Kadishman menashe (17 Ergebnisse)

Zustand: Gut. 4 nn. Seiten, 24 Bildseiten (jeweils mit Farbfoto), 11 nn. Seiten, Gutes Exemplar mit leichten Alters- und Gebrauchsspuren. Sprache: Englisch Gewicht in Gramm: 450 geheftete, farbig fotoillustr. Broschur. 27 x 23 cm.

hardcover. Zustand: New. Brand New.

OKart.. Zustand: in bestem Zustand. (s. Foto). Schwäbisch Gmünd, Galerie im Prediger, 2003. 4°. 80 S. mit vielen Reproduktionen. OKart., in bestem Zustand. (s. Foto). Museumskatalog Nr. 21. Sprache: ger/deu.

Softcover. 4°, Originalbroschur, etwas randbestoßen und angestaubt. Etwa 40 unpaginierte Seiten mit zahlreichen s/w Fotos. Innen sauber und insgesamt gut erhalten. enthalten sind kurze Lebensläufe von 10 Künstlern und ganzseitige Fotos -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Genießen Sie den goldenen Herbst! Machen Sie es sich gemütlich , bei uns finden Sie sicher die passende Lektüre! -- Wir kaufen Ihre werthaltigen Bücher! K09730-436418.…

Softcover. Zustand: Gut. 1. Auflage. Erstausgabe. Zweisprachig (Deutsch/English). Grossformat. Softcover, 134 Seiten mit zahlreichen Abbildungen, moderate Gebrauchsspuren, OP (out-of-print) beim Verlag. Text also in English. Large size Softcover, 134 pages, traces of use, please ask for international Shipping costs Da es sich um ein begehrtes Buch handelt bezahlen Sie diese Position bitte per Kreditkarte o. Vorauskasse (Banküberweisung) * Der Versand erfolgt nach der Zahlung als schnellere Paketsendung, ohne Aufpreis in DE.…

Guter bis sehr guter Zustand. Softcover. Original geheftet. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

SOFTCOVER. Zustand: As New. 1st Edition. Large 4to. in stiff card covers, unpaginated, approx. 44pp on thick art paper, colour plates, etc . [CONDITION: An extremely well preserved AS NEW unread and unmarked copy ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS. …

Zustand: Very Good.

gebunden. Zustand: Wie neu. 152 Seiten Text Englisch - Restexemplar - Einband und Schnitt leicht berieben/verstaubt - Buch sonst in Topzustand, wie neu und ungelesen - Jeder Lieferung liegt eine ordentliche Rechnung mit ausgewiesener MwSt. bei Sprache: Englisch Gewicht in Gramm: 1350.

Softcover. Zustand: gut. 2003. Menashe Kadishman - Eretz Moledet In deutscher Sprache. pages.

Zustand: gut. 1999. Menashe Kadishman, Shalechet : Häupter und Opfer ; [Suermondt-Ludwig-Museum Aachen, 27. März - 30. Mai 1999]. [Hrsg. Museen der Stadt Aachen. Red. Maike Sternberg ; Harlow Tighe. Übers. Monika Foerster ; Gabriela Borsch] In deutscher Sprache. pages.

brosch. Zustand: Gut. 134 S. : Ill. ; 28 cm Guter Zustand. EA1312/EB1161 Sprache: Deutsch Gewicht in Gramm: 440.

Zustand: very good. [Tel Aviv] : The Genia Schreiber University Art Gallery, Tel Aviv University, 2005. Hardcover. 252 pp. 31 cm. Illustrations (color). Text in Hebrew & English. Catalogue for the exhibition held in the Genia Schreiber University Art Gallery, Tel Aviv University, 8 December 2005-2 March 2006. Rare. Condition : very good copy. ISBN 9789657160152. Keywords : ART, Kadishman, Menashe (1932-2015).…

Zustand: Good. Crayon on paper. 14 x 11 inches. Signed in the image. Folded once. From the collection of the art historian, Peter Selz.After working with sculptors in his native Israel, Kadishman went to London in 1959, where he came under the influence of Anthony Caro at Saint Martin's School of Art. By the mid-1960s, he had established an international reputation for suspended sculptures that were gestural and full of dynamic tension. In some of his best-known works from this period, Kadishman attached glass or plastic sheets to wood or metal forms so that the mass seemed to float freely in space. Suspended represents his interest in such perceptual ambiguities. It is also a transitional work; by the late 1970s Kadishman began to focus on nature, particularly on tree and forest themes, and worked on an environmental scale. Eight Positive Trees reveals this ongoing fascination, which harkens back to his youth, when, like many other Israeli children, he planted trees throughout the new country. Kadishman's "negative" forms of stylized trees cut out from sheets of weathering steel were exhibited in the Venice Biennale in 1978. The viewer could see through the empty tree-shaped spaces, as well as walk through them to encounter the landscape. The steel silhouettes of Storm King's Eight Positive Trees are the shapes cut out from the trees exhibited in Venice. In contrast to their negative counterparts, the silhouetted shapes suggest both solid trees and shadows.…

Zustand: Good. Crayon on paper. 14 x 11 inches. Signed in the image. Folded once. From the collection of the art historian, Peter Selz.After working with sculptors in his native Israel, Kadishman went to London in 1959, where he came under the influence of Anthony Caro at Saint Martin's School of Art. By the mid-1960s, he had established an international reputation for suspended sculptures that were gestural and full of dynamic tension. In some of his best-known works from this period, Kadishman attached glass or plastic sheets to wood or metal forms so that the mass seemed to float freely in space. Suspended represents his interest in such perceptual ambiguities. It is also a transitional work; by the late 1970s Kadishman began to focus on nature, particularly on tree and forest themes, and worked on an environmental scale. Eight Positive Trees reveals this ongoing fascination, which harkens back to his youth, when, like many other Israeli children, he planted trees throughout the new country. Kadishman's "negative" forms of stylized trees cut out from sheets of weathering steel were exhibited in the Venice Biennale in 1978. The viewer could see through the empty tree-shaped spaces, as well as walk through them to encounter the landscape. The steel silhouettes of Storm King's Eight Positive Trees are the shapes cut out from the trees exhibited in Venice. In contrast to their negative counterparts, the silhouetted shapes suggest both solid trees and shadows.…

[20]pp. First edition. First edition. [20]pp. An exhibition catalogue from The Jewish Museum's 1970 exhibit "The Forest," a collection of Kadishman's abstract landscape works. Both endpapers feature playful original drawings of strange creatures resembling birds, humans, and cats, all with heads in the shape of a Star of David. The drawings are inscribed to the recipients of the catalogue, "with Love and Amore" Illustrated wraps, full plate black and white prints, original drawings with inscription on front and back endpapers and first page. Wraps lightly scuffed. Signed.…

Zustand: Good. Full page charcoal drawings in the exhibition catalogue for the show ant the Nohra Haime Gallery, New York, Dec. 1988-Jan. 1989. Also a drawing of a bird on the cover as a companion of the printed bird devouring a man. 10.5 x 8.5 inches.From the collection of the art historian, Peter Selz.After working with sculptors in his native Israel, Kadishman went to London in 1959, where he came under the influence of Anthony Caro at Saint Martin's School of Art. By the mid-1960s, he had established an international reputation for suspended sculptures that were gestural and full of dynamic tension. In some of his best-known works from this period, Kadishman attached glass or plastic sheets to wood or metal forms so that the mass seemed to float freely in space. Suspended represents his interest in such perceptual ambiguities. It is also a transitional work; by the late 1970s Kadishman began to focus on nature, particularly on tree and forest themes, and worked on an environmental scale. Eight Positive Trees reveals this ongoing fascination, which harkens back to his youth, when, like many other Israeli children, he planted trees throughout the new country. Kadishman's "negative" forms of stylized trees cut out from sheets of weathering steel were exhibited in the Venice Biennale in 1978. The viewer could see through the empty tree-shaped spaces, as well as walk through them to encounter the landscape. The steel silhouettes of Storm King's Eight Positive Trees are the shapes cut out from the trees exhibited in Venice. In contrast to their negative counterparts, the silhouetted shapes suggest both solid trees and shadows.…