Juliet fleming (25 Ergebnisse)

Zustand: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

Zustand: Very Good. 1st. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. pp. 192.

Paperback. Zustand: Brand New. 165 pages. 8.25x5.50x0.50 inches. In Stock.

Zustand: New. 2018. Paperback. . . . . . Books ship from the US and Ireland.

Zustand: New. In English.

Zustand: As New. Unread book in perfect condition.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. First Edition (first printing). 8vo. 224pp. Black cloth lettered in silver at the spine. Illustrated with thirty-three black and white photographs and reproductions. A fine copy in fine non-price-clipped dust wrapper.

Zustand: Très bon état. in-4, cartonnage sous jaquette illustrée, 93 pp., nombreuses photos en couleurs. Texte bilingue français-anglais. Très bon état.

Zustand: Very Good. First Edition. VG : in very good condition without dust jacket as issued. 250mm x 190mm (10" x 7"). xviii, 310pp. Illustrated hardback laminated board cover.

Taschenbuch. Zustand: Neu. Neuware - 'Cultural Graphology' could be the name of a new human science: this was Derrida's speculation when, in the late 1960s, he imagined a discipline that combined psychoanalysis, deconstruction, and a commitment to the topic of writing. He never undertook the project himself but did leave two brief sketches of how he thought cultural graphology might proceed. In this book, Juliet Fleming picks up where Derrida left off. Using both his early and later thought, and the psychoanalytic texts to which it is addressed, to examine the print culture of early modern England, she drastically unsettles some key assumptions of book history. Fleming shows that the single most important lesson to survive from Derrida's early work is that we do not know what writing is. Channeling Derrida's thought into places it has not been seen before, she examines printed errors, spaces, and ornaments (topics that have hitherto been marginal to our accounts of print culture) and excavates the long-forgotten reading practice of cutting printed books. Proposing radical deformations to the meanings of fundamental and apparently simple terms such as 'error,' 'letter,' 'surface,' and 'cut,' Fleming opens up exciting new pathways into our understanding of writing all told.…

Kartoniert / Broschiert. Zustand: New. KlappentextrnrnWriting after Derrida. Uses thought of Derrida to explore print culture in early modern England.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Brand New. 176 pages. 9.00x6.00x0.50 inches. In Stock.

Zustand: New. In English.

Zustand: New. Num Pages: 176 pages. BIC Classification: CFLA. Category: (P) Professional & Vocational. Dimension: 152 x 264 x 19. Weight in Grams: 348. . 2016. 1st Edition. Hardcover. . . . . Books ship from the US and Ireland.

Zustand: New. pp. 176.

Zustand: As New. Unread book in perfect condition.

Gebunden. Zustand: New. Klappentextrnrn Cultural Graphology could be the name of a new human science: this was Derrida s speculation when, in the late 1960s, he imagined a discipline that combined psychoanalysis, deconstruction, and a commitment to the topic of writin.

Buch. Zustand: Neu. Neuware - 'Cultural Graphology' could be the name of a new human science: this was Derrida's speculation when, in the late 1960s, he imagined a discipline that combined psychoanalysis, deconstruction, and a commitment to the topic of writing. He never undertook the project himself, but he did leave two brief sketches of how he thought cultural graphology might proceed. In this book, Juliet Fleming picks up where Derrida left off. Using his early thought and the psychoanalytic texts to which it is addressed to examine the print culture of early modern England, she drastically unsettles our knowledge of the key vehicle of modern writing: the book. Fleming shows that the single most important lesson to survive from Derrida's early work is that we do not know what writing is. Channeling Derrida's thought into places it has not been seen before, she takes on topics such as errors, spaces, and print ornaments that have hitherto been marginal to our accounts of print culture and excavates the long-forgotten reading practice of cutting printed books. Proposing radical deformations to the meanings of fundamental and apparently simple terms such as 'error,' 'letter,' 'surface,' and 'cut,' Fleming opens up exciting new pathways into our understanding of the book as a material and cultural object.…

Broche, 222pp., 14x20cm., 33ills. en n/b., neuf. ISBN 9782840663683. Une etude pionniere sur la dimension socio-culturelle de l?apparition de nouveaux supports materiels pour de nouvelles pratiques d?ecriture specifiques (graffiti, tatouage et inscription poetique sur des objets d?usage courant) dans l?Angleterre du debut de l?epoque moderne. 0 g. …

Zustand: gut. Graffiti et arts scripturaux a l'aube de la modernite anglaise. In deutscher Sprache. pages.