Karen e haas (32 Ergebnisse)

Paperback. Zustand: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardback. Zustand: Good. Artistic representations of gardens across history, cultures and mediums, featuring work by such disparate artists as Hokusai, Claude Monet and Hilary Pecis A plot of land, a relaxing retreat, a formal landscape, a place of work: gardens carry a range of associations for individuals, communities and cultures alike. Spanning from the ancient Mediterranean to Renaissance Europe to the Edo period in Japan to the Qing dynasty in China to today, Gardens and Imagination considers how gardens have remained a source of artistic inspiration for millennia. Drawn from the holdings of the Museum of Fine Arts, Boston, this lush volume features both iconic representations of gardens as well as undersung depictions across a range of mediums, eras and cultures. Thematically organized, Gardens and Imagination features essays that probe the human impulse to influence, master and celebrate the natural world through cultivation, care and labor?all while exploring how countless artists have translated this phenomenon into their own visual aesthetics. Artists include: Ansel Adams, Ruth Bernhard, William Blake, Karl Blossfeldt, Lilla Cabot Perry, Jean-Baptiste Carpeaux, Lois Conner, Nancy Crasco, Jan Cornelisz, Elizabeth Courtis, Gregory Crewdson, Imogen Cunningham, Gohar Dashti, Maria Richards Oakey Dewing, Jim Dine, Christian Dior, Claudio Eshun, Gisèle Freund, Wanda Gág, Agostino Gallo, Jay Lynn Gomez, Anthony Green, Katsushika Hokusai, Graciela Iturbide, Robert John Thornton, Justin Kimball, Salomon Kleiner, Tom Loeser, Dakota Mace, Kimathi Mafafo, Mary Mattingly, Michael Mazur, Asnaku Melese, Jean-François Millet, Claude Monet, May Morris, William Morris, Vik Muniz, Giovanni di Paolo, Hilary Pecis, Andrew Raftery, Yves Saint Laurent, John Singer Sargent, Marjorie Schick, Linda Threadgill, Edouard Vuillard, Barbara Westman, Yuan Yao, and many more.…

Hardcover. Zustand: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

hardcover. Zustand: Near Fine. Condition Notes: Excellent, unmarked copy with little wear and tight binding. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Hardcover. Zustand: Very good. Zustand des Schutzumschlags: Very good. Cloth, dj. Quarto. Minor shelf wear. Else a bright, clean copy. Often overlooked--until now--Weston's early photography is painterly and luscious This is a book about Edward Weston before he was Edward Weston--before he was the renowned modernist photographer we know so well. His early years in the field coincided exactly with the height of the Pictorialist movement in America, and while he was never a typical practitioner, he did make photographs that borrowed themes from paintings and other media, and experimented with soft-focused imagery that sometimes looks more like graphite drawings or inky dark prints than photographs. He would later disavow the gauzy, painterly experiments of his early years, claiming in his Daybooks that 'even as I made the soft 'artistic' work . I would secretly admire sharp, clean, technically perfect photographs.' Introducing rare surviving prints from the unplumbed holdings of the Lane Collection at the Museum of Fine Arts, Boston, this book offers new insights into Weston's working methods and his evolution as a photographer. By taking a longer and more nuanced view of his early years, and by reinserting his first experiments back into the larger story of his artistic production, it reveals the variety of ways in which the paths he took as a young man led him to become the mature modernist master. Beautifully reproduced examples of Weston's most important early work, essays explaining its place in his oeuvre and the history of photography, and a section dedicated to the variety of Weston's early materials and techniques make this book a must-have resource. .…

Hardcover. Zustand: Very good. Zustand des Schutzumschlags: Very good. Cloth, dj. Quarto. Minor shelf wear. Else a bright, clean copy. Often overlooked--until now--Weston's early photography is painterly and luscious This is a book about Edward Weston before he was Edward Weston--before he was the renowned modernist photographer we know so well. His early years in the field coincided exactly with the height of the Pictorialist movement in America, and while he was never a typical practitioner, he did make photographs that borrowed themes from paintings and other media, and experimented with soft-focused imagery that sometimes looks more like graphite drawings or inky dark prints than photographs. He would later disavow the gauzy, painterly experiments of his early years, claiming in his Daybooks that 'even as I made the soft 'artistic' work . I would secretly admire sharp, clean, technically perfect photographs.' Introducing rare surviving prints from the unplumbed holdings of the Lane Collection at the Museum of Fine Arts, Boston, this book offers new insights into Weston's working methods and his evolution as a photographer. By taking a longer and more nuanced view of his early years, and by reinserting his first experiments back into the larger story of his artistic production, it reveals the variety of ways in which the paths he took as a young man led him to become the mature modernist master. Beautifully reproduced examples of Weston's most important early work, essays explaining its place in his oeuvre and the history of photography, and a section dedicated to the variety of Weston's early materials and techniques make this book a must-have resource. .…

hardcover. Zustand: Very Good. Dust jacket rubbed on top edge (in brodart), otherwise in Fine (Like New) condition. U.S. orders are shipped from N.Y. state.

hardcover. Zustand: New. Brand New.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Brand New. 224 pages. 6.75x2.00x7.75 inches. In Stock.

paperback. Zustand: Good. First Edition. First edition. Pages are tanned. Minor shelf wear/ creasing on cover.

Hardcover. Zustand: Brand New. 224 pages. 6.75x2.00x7.75 inches. In Stock.

4°, Broschiert. Katalog zur Ausstellung.. 176 S. mit zahlr. Abb., Einb. leicht berieben u. Ecken gering gebogen Sprache: Englisch Gewicht in Gramm: 1550.

224 S. mit zahlreichen Abbildungen. Erste Ausgabe (neuwertiges Exemplar, noch eingeschweisst). Sprache: Englisch Gewicht in Gramm: 1600 4°. Orig.-Leinen mit Orig.-Umschlag.

224 S. mit zahlreichen Fotos von Sheeler. Monographie zum photographischen Werk des amerikanischen Photographen und Malers Charles Sheeler. Amerikanische Ausgabe. (sehr gutes Exemplar, noch eingeschweisst). Sprache: Englisch Gewicht in Gramm: 1200 4°. 31,5 x 25 cm. Orig.-Leinen mit Orig.-Schutzumschlag.…

Kartoniert / Broschiert. Zustand: New. KlappentextText by Anne Havinga, Karen Haas, Nancy Keeler.

cloth, dustj, large size 4to 224 pp., 190 duotone plates high quality picture book; Sheeler (1883-1965), master of the Precisionist Shool; Ford Plant, Chartres Cathedral; African Sculpture; New York; Interiors; LIKE NEW condition.

paperback. Zustand: Gut. 87 Seiten; 9781881450146.3 Gewicht in Gramm: 1.

Seattle, Lond., University of Washington Press, 2000; 28x23 cm. Softcover. 92 pp.(p.20 loosening, owner's entry), catalogue and essay by Naomi Miller, exhibition coordinated by Karen E. Haas, illustrated. Good. ISBN 9781881450139.

Leinen. mit Schutzumschlag. First American Edition. Quart. 224 S. Leinen mit Schutzumschlag, Sprache: Englisch, Mit zahlr. schw.-w. Abb. Umschlagrücken etwas verblichen, gutes Exemplar. LMEX.

1. Auflage. 31,4 x 25 cm. 224 S. OLeinen mit illustriertem OUmschlag. Umschlag minimalst berieben, sonst sehr gutes Exemplar. Durchgehend mit schwarz-weißen Abbildungen versehen. Katalogbuch zur gleichnamigen Ausstellung im Museum of Fine Arts, Boston, vom 23. Oktober 2002 bis zum 2. Februar 2003; im Metropolitan Museum of Art, New York, vom 20. Mai 2003 bis zum 17. August 2003; im Städelschen Kunstinstitut und der Städtischen Galerie, Frankfurt am Main, Anfang 2004 sowie im Detroit Institute of Arts, vom 8. September bis zum 5. Dezember 2004. …

Cloth. Zustand: Fine Condition. Fine Condition. First American Edition. 220 pages 190 three-color photographs. Published on the occasion of the exhibition from the Museum of Fine Arts, Boston MA October 23, 2002-February 2, 2003, The Metropolitan Museum of Art, New York NY May 20-August 17, 2003, and The Detroit Institute of Arts, Detroit MI September 8-December 5, 2004. Chronology. Exhibition Checklist. Book. …

Zustand: New. pp. 208 Illus.

Zustand: gut. 2005. Ansel Adams. In the Lane Collection. In englischer Sprache. pages.

Hardcover. Zustand: gut. 2002. The Photography of Charles Sheeler: American Modernist In englischer Sprache. pages.

Zustand: gut. Practitioner's Handbook on International Arbitration: Rechtsstand: 20010901 In deutscher Sprache. pages.

4°. Erste Auflage, 224 S. OLeinen, OU. Sprache: Englisch, Mit 190 Photographien von Charles Sheeler in Tritone / With 190 three-color illustrations. Schutzumschlag gering angerändert. Monographie zum photographischen Werk des amerikanischen Malers und bedeutenden Photographen Charles Sheeler (1883-1965).…