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In den WarenkorbZustand: New. pp. 76.
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In den WarenkorbZustand: New. pp. 350.
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In den WarenkorbHardcover. Zustand: Brand New. 96 pages. 9.09x6.57x0.63 inches. In Stock.
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
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In den WarenkorbZustand: New.
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In den WarenkorbZustand: New. In.
Sprache: Englisch
Verlag: Jrp Ringier Kunstverlag Ag, 2011
ISBN 10: 3037641193 ISBN 13: 9783037641194
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 20,63
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In den WarenkorbPaperback. Zustand: Brand New. illustrated edition. 95 pages. French language. 9.00x6.25x0.50 inches. In Stock.
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
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In den WarenkorbZustand: New. In.
Zustand: New. 2023. Hardcover. . . . . . Books ship from the US and Ireland.
Zustand: Good.
Zustand: New. Über den AutorMandy Kahn is the author of the poetry collection Math, Heaven, Time. Former Poet Laureate Ted Kooser featured Kahn s poem At the Dorm in his newspaper column American Life in Poetry. She frequently collaborat.
EUR 26,81
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In den WarenkorbGebunden. Zustand: New.
Sprache: Englisch
Verlag: Eyewear Publishing Nov 2017, 2017
ISBN 10: 191133588X ISBN 13: 9781911335887
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - Poetry. Music. In Mandy Kahn's wonderfully inventive and gloriously lyrical second collection, Béla Bartók treks into remote villages to record folk songs on the world's first phonograph, a dying Gustav Mahler is greeted in heaven by Mozart, Igor Stravinsky receives a letter from a music student who wonders what rules are left to break, and Glenn Gould's chair defends its owner against claims of eccentricity. Kahnwho also works as an opera librettistexplores the challenges and exaltations of the creative life in brilliant, accessible poems that explode with curiosity, incisiveness, and aweand that build into a lush celebration of music and making.
Buch. Zustand: Neu. Neuware - A poet working within the traditions of the form, Kahn calls upon formal devices, such as iambic pentameter, slant rhyme, and end rhyme, but in so soft and deft a manner that one almost doesn't notice the musicality so prevalent in the work. Kahn's technical skill makes tradition feel suddenly fresh, soft, casual, and alive.With Holy Doors, we're watching a poet both seekingand findingthe holy in the everyday. The poems in the collection suggest then that the holy need not be pursuedit need only be noticed. Doors to ecstatic experience, as Kahn reminds us, are everywhere.