Katz a raymond (6 Ergebnisse)

Zustand: New. Our understanding of the nature and processing of figurative language is central to issues in cognitive science, including the relationship of language and thought, how we process language, and how we comprehend abstract meaning. Points on these and related questions are raised and argued by experts in the area of figurative language. Series: Counterpoints: Cognition, Memory & Language S. Num Pages: 208 pages, 5 line figures. BIC Classification: CFA; CFB; JMR. Category: (P) Professional & Vocational. Dimension: 233 x 154 x 17. Weight in Grams: 327. . 1998. Paperback. . . . . Books ship from the US and Ireland.…

Hardcover. Zustand: Good. No Jacket. Ex-Library copy with typical library marks and stamps. Dust jacket missing. Revised edition. Shelf and handling wear to cover and binding, with general signs of previous use. Text is clear of markings. Binding is secure. Secure packaging for safe delivery.

Spiral Bound. First edition. Original spiral bound decorative wrappers with title label pasted on front cover. This remarkable work contains twenty-seven b/w original motifs based on the Jewish alphabet (Aleph Bet), painted by the famous artist Alexander (Sandor) Raymond Katz. Some rubbing, minor creasing, sunning and tiny chipping along edges of wrappers. Wrappers in overall fair to good, interior in good+ to very good condition.…

Hardcover. Zustand: Very Good. No Jacket as Issued. Large format portfolio of 20 reproduced brush drawings by A. Raymond Katz in Chicago, 1933. The drawings are printed with white ink on black paper, each 10" X 13" and are Fine. An introduction by the artist is included. The portfolio sleeve shows light fading, shelf wear and the fragile spine head and foot are torn, not affecting contents.…

12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herlin, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.…

Paperback. Zustand: Very Good. 13.5 x 10.5", black boards with silver stripe and lettering. A few of the illus. have light edgewear/creasing else good to very good condition. Portfolio is rubbed, scratched and chalky white staining on front cover. Drawings of nudes, clowns, horses, men standing outside a peep show. Of the seventeen drawings, ten have printed signatures (eight are dated) and seven have no dates or signature. SCARCE, but incomplete.…