kaplan sydney (19 Ergebnisse)

Hardcover. Zustand: Good. Hardcover with dust jacket. Pages are clean and unmarked. Covers show minor shelving wear. Binding is tight, hinges strong. Dust jacket shows edge wear.; 100% Satisfaction Guaranteed! Ships same or next business day!

Zustand: Good. 1st. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hard Cover. Zustand: Good -. No Jacket. Volume IV only. No marks in the text pages. Binding is good. Cover is slightly scuffed and edge worn. 979 pages including index.

Zustand: New. pp. 240.

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9780801499159.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pencil markings. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9780801499159.

Soft cover. Zustand: As New. 1st Edition.

Zustand: New. 2012. 1st Edition. Paperback. Studies the relationship between the personal lives of writers and the works they produce. In particular, this book reconsiders the place of John Middleton Murry (1889-1957) in the development of literary modernism in Britain. It rewrites standard assumptions about John Middleton Murry's relationships with Katherine Mansfield and D H Lawrence. Num Pages: 240 pages. BIC Classification: 1DBK; 2AB; DSBH; DSK. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 235 x 155 x 13. Weight in Grams: 362. John Middleton Murray, Katherine Mansfield and D. H. Lawrence. 240 pages. Studies the relationship between the personal lives of writers and the works they produce. In particular, this book reconsiders the place of John Middleton Murry (1889-1957) in the development of literary modernism in Britain. It rewrites standard assumptions about John Middleton Murry's relationships with Katherine Mansfield and D H Lawrence. Cateogry: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. BIC Classification: 1DBK; 2AB; DSBH; DSK. Dimension: 235 x 155 x 13. Weight: 362. . . . . . Books ship from the US and Ireland.

Paperback. Zustand: Brand New. 1st edition. 240 pages. 9.00x6.00x0.75 inches. In Stock.

Kartoniert / Broschiert. Zustand: New. Studies the relationship between the personal lives of writers and the works they produce. In particular, this book reconsiders the place of John Middleton Murry (1889-1957) in the development of literary modernism in Britain. It rewrites standard assumptio.

Taschenbuch. Zustand: Neu. Neuware - 'A significant contribution to modernist studies, Professor Kaplan's timely investigation of the Mansfield-Murry-Lawrence triangle illuminates their previously under-researched creative relationships. Her ability to convey the humour and drama of her subject and her fine scholarship are equally engaging.' Delia da Sousa Correa, Editor, Katherine Mansfield Studies 'We may have thought that pretty much everything had been garnered about that tangled triangle of D.H. Lawrence, Katherine Mansfield, and Middleton Murry. Not so. After Kaplan, one is looking freshly, more deeply, at how these extraordinary personalities circled and feinted, landed their punches and reconciled. Most surprisingly, she makes her case for restoring Murry to his rightful place in that trio, free from the condescension that has obscured him for generations. Mansfield and Lawrence too emerge in a new light. What Kaplan does is to present a key moment in British Modernism as a vivid, living, personal exchange.' Vincent O'Sullivan, Victoria University, Wellington and co-editor of The Collected Letters of Katherine Mansfield The relationship between the personal lives of writers and the works they produce is at the heart of this intriguing new study. In particular, it reconsiders the place of John Middleton Murry (1889-1957) in the development of literary modernism in Britain. Drawing on Murry's unpublished journals and long-forgotten novels, Circulating Genius examines his significance as a 'circulator' of ideas, reputations and critical positions in his roles of editor, literary critic, novelist, friend and lover and complicates the arguments of earlier biographers and critics about his relationships - both personal and professional - with Katherine Mansfield and D. H. Lawrence. Sydney Janet Kaplan is Professor of English at the University of Washington and author of Katherine Mansfield and the Origins of Modernist Fiction.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. pp. viii + 228.

Hardcover. Zustand: Brand New. 1st edition. 240 pages. 9.25x6.25x0.75 inches. In Stock.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "Books: Mim Udovitch on Barry Williams' 'Growing Up Brady,'" by Mim Udovitch; "Film: Scott Bukatman on Ridley Scott's 'Blade Runner,'" by Scott Bukatman; "Head to Toe: Rhonda Lieberman on Glamour Wounds, Again," by Rhonda Lieberman; "Real Life Rock: Greil Marcus' Top Ten," by Greil Marcus; "Ecoculture: Andrew Ross' Weather Report,'" by Andrew Ross; "Lari Pittman: The August Vigilante," by Dennis Cooper and Yancy C.; "Sweet Thing," by Dan Cameron; "Critical Reflections," by Greg Tate with and introduction by Greil Marcus; "Drawn and Colored," by Deborah Irmas; "Skin and Bolts," by Marianna Torgovnick; "Spooky Electricity: An Interview with Friedrich Kittler," by Laurence Rickels; "Dangerous Games: Xavier Veilhan," by Olivier Zahm; "Culture," by Glenn O'Brien; "Bruce Conner: The Gnostic Strain," by Greil Marcus; "OpeningsL Beverly Semmes," by Catherine Liu; "Bookforum: Season's Readings," reviews by David Rimanelli, Mason Klein, Arthur C. Danto, Meyer Raphael Rubinstein, Alice Yaeger Kaplan, Sheila F. Glaser, Ramona Naddaff, Dan Cameron, Keith Seward, Patricia C. Phillips, Lisa Liebmann, Sydney Pokorny, Robert Farris Thompson, Amy Baker Sandback, Justin Spring. Reviews by Keith Seward, Justin Spring, Patricia C. Phillips, Olivier Zahm, Donald Kuspit, Jan Avgikos, Joshua Decter, Andrew Perchuk, Barry Schwabsky, Linda Yablonsky, K. Marriott Jones, Lois Nesbitt, Kirby Gookin, Ronny Cohen, Francine Koslow Miller, G.S. Trow, James Yood, Maria Porges, Amy Gerstler, David Pagel, Benjamin Weissman, John K. Grande, Carlos Basualdo, Alexandre Melo, José Luis Brea, Massimo Carboni, Giorgio Verzotti, Miriam Rosen, Claudia Jolles, Justin Hoffmann, Norbert Messler, Noemi Smolik, Sabine B. Vogel, Peter Funken, Lars O. Ericsson, Marek Bartelik, Michael Corris, Michael Archer, Charles Green. Cover: Lari Pittman.

Hardcover. Zustand: Fine in Fine Slipcase. Limited Edition. Limited Edition. Hardcover. ?Very few copies were available; most of the edition remains unissued" (The Gehenna Press #81). According to the colophon 110 copies were printed numbered 1?89, and A to U. The 21 lettered copies have an extra impression of the colored wood engraving signed by Baskin. Printed on a Columbian hand press in black and red (additional colors for the alphabet letters) on a variety of handmade papers from Maidstone. Tight, bright, and unmarred; touch of sun near spine of the marbled slipcase. Cream vellumesque boards, gilt lettering and decorative elements; laid in additional print; marbled paper slipcase. 8vo. [52pp] with 26 line cut drawings. Numbered, limited edition, this being 58. Signed by Baskin and Kaplan.

Hardcover. Zustand: Fine in Fine Slipcase. Limited Edition. Limited Edition. Hardcover. ?Very few copies were available; most of the edition remains unissued" (The Gehenna Press #81). According to the colophon 110 copies were printed numbered 1?89, and A to U. The 21 lettered copies have an extra impression of the colored wood engraving signed by Baskin. Printed on a Columbian hand press in black and red (additional colors for the alphabet letters) on a variety of handmade papers from Maidstone. Tight, bright, and unmarred. Cream vellumesque boards, gilt lettering and decorative elements; laid in additional print; marbled paper slipcase. 8vo. [52pp] with 26 line cut drawings. Numbered, limited edition, this being one of the standard copies, #10. Signed by Baskin and Kaplan.