Julia schröder (128 Ergebnisse)

paperback. Zustand: Very Good.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: acceptable. Ausreichend/Acceptable: Exemplar mit vollständigem Text und sämtlichen Abbildungen oder Karten. Schmutztitel oder Vorsatz können fehlen. Einband bzw. Schutzumschlag weisen unter Umständen starke Gebrauchsspuren auf. / Describes a book or dust jacket that has the complete text pages (including those with maps or plates) but may lack endpapers, half-title, etc. (which must be noted). Binding, dust jacket (if any), etc may also be worn.…

Hardcover. Zustand: Très bon. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Ammareal gives back up to 15% of this item's net price to charity organizations.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Brand New. 148 pages. French language. 9.25x6.50x0.50 inches. In Stock.

Zustand: New. In.

Paperback. Zustand: Brand New. 148 pages. French language. 9.25x6.50x0.50 inches. In Stock.

Soft cover. Zustand: Very Good. First Edition. Proceedings of the eleventh international synopsosium organized by the centre for study of vernacular literature in the middle ages held at the Odense university on 17-18 november 1986. With contributions by Tydeman, Olsen, Meredith, van Dijk, Billington, Krohn, Moser and Kaspersen VG, blank label inside cover. …

Paperback. Zustand: Brand New. 106 pages. German language. 5.98x0.24x8.98 inches. In Stock.

Paperback. Zustand: Brand New. 64 pages. German language. 11.69x8.27x0.24 inches. In Stock.

Soft cover. Zustand: Fine. 64 pages : illustrations (chiefly color), plans ; 25 cm ; ISBN 9781785511318, 1785511319 OCLC 1005107605 ; color stiff paper wrappers ; Contents: Contents: Foreword by the Dean; Introduction to the history, archaeology and architecture of the triforium; 1. The Buildings; 2. Worship and Daily Life; 3. The Abbey and the Monarchy; 4. The Nation's Memory ; In summer 2018, The Queen's Diamond Jubilee Galleries will open in the church's medieval triforium, an internal gallery which runs 70 feet above the floor of the Abbey. Entrance to the space, never before opened to the public, will be through a new tower outside Poets' Corner, opposite the Palace of Westminster. This will be the most significant addition to the Abbey since Nicholas Hawksmoor's iconic towers were completed in 1745. The treasures displayed will reflect the Abbey's rich thousand-year history. The Galleries will also grant magnificent views to Parliament Square and the Palace of Westminster, as well as wonderful vistas across the Abbey, which Betjeman described as "the finest view in Europe". The Galleries mark the final phase of the Abbey's "2020 Vision", which aimed to improve facilities for the Abbey's two million worshippers and visitors. ; A richly illustrated guide to the treasures in The Queen's Diamond Jubilee Galleries - a new exhibition in Westminster Abbey's never-before-seen roof space. In summer 2018, The Queen's Diamond Jubilee Galleries will open in the church's medieval triforium, an internal gallery which runs 70 feet above the floor of the Abbey. Entrance to the space, never before opened to the public, will be through a new tower outside Poets' Corner, opposite the Palace of Westminster. This will be the most significant addition to the Abbey since Nicholas Hawksmoor's iconic towers were completed in 1745. The treasures displayed will reflect the Abbey's rich thousand-year history. The Galleries will also grant magnificent views to Parliament Square and the Palace of Westminster, as well as wonderful vistas across the Abbey, which Betjeman described as "the finest view in Europe". The Galleries mark the final phase of the Abbey's "2020 Vision", which aimed to improve facilities for the Abbey's two million worshippers and visitors. This richly illustrated guide, written by Abbey staff, discusses both the overall themes explored in the exhibition, and a selection of the individual exhibits.Published to coincide with the opening of the Galleries in Summer 2018. ; FINE. Book. …

Zustand: New.

Paperback. Zustand: Brand New. German language. 11.69x8.35x0.39 inches. In Stock.

Paperback. Zustand: Brand New. 192 pages. 10.01x8.01x9.84 inches. In Stock.

Taschenbuch. Zustand: Neu. Neuware - Sound Studies and Sonic Arts is a postgraduate program of the Berlin University of the Arts. Since 2017, the program has served to deepen the theoretical and practical skills in sound-related theory and practice, particularly in cultural studies, musicology, aesthetics, sound art, sound design, and media production. It evolved from the program Sound Studies - Akustische Kommunikation which was established in 2005.While the Master's program Sound Studies and Sonic Arts pairs theoretical discussion with practical exploration and creation in auditory culture and sound art, this publication focuses on research from members of the faculty teaching theory in 2020/21. Their contributions offer a range of perspectives and methodologies in the area of sound studies and sonic theory.The theory department of the program Sound Studies and Sonic Arts includes instructors with backgrounds and research interests in musicology, media studies, philosophy, acoustic engineering and artistic research. We asked our colleagues to suggest essays that reflected these interests and received both original contributions and texts that have not been published in English before. In making this research available, we hope to emphasize the diversity of approaches in the field of sound studies and document the master's program's view on sonic theory. …

Taschenbuch. Zustand: Neu. Neuware - Cage & Consequences brings together analytical essays by scholars of different disciplines, artists' contributions, and conversations with composers and associates of John Cage. They represent the diversity of Cage's spheres of influence on the following generations of artists, as well as his significance for musicology, art theory, and media studies. The contributions are presented in their original language, English or German.The editors Julia H. Schröder and Volker Straebel are on the faculties of the Freie Universität Berlin and the Technische Universität Berlin respectively.Cage & Consequences versammelt Beiträge von Wissenschaftlern verschiedener Disziplinen, Künstlertexte und Gespräche mit Weggefährten John Cages. Der Band belegt die vielfältigen Einflüsse Cages auf die folgenden Künstlergenerationen ebenso wie seine Bedeutung für den gegenwärtigen musik-, kunst- und medientheoretischen Diskurs. Die Beiträge namhafter internationaler Autoren erscheinen in ihrer Originalsprache auf Deutsch oder Englisch.Die Herausgeber Julia H. Schröder und Volker Straebel sind als Musikwissenschaftler an der Freien Universität und der Technischen Universität Berlin tätig.Cage lesen | Reading Cage. Helga de la Motte-Haber, Kunst jenseits des goldenen Rahmens. Sabine Sanio, Zum Konzept ästhetischer Erfahrung bei John Cage. Rolf Großmann, Medienreflexion in der Musik im Anschluss an John Cage. Claus-Steffen Mahnkopf, Post - Mythos: Cage. David W. Patterson, John Cage and the Remolding of Mao Tse-Tung. David W. Bernstein, John Cage's Music of Changes and Its Genesis. Don Gillespie, John Cage and Walter Hinrichsen. The Early Years with Edition Peters.Cage aufführen | Performing Cage: Gordon Mumma, John Cage and Live Electronics. Volker Straebel, Cage's Early Tape Music. John Holzaepfel, Tudor Performs Cage. Eberhard Blum, Bemerkungen zur Arbeit mit Kompositionen von John Cage.Komponieren nach Cage | Composing after Cage: Nicolas Collins, The Musical Menu after Cage. Chris Mann, any questions. Thomas Ahrend, James Tenney: Form und Harmonik nach John Cage. Tomomi Adachi, »John Cage Shock« in the 1960s in Japan. Bill Dietz, Listening to MaerzMusik Listen to John Cage. Peter Cusack, No, It's Not All Music. Christian Wolff & Dieter Schnebel im Gespräch. William Engelen, A Happy Conjuncture.Cage und die Künste | Cage and the Arts: Gabriele Knapstein, George Brecht und John Cage. Dieter Daniels, Silence Expanded: The Legacy of 4'33'. Wulf Herzogenrath, John Cage als Bildender Künstler. Julia H. Schröder, Cage's Sound Sculpture, his FOUR3, and Cunningham's Dance each Birds. Hans-Friedrich Bormann, Cages Stimme hören. Brandon LaBelle, The Uses of Cage - Walks, Silences, Scores and Other Acts of De-Centering.Robert Ashley, David Behrman, Gordon Mumma, Alvin Lucier, and Christian Wolff, Sonic Arts Re-Union. A panel.…

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Zustand: as new. Wie neu/Like new.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Cloth. Zustand: Fine Condition. Zustand des Schutzumschlags: No Jacket, As Issued. 230 pages 150 illustrations in color. Foreword by Klaus Albrecht Schröder, Director of the Albertina Museum. Illustrated boards. Oblong. Published on the occasion of the exhibition from The Albertina Museum, Vienna May 17-August 11, 2019. List of Works. Select Biography. Book.…

[52] pp.; 21 x 17.8 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with a series of building ways shows titled "Critical Perspectives," held at P.S.1, Long Island City, Queens, January 17 - March 14, 1982, and featuring different curators throughout the building. Foreword by Alanna Heiss. Includes texts by the curators of each show. "Self-Indulgence," curated and with an essay by Linda Burnham, Artists include Edie Ellis, Marc Kreisel, Jeffrey Vallance ; "Energism," curated by Ronny Cohen, artists include Nancy Arlen, Richard Beckett, Lynda Benglis, Jonathan Borofsky, Tom Butter, Arthur Cohen, Peggy Cyphers, Cynthia Gallagher, Dina F. Ghen, Deborah Kass, Kathryn Kennedy, Robert Kitchen, Elizabeth Murray, Marilla Palmer, Suzan Pitt, Barbara Quinn, Randal Rupert, Takao Saito, Frank Schröder, Leora Klaymer Stewart, Robin Tewes, Jeff Way; "Untitled," curated and with an essay by Edit deAk, artists include Futura 2000, James Nares, Yoko Ono, Pat Place, Alan Vega; "The Frame As Stage," curated and with an essay by John Howell, artists include Ericka Beckman, Julia Heyward, Pooh Kaye, Tony Mascaterello, Michael McClard, Robin Winters; "Untitled," curated and with an essay by Thomas Lawson, Artists include Eric Fischl, Jack Goldstein, Thomas Lawson, Nachume Miller, Gerry Morehead, Walter Robinson, Salomé, Michael Zwack; "Untitled," curated and with an essay by Joseph Masheck, artists include Jeremy Gilbert-Rolfe, Sharon Gold, Richard Hennessy, Stewart Hitch, Vered Lieb, Thomas Nozkowski, Catherine Porter-Scully, Sean Scully, Andrew Spence, Thornton Willis; "Untitled," curated and with an essay by Peter Plagens, artists include Laurie Fendrich, Patrick Hogan, Ron Linden, Carol Lindsey, John Phillips "Untitled," curated and with an essay by Marcia Tucker, artists include Billy Copley, John Hull, Kristin Hodson, Kent Shell, Kenneth Shorr, Kevin Teare, and Paul Wong. Includes an exhibition checklist and exhibition map. Very Good. Light yellowing of covers, 3 mm. and 2 mm. tear to top edge of recto, and additional light edge-wear. Contents clean and unmarked. …

Softcover. Zustand: Sehr gut. 1. Auflage. Z : 24 x 33,5 cm, 288 Seiten/pages with 229 black-white images - The title of this book and the exhibition it documents Sounds Like Silence is ambiguous. On the one hand, silence effectively »sounds« or as Cage put it, »There is no such thing as silence.« On the other hand, sound needs silence in order to be heard. Even if complete silence does not exist, every sound implicitly conveys the notion of silence: there is no presence without absence. The double meaning of Sounds Like Silence therefore touches upon the central issues at stake in this project: what do we hear when there is nothing to hear; to what extent do we long for silence; and how much silence can we cope with provided it even exists? John Cage s 4 33 (four minutes, thirty-three seconds) premiered on August 29, 1952. This book presents new theoretical writings and artistic works referring to this groundbreaking work, together with original scores and the composer s own variations, derivatives, and sequels of the »silent piece« in the years from 1962 to 1992.…

paperback. Zustand: Very Good.

Zustand: New. Sound Studies and Sonic Arts is a postgraduate program of the Berlin University of the Arts. Since 2017, the program has served to deepen the theoretical and practical skills in sound-related theory and practice, particularly in cultural studies, musicology.

Kartoniert / Broschiert. Zustand: New. Schroeder, Julia H., ed|Straebel, Volker, edCage & Consequences versammelt Beitraege von Wissenschaftlern verschiedener Disziplinen, Kuenstlertexte und Gespraeche mit Weggefaehrten John Cages. Die Band belegt die vielfaeltigen Einfluesse Cages auf die folgende.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Seminar paper from the year 2020 in the subject Communications - Media Economics, Media Management, grade: 1,8, Dr. Buhmann Schule gemeinnützige GmbH, language: English, abstract: This report describes which requirements are placed on successful event management for large events in the music industry, which resources are needed, how the logistics are structured, and which marketing is used for a successful event. Another part of an event is funding. Considerable financial resources are important, especially for large events. Methods of how the Tomorrowland Festival is funded will be presented.…