Karasik michail (16 Ergebnisse)

Soft Cover. Zustand: Good. Dust Jacket Included. Paperback. Text in German. 31pp. D/w slightly faded in parts. A pleasing copy. (r11).

Soft Cover. Zustand: Very Good. Paperback. Text in German. 31pp. A separate full-page colour illustration. Slightest wear. A very pleasing copy. (r11).

1. Aufl. Konzept d. Ausstellung : Marina Schubina (Sehr gut erhalten - vermutlich ungelesen / in very good condition) Sprache: Deutsch Gewicht in Gramm: 1100 Broschur m. Schutzumschlag / Softcover with dust-jacket.

Gebundene Ausgabe. Zustand: Gut. en. 88 (1) S. überw. ill. In englischer Sprache. Original-Pappeinband m. Rücken- und Deckelbetitelung (kein Schutzumschlag). Ecken und Kapitale tls. leicht bestoßen, sonst sehr gut erhalten. 9789079393145 Werktäglicher Versand. Jede Lieferung m. ordentl. Rechnung und ausgew. MwSt. Der Versand erfolgt als Büchersendung / Einschreiben mit der Deutschen Post bzw. als Päckchen / Paket mit DHL. Die Lieferzeit ist abhängig von der Versandart und beträgt innerhalb Deutschlands 3-5 Tage, in der EU 5 - 12 Tage. KEIN Versand an Packstationen. Körperschaften und juristische Personen werden auf Wunsch per offener Rechnung beliefert. ***ATTENTION U.S. CUSTOMERS: Due to the new tariffs, we are unable to ship packages to the USA at this time. Thank you for understanding.*** Sprache: Englisch Gewicht in Gramm: 550.…

Softcover. Zustand: Sehr gut. 79 (1) S.mit Abbildungen; Original-Karton (am Rücken eine Bestoßung); Gr.8°. Gutes bis sehr gutes Exemplar.

Zustand: very good. Broschiert. Zustandsangabe altersgemäß. Sofortversand aus Deutschland. Artikel wiegt maximal 500g. 79 Seiten. Einband mit leichten Gebrauchsspuren. wenige Seiten leicht verfärbt.

8 Karten, farbig. 5 Karten 15,5 x 10,5 cm, 2 Karten 16, 2 x 11,2 cm, 1 Karte 20, 5 x 13,5 cm, 2 Karten 10,5 x 15,5 cm (Gute Exemplare) Versand per Deutsche Post /DHL. Vorkasse grundsätzlich vorbehalten. BECAUSE OF THE EPR REGULATION NO SHIPPIMG POSSIBLE TO AT , BE, BG, ,CY , CZ, DK EE, ES, FI, FR, EL/GR, HR, HU, IT, LT , LU , LV, MT, NL, PL, PT, RO, SI , SE, SK. Sprache: Deutsch Gewicht in Gramm: 150. …

Pappband (Hardcover) -. 1. Auflage. weitere Mitwirkende: Manfred Heiting (Herausgeber) - mit Lesebändchen, sehr reichhaltig farbig illustriert - The Soviet Union was unique in its formidable and dynamic use of the illustrated book as a means of propaganda. Through the book, the U.S.S.R. articulated its totalitarian ideologies and expressed its absolute power in an unprecedented waythrough avant-garde writing and radical artistic design that was in full fl ower during the 1920s and '30s. No other country, nation, government or political system promoted itself more by attracting and employing acclaimed members of the avant-garde. Among them were writers like Semion Kirsanov, Vladimir Mayakovsky, Ilya Selvinsky, Sergei Tretyakov and Kornely Zelinsky; artistic designers like Gustav Klutsis, Valentina Kulagina, El Lissitzky, Sergei Senkin, Varvara Stepanova, Solomon Telingater and Nikolai Troshin; and photographers including Dmitry Debabov, Vladimir Griuntal, Boris Ignatovich, Alexander Khlebnikov, Yeleazar Langman, Alexander Rodchenko, Georgy Petrusovnot to mention many of the best printers and book binders. The Soviet Photobook 1920-1941 presents 160 of the most stunning and elaborately produced photobooks from this period and includes more than 400 additional reference illustrations. The book also provides short biographies of the photobook contributors, some of whom are presented here for the first time. - - intern064f-34 Englisch - 636 Seiten S. 30 x 28 x 6 cm - Quart 4500g. neuwertig - neuwertig, da Restexemplar des Verlages und noch in Originalfolie - neuwertig - neuwertig, da Restexemplar des Verlages und noch in Originalfolie -.…

Softcover. Zustand: Gut. Original Broschur. 4°. (31,5 x 24,5 cm). 59[1] Seiten Text. Mit dem von Barbara Orlowa vom Russischen ins Deutsche übertragenen Essay von Wladimir Perts. Mit 9 signierten Lithographien im Offsetdruck, davon eine doppelseitig. Doppelsetig illustrierter Vortitel und eine beiliegende signierte Original Lithographie. Hier die Nr. 19 einer auf 150 Stück limitierten Auflage. Im Impressum signiert und mit einer Widmung in russisch von Wladimir Perts versehen. Im schwarzen Originalschuber mit mit montierter und ebenfalls signierter Deckelillustration. Einband wenig angestoßen. Rückenbereich sstellenweise leicht abgerieben, und nachgedunkelt. Innen gering lichtrandig nachgedunkelt, in sauberem guten Zustand. Der Schuber wenig berieben, angestaubt. (Quart-750g). Auf Anfrage ist eine alternative Versandart möglich.…

Paperback. Zustand: Near fine in wraps. First Thus. 25 x 32cm unpaginated near fine paperback, grey wraps featuring the title. German text, number 71 of 150 signed copies. Franz Kafka's classic work, 'The Metamorphosis' first published in 1915 , is here illustrated with bold, black and white lithographs in a woodblock style by Michail Karasik. Signed on rear end paper by 'Michail Karasik, 93.'.…

[80] pp.; 31.5 x 24.5 cm.; sewn bound; slipcase; black-and-white; edition size 150; signed and numbered; offset-printed "Die Verwandlung [The Metamorphasis]," by Franz Kafka with lithographic illustrations by Michail Karasik. Includes a signed and numbered lithograph and an essay by Wladimir Perts. Texts in German. Very Good. Mild wear to covers with two 2 cm. tears at opposite ends of spine with additional wear to spine edge. Additional light edge-wear. Light yellowing of right side edge of the loose inserted signed and numbered lithograph. Cover has slightly separated from the spine. 1.2 cm. glue stain to colophon and 1.2 cm. crease to colophon edge. Numbered in blue pen 138/150 on colophon and signed and numbered on page 6. Print numbered 138/150. …

Mainz, Gutenberg Museum, 1993. 32/79 Seiten. OKarton in typographisch gestaltetem Schmuckschuber. Auflage: 400 Exemplare. - Von Michail Karasik auf dem Schuber signiert + nummeriert wie auch datiert. Schönes, sehr wohlerhaltenes, innen verlagsfrisches Exemplar des renommiertesten Vertreters des russischen Künstlerbuchs. Sprache: Deutsch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.…

[80] pp.; 31.5 x 24.5 cm.; sewn bound; slipcase; black-and-white; edition size 150; signed and numbered; offset-printed "Die Verwandlung [The Metamorphasis]," by Franz Kafka with lithographic illustrations by Michail Karasik. Includes a signed and numbered lithograph and an essay by Wladimir Perts. Book and print are housed in a double slipcase - a paper over boards slipcase with a signed and numbered book plate within a thin unprinted cardboard slipcase. Texts in German. Fine. Includes loose, slipped in, signed and numbered lithograph, numbered 4/150. Also includes dust jacket and two slipcases. Book signed and numbered in pencil on colophon, number 4/150. Book, slipcases and print clean and unmarked. …

Moscow Kontakt-Kultura 2007. 2007. 24 x 31 cm. 256pp.(4) Pages / Seiten. Original cloth with dust jacket. Originalleinen mit Schutzumschlag. Bound, illustrated cardboard dito dustjacket, full colour illustration.Karasik Mikhail. Paradnaja kniga Strany Sovetov. Great Stalinist Photographic Books. Izdanie vpervye stol shiroko i obemno predstavljaet pompeznye propagandistskie sovetskie knigi i albomy 1930-1940-kh godov, stavshie nyne unikalnymi pamjatnikami. [Additional description] Author(s): Karasik Mikhail Published / Manufactured by: Moscow: Kontakt-kultura in 2007 256 pages, Hardcover, jacket . [In Russian with an English summary. Interest in grand editions of the Stalin era is nostalgia for the time past, a sort of a post-Soviet, post-communist Oedipus complex. We were witnesses to an unprecedented historic experiment, its participants and victims. We have had to live in two historical eras, in two different economic systems, to practise mutually hostile, mutually exclusive outlooks. We are all victims of Stalin's regime, for its victims are not only the generations of his contemporaries, but also the subsequent generations. Our historic experience is the experience of iconomachy, we treat the past like barbarians, destroying monuments. Today we are able at last to regard history as a cycle of inseparable events. The aesthetization of the past, the search for the grand style is not so much lack of wisdom or myopia affecting the whole nation as its defence reaction, because people have to go on living somehow together with their terrible history. And if in the early-middle 1990s we felt a little ashamed of this history, today we are again ready to be proud of it, that is to stick to our aberrations. Historical, personal pain is disappearing and we are less prone to take the moral high ground when dealing with works of art. I turn the leaves of illustrated propaganda editions and become scared, terrified, but filled with admiration as well. This ambivalence appears every time I open books designed by Lisitsky, Rodchenko, Stepanova or Telingater. The Stalin Book draws our attention by its artistic value, and studying this material not only helps expand our knowledge but also change the accents in the history of Russian and Soviet book art. There is a certain lacuna in established beliefs about the stages of book development in the first half of the 20th century. The era of the Russian book which started with the Mir Iskusstva (World of Art) movement, was then transformed by futurists and later by constructivists, went on into the 1930s. In bibliophile practice and art criticism the Soviet book of the 1930s is reduced to children's books, illustrated editions, GIHL (State Publishing House of Literature) and Academia. A whole stratum is still not researched. It is the Stalin Grand Book, which includes The Soviet Union builds socialism, Worker-Peasant Red Army, Food Industry by El Lisitsky, Moscow under Reconstruction, The First Cavalry, Red Army, 10 years of Uzbekistan by Varvara Stepanova and Alexander Rodchenko, Railway Transportby Nikolay Troshin and others. Without them, the history of book art seems not only incomplete but also inauthentic. And talking of peaks, the Grand Book is a peak as absolute as the Avant-Gard book which precedes it. It is thanks to books of that decade that the profession of book artist developed, along with its specialization: layout artist, illustrator, cover-maker, sign-writer and above all designer. The Book became a universal discipline, began to solve problems of space and composition, appeared in large format, regained the character of bibliophile editions. The books which are nowadays considered masterpieces of book design, which are among the most famous photobooks of the century, were published literally within a few years of each other. Great Stalinist Photographic Books is the first publication specifically devoted to Soviet photobook and propaganda album design. The edition includes an h. …

Binding firm and intact. Zustand: Near Fine. Near Fine. 1st edition. Large 4to. 256pp. Hardcover with complete DJ over pictorial boards. Profusely illustrated, mostly in colour. Text in Russian. Gently used copy. Clean, unmarked, and square.

Gutenberg-Museum. 1993. 32 (2) Seiten mit farbigen Abbildungen. Originaleinband. Gutes, innen verlagsfrisches Exemplar. Sprache: Deutsch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.…