Kahn gus lyrics (14 Ergebnisse)

Soft cover. Zustand: Fair. No Jacket. Sheet Music. Vocal, Piano, Ukulele. Fox trot. The music is tanned but clean with a few small edge tears. The cover has some very light soiling, creases and small edge tears. The spine has end tears. The item is rated fair because the paper has a musty smell. 5 pages.…

Soft cover. Zustand: Fair. No Jacket. Sheet Music. Piano and vocal with ukulele accompaniment arranged by May Singhi Breen. The pages are tanned with a few light soil spots. The cover has some soiling and small edge tears. The spine has a long tear on the bottom end. The item is rated fair because it has a musty smell. 5 pages. Popular Edition.…

Soft cover. Zustand: Fair. No Jacket. Sheet Music. Piano, voice & ukulele. Page one has the music for E flat and B flat wind instruments. The pages are tanned and have a couple small, light soil spots. The cover has some soiling and some creases. The spine has small end tears. There is a name written on the top of the front page. The item is rated fair because it has a musty smell. 5 pages.…

Soft cover. Zustand: Fair. No Jacket. Sheet Music. Vocal and piano. The pages are tanned but clean. The item is rated fair because it has a musty smell. 5 pages. Operatic Edition.

Softbound. Zustand: Very Good. Quarto, pictorial cover, 6 pp. Sheet Music.

Sheet music. Zustand: Good. Leo Feist Inc. January 1923 Binding.

No Binding. Zustand: Very Good. Very good condition covers printed in blue and black - and pictorial with illustration of Doris Day.

Zustand: Very Good. Vintage piano sheet music in colour illustrated paper covers 12½'' x 10''. Contains 7 printed pages of score and lyrics for voice and piano. Without any tears and in Very Good clean condition. Member of the P.B.F.A. SHEET MUSIC.

Sheet Music. Zustand: Good. Good condition with wear and markings.

Sheet Music. Zustand: Good. Good condition with wear and markings.

Sheet Music. Zustand: Good. Good condition with wear and markings.

Sheet Music. Zustand: Fair. Used acceptable.

Sheet Music. Zustand: Good. Good condition with wear and markings.

Sheet Music. Zustand: Fair. Popular Edition [stated]. Scarce. Format is approximatley 9.25 inces by 12.25 inches. Mulit-color cecorative cover with four major stereotypes of negros and many other negro images. In the lower right is a black and white photograph of Ben Bernie, Directror of the Hotel Roosevelt Orchestra which featured this song. Song is presented on pages 2-5. The rear cover highlights two other songs from this publisher with black and white illustrations. Lyrics include the words: Pickaninnies, Mammy Jinny's, and Kinky. Gustav Gerson Kahn (November 6, 1886 - October 8, 1941) was an American lyricist who contributed a number of songs to the Great American Songbook, including "Pretty Baby", "Ain't We Got Fun?", "Carolina in the Morning", "Toot, Toot, Tootsie (Goo' Bye!)", "My Buddy" "I'll See You in My Dreams", "It Had to Be You", "Yes Sir, That's My Baby", "Love Me or Leave Me", "Makin' Whoopee", "My Baby Just Cares for Me", "I'm Through with Love", "Dream a Little Dream of Me" and "You Stepped Out of a Dream". After graduating from high school, he launched one of the most successful and prolific careers from Tin Pan Alley. By 1933, Kahn had become a full-time motion picture songwriter, contributing to movies such as Flying Down to Rio, Thanks a Million, Kid Millions, A Day at the Races, Everybody Sing, One Night of Love, Three Smart Girls, Let's Sing Again, San Francisco, Naughty Marietta, and Ziegfeld Girl. He also collaborated with co-lyricist Ira Gershwin. He had a friendship with Walter Donaldson. Their first collaboration was the song My Buddy in 1922. They went on to compose over one hundred songs together. Walter Donaldson (February 15, 1893 - July 15, 1947) was an American prolific popular songwriter and publishing company founder, composing many hit songs of the 1910s to 1940s, that have become standards and form part of the Great American Songbook. He had his first professional songs published in 1915. In 1918, he had his first major hit with "The Daughter of Rosie O'Grady". During World War I, Donaldson entertained troops at Camp Upton, New York. His time there inspired him to write "How Ya Gonna Keep 'em Down on the Farm (After They've Seen Paree)?" After serving in the United States Army in World War I, Donaldson was hired as a songwriter by Irving Berlin Music Company. He stayed with Berlin until 1928, producing many hit songs, then in 1928 established his own publishing company. His company was legally known as "Donaldson, Douglas & Gumble, Inc", but all the publications had Walter Donaldson's name in large letters, and the legal name of the company in fine print. Donaldson frequently worked with lyricist Gus Kahn. Donaldson is primarily known as a composer, rather than as a lyricist, although he wrote words and music for dozens of songs. Among the big hits for which he wrote both words and music were "At Sundown" and "Little White Lies". In his prolific career, he published some 600 original songs. At the end of the 1920s, Donaldson moved to Hollywood, California, and worked composing and arranging music for motion pictures. His film credits include work on such pictures as Glorifying the American Girl, Suzy, The Great Ziegfeld, Panama Hattie, Follow the Boys and Nevada. May Singhi Breen (née May W. Singhi ; February 24, 1891, New York City - 19 December 1970, New York City) was an American composer, arranger, and ukulelist, who became known as "The Original Ukulele Lady." Her work in the music publishing business spanned several decades. Breen was the driving force in getting the ukulele accepted as a musical instrument by the American Federation of Musicians. In 2000, she became the first woman inducted into the Ukulele Hall of Fame. Breen is credited with convincing publishers to include ukulele chords on their sheet music. The Tin Pan Alley publishers hired her to arrange the chords and her name is on hundreds of examples of music from the 1920s on.[6] Her name appears as a music arranger on more pieces than any other individual. Her earliest known credit for a ukulele arrangement was in 1917 but her arrangements began to appear in large numbers in 1923. In 1923 Breen met Peter DeRose and together the two were the "Sweethearts of the Air", a radio show that ran for 16 years from 1923-1939, on NBC affiliate WJZ in New York where Breen played ukulele and DeRose accompanying her on the piano.…