Karp theodore (14 Ergebnisse)

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Very Good. First Edition. First Edition, First Printing. Not price-clipped. Published by Galahad Books, 1973. Octavo. Hardcover. Book is very good with previous owner inscription on flyleaf. Dust jacket is very good with shelf/edgewear and small tears.100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.…

Zustand: Acceptable. Item in acceptable condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardcover. Zustand: Near Fine. No Jacket. 1st Edition. Hardcover, no dustjacket. Pages clean, no notes or highlights. Minor shelf wear. Binding sound.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hard Cover. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition. First Printing. Volume Two only, Edition (musical scores). Publisher's full black cloth, gilt lettering on spines and covers. This important work proposes a reinterpretation of two major repertories of twelfth-century polyphony: that associated with the long-destroyed abbey of Saint Martial de Limoges and the manuscript preserved in the Cathedral Archive of Santiago de Compostela. Together, these comprise the most important collection of polyphonic music before the School of Notre Dame. The absence of contemporary rules for harmony, rhythm, and notation in this music has led to disagreement among modern scholars as to how this music should be transcribed. Professor Karp's commentary and edition represent a new approach to matters of syllable-change, mensuration, and notation, which are likely to be controversial, but which are scrupulously and convincingly defended. The transcriptions themselves have been welcomed by performing musicians, to whom an important repertory has been made readily available. Professor Karp was Professor of Music History at Northwestern University in Evanston, Illinois. The volume is in perfect, pristine condition, unmarked, unread, tight, square, and clean. AS NEW. Musical Scores. 4to 11" - 13" tall. xii, 236 pages.…

Hard Cover. Zustand: New No dust jacket as issued. Zustand des Schutzumschlags: No Dust Jacket As Issued. Stated First Edition. First Printing. Publisher's full beige cloth red and reverse-red lettering on spine and cover. NB: "Aspects of Orality and Formularity in Gregorian Chant" is a milestone publication in the study of medieval monophonic music. In its movement away from the concept of chants as products and toward the idea of chants as processes, it will markedly change accepted ways of thinking about this musical form. The essays are loosely connected through their bearing on one or more of three themes: the role of orality in the transmission of chant circa 700-1400; varying degrees of stability or instability in the transmission of chant; and the role of the formula in the construction of chant. Throughout, Karp uses 202 musical examples. The first essay evaluates forms of evidence that may shed light on the nature of orality that led to the surviving notational records of Gregorian chant and assembles evidence that supports the conclusion that fidelity of transmission represented an important goal of the Franks. The second essay treats formulas that cross the boundaries of individual liturgical genres and modes. The third essay defines the varying kinds of musical formulas in chant and proposes a chronological ordering of the genre of second-mode tracts. The fourth essay treats the transmission of a stable melody and explores the ways in which one basic melody may be adapted to texts of widely differing structures and lengths. The fifth essay deals with a group of unstable melodies that furnished difficulties in modal classification. The sixth essay explores the problems faced by scribes seeking to represent in diastematic notation melodies employing tones not normally admitted into the medieval gamut. The seventh essay takes up the role of the formula in introits, a neumatic genre intended forchoral performance. The two final essays look at second-mode tracts and at the interrelationship between Roman and Gregorian chant. Theodore Cyrus Karp (1926 â" 2015) was an American musicologist. His principal area of study was Secular music, mainly mediaeval monophony, especially the music of the trouvà res. He was a major contributor in this area to the Grove Dictionary of Music and Musicians. Prof. Karp received his PhD from New York University in 1960. In 1963 he was taken on as a faculty member by the University of California, Davis and in 1971 became a music professor. He moved to Northwestern University in 1973, where he was dean of the department until 1988 and a professor until his retirement in 1996. Besides trouvà re monophony, Karp wrote articles on the polyphony of the schools of Saint Martial, Santiago de Compostela, and Notre Dame. He proposed new methods for the transcription of polyphony from the manuscripts. In more recent research Prof. Karp studied the application of computers to his field. This is a brand new copy, still in its original shrink-wrap, in perfect pristine condition. NEW. 4to 11" - 13" tall. 484 pages.…

Soft Cover. Zustand: New No dust jacket as issued. Zustand des Schutzumschlags: No Dust Jacket As Issued. 0 To Be Determined. First Edition. Publisher's printed card wraps. The volume is in perfect, pristine condition, still in its original shrink-wrap, unmarked, unread, tight, square and clean. NEW. Musicological Studies and Documents. 54. 4to 11" - 13" tall. …

Zustand: New. 2005. Paperback. . . . . . Books ship from the US and Ireland.

Hard Cover. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition. First Printing. Publisher's full black cloth, gilt lettering on spines and covers. Volume One: Text, Volume Two:Edition. This important work proposes a reinterpretation of two major repertories of twelfth-century polyphony: that associated with the long-destroyed abbey of Saint Martial de Limoges and the manuscript preserved in the Cathedral Archive of Santiago de Compostela. Together, these comprise the most important collection of polyphonic music before the School of Notre Dame. The absence of contemporary rules for harmony, rhythm, and notation in this music has led to disagreement among modern scholars as to how this music should be transcribed. Professor Karp's commentary and edition represent a new approach to matters of syllable-change, mensuration, and notation, which are likely to be controversial, but which are scrupulously and convincingly defended. The transcriptions themselves have been welcomed by performing musicians, to whom an important repertory has been made readily available. Professor Karp was Professor of Music History at Northwestern University in Evanston, Illinois. Both volumes are in perfect, pristine condition, unmarked, unread, tight, square, and clean; still in the original, unopened publisher's cardboard box. A large, heavy set (six pounds) - additional shipping charges may apply. AS NEW. 4to 11" - 13" tall. xii, (ii), 230; xii, 236 pp. …

Hardcover. Zustand: gut. 1992. The Polyphony of Saint Martial and Santiago de Compostela (2 volumes) In englischer Sprache. pages.

448 S. mit Abb. u. Notenbeisp. Tb. Mit eigenh. Widmung vom Autor.