Kaspin deborah (10 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Re-bound by library. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN:0520229487.…

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Re-bound by library. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN:0520229487.…

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In English.

Zustand: New. pp. 424.

Cloth. Zustand: Fine. Like new hardback copy. No dustjacket. xvi, 380pp Size: 8vo - over 7¾" - 9¾" tall. Book.

Paperback. Zustand: Brand New. 1st edition. 380 pages. 8.75x6.00x1.25 inches. In Stock.

Taschenbuch. Zustand: Neu. Neuware - Figurative images have long played a critical, if largely unexamined, role in Africa--mediating relationships between the colonizer and the colonized, the state and the individual, and the global and the local. This pivotal volume considers the meaning and power of images in African history and culture. Paul S. Landau and Deborah Kaspin have assembled a wide-ranging collection of essays dealing with specific visual forms, including monuments, cinema, cartoons, domestic and professional photography, body art, world fairs, and museum exhibits. The contributors, experts in a number of disciplines, discuss various modes of visuality in Africa and of Africa, investigating the interplay of visual images with personal identity, class, gender, politics, and wealth.Integral to the argument of the book are over seventy contextualized illustrations. Africans saw foreigners in margarine wrappers, Tintin cartoons, circus posters, and Hollywood movies; westerners gleaned impressions of Africans from colonial exhibitions, Tarzan films, and naturalist magazines. The authors provide concrete examples of the construction of Africa's image in the modern world. They reveal how imperial iconographies sought to understand, deny, control, or transform authority, as well as the astonishing complexity and hybridity of visual communication within Africa itself.…

Zustand: Minor rubbing. VG. orig.cloth Minor rubbing. VG. Textual photo illustrations. 23x15cm, xvi,380 pp Contains 12 papers. Includes: T. Burke "'Our Mosquitoes Are Not So Big': Images & Modernity in Zimbabwe"; D. Bunn "The Sleep of the Brave: Graves as Sites & Signs in the Colonial Eastern Cape"; N.R. Hunt "Tintin & the Interruptions of Congolese Comics"; T. Olaniyan "Cartooning Nigerian Anticolonial Nationalism"; P.S. Landau "Empires of the Visual: Photography & Colonial Administration in Africa"; H.N. Mustafa "Portraits of Modernity:Fashioning Selves in Dakarois Popular Photography"; H.J. Drewal "Mami Wata & Santa Marta: Imag(in)ing Selves & Others in Africa & the Americas"; R.J. Gordon " 'Captured on Film': Bushmen & the Claptrap of Performative Primitives"; C. Hodeir "Decentering the Gaze at French Colonial Exhibitions"; P. Skotnes "The Politics of Bushman Representations"; P.B. Girshick "Omada Art at the Crossorads of Colonialism"; E. Gable "Bad Copies: The Colonial Aesthetic & th Manjaco-Portuguese Encounter"; D.D. Kaspin "Conclusion: Signifying Power in Africa". …