Juel jens (10 Ergebnisse)

Hardcover. Zustand: Brand New. German language. 7.24x4.72x0.59 inches. In Stock.

Förlagets klotband, dek. skyddsomslag. Skyddsomslaget med minimala bruksspår. Gott skick. Proveniens: Ulf Cederlöf (1948-2021), förste intendent för grafik och handteckningar på Nationalmuseum. Han hör till dem som avtackas i boken. Det nationalhistoriske museum på Frederiksborg / Chr. Ejlers Forlag, 1996. 8:o. 200 sid. Illustrerad i svartvitt och färg. Med register. Innehåll: "Jens Juel og portraetkunsten i det 18. århundrede", "Tidstavle", "Opdagelsen af barnet", "Indgangen til det evige Østen. Jens Juel og frimurerordenen", "Jens Juel som kunstsamler. Jens Juels dødsboauktion", "Forsøg på en identifikation af tegninger fra Jens Juels samlinger", "Katalog over udstillede vaerker".…

Dansk Klassikerkunst/Forlaget Søren Fogtdal, København 1996. 64 sider. Rigt illustreret i farver. Orig. papbind. Velholdt.

Dansk Klassikerkunst/Forlaget Søren Fogtdal, København 1996. 64 sider. Rigt illustreret i farver. Orig. papbind. Velholdt.

paperback. Zustand: Sehr gut. 286 pages. Very good condition, only cover with small signs of wear. - Content : Indledning -- English Introduction -- Katalog -- Biografisk oversigt -- Udvalgt litteratur -- Efterord - Navneregister. / "Jens Juel* must have been born with a paint brush in his hand, or at least with a pencil, and already as a boy he had wielded it so diligently and with so much zeal and such evident talent that it attracted attention and was felt to deserve tuition. We do not know any of his very early drawings; only from the period of his apprenticeship to the painter Michael Gehrmann in Hamburg, about 1760-65, do we have copies of portraits, self-portraits, and small rococo-like compositions in Indian ink and chalk (cat. nos. 1-7), unmistakably done by a young painter who could use his eyes and had an aptitude for and interest in his future field, that of portraiture. After a sound vocational training in Hamburg, he came, about 1765, now a journeyman painter, to the recently founded Royal Academy of Fine Arts in Copenhagen, went through the drawing classes, and was certainly in Professor Johan Mandel- berg's studio, probably also in that of Professor Peder Als, and became acquainted with the portrait painting of C. G. Pilo and Louis Tocqué. He definitely wanted to be a portraitist, and we get an impression of his cheerful self-confidence from the large, beautifully drawn study for a self-portrait, actually done in Tocqué's style (cat. no. 13). Young and promising as he was, he soon had his hands full with orders for portraits of the Copenhagen bourgeoisie and aristocracy, his clients constantly increasing in number and importance. At the same time, but without much artistic inspira- tion, he had to toil at historical paintings for the Gold Medal competitions in order to get the much-coveted Rome travelling scholarship. He was awarded the small Gold Medal in 1767 and the large one in 1771, but the travelling money went to N. A. Abildgaard, whose turn it was. (From the english introduction) ISBN 9788787273053 da Gewicht in Gramm: 782.…

Langewiesche, Düsseldorf, 1911. 96 S./VI S. mit rund 130 Abb., Ln., Quart (Titel etwas fl.)---Die Blauen Bücher 750 Gramm.

Det Nationalhistoriske Museum på Frederiksborg, Hillerød 1996. 4°. 198 sider. Illustreret i s/h og farver. Orig. hellærredsbind med smudsomslag. Lette brugsspor.

Grønningen 1, København 2021. Stor 4to. 389 sider. Rigt illustreret i farver og sort/hvid. Orig. illustreret kartonbind. Velholdt.

Grønningen 1, København 2021. Stor 4to. 389 sider. Rigt illustreret i farver og sort/hvid. Orig. illustreret kartonbind. Velholdt.

21 x 16,5 cm (Bildgröße). 40 x 28,5 (Blattgröße). Im Unterrand eingedruckte Bezeichnung, Künstler- und Lithographenname sowie Blindstempel der Verleger. Leichter Anflug weniger schwacher Stockfleckchen im weißen Außenrand. Sehr schönes Blatt. Blatt des dänischen Lithographen Adolph Kittendorf (1820-1902) nach dem Gemälde von Jens Juel von 1791. Juel war einer der bedeutendsten dänischen Maler des 18. Jahrhundert. Er studierte zuerst in Hamburg, dann an der Königlichen Kunstakademie Kopenhagen und später bis 1774 bei Anton Graff in Dresden. Reisen führten ihn nach Rom, Paris und in die Schweiz. 1780 zurück in Kopenhagen wurde er zum Hofmaler und Professor ernannt und war 1795-1797 und nochmals 1799-1801 Direktor der Kopenhagener Kunstakademie. Sprache: de.…