz. Buen estado.…