Kalin kaj (18 Ergebnisse)

The famed Glasgow art deco designer, artist and architect of furniture., Finnish/Swedish, Year1982, Illust. B/W13, Illust. Color, ISBN 9519943110, Code 0131. Softbound, Not in perfect condition, Cat. of exh. Pages 12, Size 11 3/4öx8 1/4ö.

Softcover. Zustand: Sehr gut. Ohne Schutzumschlag. 1. Auflage. 108 pages with many b/w-illustrations.

Soft cover. Zustand: As New. 1st Edition. Text in Engish, German and Finnish.

Soft Cover. Zustand: Near Fine. 1st Edition. Text in Engish, German and Finnish. 107 pp.

40 S. Mit Abb. 4°, Orig.-Karton. Guter Zustand. 300 gr.

Soft cover. Zustand: Fine. 1st Edition. A fine copy with no markings. A accompanying booklet for an exhibition of the same name, which was the first push towards the artist's wideknown recognition. Kristina Riska's ceramics work presented with stories by Kaj Kalin and photos by Kari Holopainen. Text in Finnish, and an additional leaflet with translations in Swedish.…

4°, original softcover. 1. ed. With numerous illustr., 107 p. Finnish-english-german texts. Fine copy. fi Gewicht in Gramm: 0.

Softcover. Zustand: Good. 1st Edition. Published for Stefan Lindfors's 1991 exhibition at the Amos Anderson Art Museum, this catalogue presents the work of one of Finland's best-known contemporary artists and designers. The book features imaginative insect-inspired sculptures and includes three separate photographs of Lindfors's works. Text in Finnish, Swedish, English, and Japanese. 31 pp. Slightly worn covers, detached. Pages clean. Dimensions: 27 × 42 cm.…

4°, Softcover/Paperback. 1.Auflage.. 107 Seiten mit zahlreichen Abbildungen, Biogr. Register, Text finnisch, engl., dtsch. Einband etwas berieben, ansonst guter und sauberer Zustand Sprache: Deutsch Gewicht in Gramm: 450.

22x20,5 cm. 311 pp. Richly illustrated. Publisher's illustrated hardcover. A very good copy. Texts in Finnish, Swedish and English.

Soft Cover. Zustand: Near Fine. 1st Edition. Text in English and Finnish. 199 pp. Many of us remember well the spectacular rise of Finnish industrial art to world-wide recognition and fame in the 1950s. Finland's young designers took their place among the elite of their profession, and it seemed as if the whole country had carried out an amazing feat. International medals and awards showered on these northernmost reaches of Europe, still impoverished by the ravages of the Second World War. There was hardly an exhibition or competition where Finnish design was not awarded first place. In those years Finland was, in a way, designed onto the map, just as her athletes had achieved international recognition a few decades earlier. Finnish industry was to benefit from these successes for years and decades to come. Similar efforts are called for today - confidence in ourselves and our opportunities, and a strong spirit of enterprise. But we do not need others to sing our praises We have to apply our skills and utilize the international recognition of our efforts simply to ensure our standard of living, and perhaps even our survival as a nation. We must remember that all our efforts must be pooled. Enterprise, an inquiring mind and an active spirit are the weapons that all Finns must again take in hand. Especially now and in the immediate future we need new ideas and new design, just as in the 1950s, but in tune with our times. Throughout his long career, Professor Antti Nurmesniemi has been a leading figure in developing Finnish design. He has represented us in many international fields and has spread knowledge of us and our skills almost everywhere in the world. Despite this, we have lacked a detailed portrait of his work. A whole generation of Finns has grown up without much knowledge of his considerable contribution to Finnish design. By staging this retrospective exhibition of Anti Nurmesniemi's works, including many of his latest designs Helsingin kaupungin taidemuseo wishes to remind the public of his significance, and that of other designers, for our country. This exhibition clearly shows the skills and expertise Finland has to offer. It remains for us to put them to the right use.…

Hardcover. Zustand: Good. Includes dust jacket. Ex-library copy with the usual markings/stickers/stamping present, including stamping on the page edges and a slip insert attached to the preliminary pages. Book and dust jacket show sizeable shelf & handling wear, including edge wear and scuffing. Dust jacket is in a plastic protector. Binding is intact but slightly worn/loose on the hinges. Pages are slightly worn & tanning on their edges, but remain intact with unmarked text & pictures. A good reading copy. …

Zustand: Très bon état. in-4, cartonnage, jaquette, 341 pp., nombreuses reproductions en noir et en couleurs. TEXTE EN ALLEMAND. En très bon état.

Soft Cover. Zustand: Near Fine. 1st Edition. Text in English and Finnish. 199 pp. Artists signature and inscription and to artist Eila Hiltunen. Minor stain on the spine; slight rubbing to covers. Many of us remember well the spectacular rise of Finnish industrial art to world-wide recognition and fame in the 1950s. Finland's young designers took their place among the elite of their profession, and it seemed as if the whole country had carried out an amazing feat. International medals and awards showered on these northernmost reaches of Europe, still impoverished by the ravages of the Second World War. There was hardly an exhibition or competition where Finnish design was not awarded first place. In those years Finland was, in a way, designed onto the map, just as her athletes had achieved international recognition a few decades earlier. Finnish industry was to benefit from these successes for years and decades to come. Similar efforts are called for today - confidence in ourselves and our opportunities, and a strong spirit of enterprise. But we do not need others to sing our praises We have to apply our skills and utilize the international recognition of our efforts simply to ensure our standard of living, and perhaps even our survival as a nation. We must remember that all our efforts must be pooled. Enterprise, an inquiring mind and an active spirit are the weapons that all Finns must again take in hand. Especially now and in the immediate future we need new ideas and new design, just as in the 1950s, but in tune with our times. Throughout his long career, Professor Antti Nurmesniemi has been a leading figure in developing Finnish design. He has represented us in many international fields and has spread knowledge of us and our skills almost everywhere in the world. Despite this, we have lacked a detailed portrait of his work. A whole generation of Finns has grown up without much knowledge of his considerable contribution to Finnish design. By staging this retrospective exhibition of Anti Nurmesniemi's works, including many of his latest designs Helsingin kaupungin taidemuseo wishes to remind the public of his significance, and that of other designers, for our country. This exhibition clearly shows the skills and expertise Finland has to offer. It remains for us to put them to the right use. Signed by artist.…

Softcover. Zustand: Very Good. 2nd Edition. Text in German. 85 pp. Slight signs of wear on the cover.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. 1st Edition. Timo Tapani Sarpaneva (1926-2006) was an influential Finnish designer, sculptor, and educator best known in the art world for innovative work in glass, which often merged attributes of display art objects with utilitarian designations. While glass remained his most commonly addressed medium, he worked with metal, wood, textiles, and porcelain. Sarpaneva has entered homes around the world through his industrial design of upscale, artistically conceived items, including cast-iron cookware and porcelain dinnerware. His work was among the key components that helped to launch Finland's reputation as a trailblazer of design. This book provides a comprehensive introduction to his work! Text in Finnish. 344 pp.…

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. 1st Edition. Timo Tapani Sarpaneva (1926-2006) was an influential Finnish designer, sculptor, and educator best known in the art world for innovative work in glass, which often merged attributes of display art objects with utilitarian designations. While glass remained his most commonly addressed medium, he worked with metal, wood, textiles, and porcelain. Sarpaneva has entered homes around the world through his industrial design of upscale, artistically conceived items, including cast-iron cookware and porcelain dinnerware. His work was among the key components that helped to launch Finland's reputation as a trailblazer of design. This book provides a comprehensive introduction to his work! Text in German. 341 pp. Rubbing to dust jacket. Edge wear.…

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. 1st Edition. Timo Tapani Sarpaneva (1926-2006) was an influential Finnish designer, sculptor, and educator best known in the art world for innovative work in glass, which often merged attributes of display art objects with utilitarian designations. While glass remained his most commonly addressed medium, he worked with metal, wood, textiles, and porcelain. Sarpaneva has entered homes around the world through his industrial design of upscale, artistically conceived items, including cast-iron cookware and porcelain dinnerware. His work was among the key components that helped to launch Finland's reputation as a trailblazer of design. This book provides a comprehensive introduction to his work! Limited numbered edition of 500 copies. Signed by Timo Sarpaneva. Text in Finnish. 344 pp. Normal shelf wear on the dust jacket. Former owner Ex Libris inside the front cover. Signed by Timo Sarpaneva.…