Judith jenkins (17 Ergebnisse)

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

First Edition. Near fine copy in the original stiff-card wrappers; edges very slightly dust-dulled and toned. Remains particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 80 pages : illustrations (some colour), portraits (some colour) ; 28 cm. Notes; "Published . on the occasion of the exhibition at the Graves Art Gallery, Sheffield 10 June-2 September 1989"--T.p. verso. Includes bibliographical references (page 80). Exhibition selected by Judith Collins and Anne Goodchild. Catalogue essay and notes by Judith Collins and Robin Hamlyn. Subjects; Chantrey, Francis Legatt (English sculptor, painter, and patron, 1781-1841) Art collections ; Exhibitions. Chantrey, Francis Sir (1781-1841) Art patronage ; Exhibitions. Blackadder, Elizabeth. Chantrey, Francis (1781-1841) Collections d'art Expositions. Chantrey, Francis Sir 1781-1841 Art collections ; Exhibitions. Tate Gallery (London, England) ; Catalogues. Tate Gallery (London) (Perm.). Chantrey Bequest ; Exhibitions. Art, British 20th century ; Exhibitions. Art, British ; Exhibitions. Art, Modern Exhibitions 20th century Great Britain. Art, British ; Exhibitions. Art, Modern 20th century Great Britain Exhibitions. Art, Modern 20th century Great Britain ; Exhibitions. Art, British Public collections Great Britain ; Exhibitions. Art, British 19th century Great Britain ; Exhibitions. Painting England London ; Exhibitions. Patronage. Art Collectors and collecting History 19th century. Painting, British Public collections Great Britain ; Exhibitions. Painting, British. Sculpture, British. Art, British 19th century ; Exhibitions. Art, British. Art britanique Expositions. Art 19e sie?cle Grande Bretagne Expositions. Art 20e sie?cle Grande Bretagne Expositions. Sheffield, Graves art gallery Expositions 1989. Genres; Bibliography. Catalogue. Exhibition catalogs. Illustrated. 1 Kg.…

Zustand: New. In English. Mancl, Olivia (illustrator).

First Edition. Near fine paperback copy; slightly dust-dulled and edge-bumped. Remains well-preserved overall. Physical Description; 158 pages. 1 Kg.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: New. In English. Mancl, Olivia (illustrator).

Taschenbuch. Zustand: Neu. Neuware - Little C and Great Blue. One moon-bright summer night an adventurous little girl makes a special friend and a memory for a lifetime. With illustrations rich in detail and tone, this timeless tale celebrates the beauty of nature and the meaningful connections to be found there. Mancl, Olivia (illustrator).…

Zustand: New. Mancl, Olivia (illustrator).

60 pp.; 25.5 x 20.5 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held November 23, 1985 - January 19, 1986. Curated by William Olander. Foreword by Marcia Tucker. Essays by William Olander, David Deitcher, and Abigail Solomon-Godeau. Included artists Bruce Barber, Judith Barry, Troy Brauntuch, Sarah Charlesworth, Louise Lawler, Tina Lhotsky, Adrian Piper, Stephen Prina, Richard Prince, Martha Rosler, René Santos, Hiroshi Sugimoto, Christopher Williams, Peter Adair, Nancy Buchanan, Downtown Community Television, Dan Graham, Vanalyn Green, Ulysses Jenkins, Miners Campaign Tape Project, Dan Reeves, David Schulman, and El Taller de Video (Timoteo Valasquez). Also includes checklist and selected bibliography. Very Good. Light rubbing of covers and spine and cover edges. Contents clean and unmarked. …

60 pp.; 25.5 x 20.5 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held November 23, 1985 - January 19, 1986. Curated by William Olander. Foreword by Marcia Tucker. Essays by William Olander, David Deitcher, and Abigail Solomon-Godeau. Included artists Bruce Barber, Judith Barry, Troy Brauntuch, Sarah Charlesworth, Louise Lawler, Tina Lhotsky, Adrian Piper, Stephen Prina, Richard Prince, Martha Rosler, René Santos, Hiroshi Sugimoto, Christopher Williams, Peter Adair, Nancy Buchanan, Downtown Community Television, Dan Graham, Vanalyn Green, Ulysses Jenkins, Miners Campaign Tape Project, Dan Reeves, David Schulman, and El Taller de Video (Timoteo Valasquez). Also includes checklist and selected bibliography. Very Good / Fine. Light bumping of top and bottom right corners of recto. Otherwise Fine, contents clean and unmarked. …

Buch. Zustand: Neu. Neuware - Little C and Great Blue. One moon-bright summer night an adventurous little girl makes a special friend and a memory for a lifetime. With illustrations rich in detail and tone, this timeless tale celebrates the beauty of nature and the meaningful connections to be found there. Mancl, Olivia (illustrator).…

Zustand: New. Mancl, Olivia (illustrator).

Kartoniert / Broschiert. Zustand: New.

Zustand: New. In English.

Zustand: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | Little C and Great Blue. One moon-bright summer night an adventurous little girl makes a special friend and a memory for a lifetime. With illustrations rich in detail and tone, this timeless tale celebrates the beauty of nature and the meaningful connections to be found there. Mancl, Olivia (illustrator).…

Hardcover. Zustand: Brand New. 139 pages. 8.50x5.75x0.75 inches. In Stock.

[8] pp.; 22.8 x 15.3 cm.; accordion; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition brochure / catalogue published in conjunction with show held January 21 - February 18, 1984. Foreword by Linda Shearer. Curated and with a text by Helene Winer. Galleries include Cash, Christminster Fine Art, Civilian Warfare, East 7th Street Gallery, Executive Gallery, 51 X, Fun Gallery, Tracey Garet, International With Monument, Gracie Mansion, Nature Morte, The New Math Gallery, Oggi - Domani, Pat Hearn, Piezo Electric, PPOW, and Sharpe Gallery. Artists include Stephen Aljian, Alan Belcher, Paul Benney, Zeke Berman, Ellen Berkenblit, Keiko Bonk, Tom Brazelton, Barry Bridgwood, Nancy Brooks Brody, Chris Chevins, Craig Coleman, Rich Colicchio, Michael Collins, George Condo, Gregory A. Crane, Mark Dean, Jimmy de Sana, Futura, Robert Garratt, Dana Garrett, Judith Glantzman, Arthur Gonzalez, Rodney Alan Greenblat, Kathleen Grove, Richard Hambleton, Kiely Jenkins, Sermin Kardestuncer, Elizabeth Koury, Stephen Lack, Leora Laor, Robert Loughlin, Paul Marcus, Frank Moore, Peter Nagy, Michael Ottersen, Steven Parrino, Rick Prol, Hope Sandrow, Michael Sangaris, Bruno Schmidt, Peter Schuyff, Huck Snyder, Ahbe Sulit, Frederick Sutherland, Meyer Vaisman, Oliver Wasow, Dondi White, David Wojnarowicz, Robert Yarber, Zephyr, and Rhonda Zwillinger. "The exhibition includes work from seventeen galleries located in the East Village or the area east of Second Avenue, just below Houston Street: CASH, Christminster, Civilian Warfare, East 7th Street Gallery. Executive Gallery, 51 X, Fun Gallery, Garet/ Kohn Gallery, Gracie Mansion. International with Monument, Nature Morte, New Math, Oggi-Domani, Pat Hearn. Piezo Electric, P.P.O.W. and Sharpe Gallery. Work by artists associated with the galleries have been selected by the individual gallery directors, and Helene Winer, organizer of the exhibition. Helene Winer is a past Director of Artists Space and currently co-owner of Metro Pictures a commercial gallery in SoHo. As part of Artists Space''''s celebration of its 10th anniversary season, she has organized this exhibition to examine a growing number of artist organized commercial exhibition spaces. Ms. Winer''''s past experience with the non-profit art community and her present position in the commercial art world offer a unique outlook on this new trend. In keeping with Artists Space''''s support of new art through both its Exhibition Program and Grants Program, NEW GALLERIES OF THE LOWER EAST SIDE is a look at a new outlet for emerging art: an outlet which straddles the lines between the artists cooperative, the non-profit alternative space, the artist organized independent exhibition and the commercial gallery. NEW GALLERIES OF THE LOWER EAST SIDE acknowledges the recent appearance and rapid proliferation of more than twenty commercial art galleries that are introducing new artists and art. This phenomenon has created overnight, it seems, active new exhibition outlets for artists, an on-going vehicle for massive social opening events, a Sunday activity for the art audience, a new map in the Gallery Guide and a new focus of excitement and energy in the art community. The galleries are now numerous and offer more than the aesthetic that was first presented by the pioneers (Gracie Mansion, Fun Gallery and 51 X) and which has come to be associated with the East Village. They are very professional enterprises that intend to provide serious support and attention to the artists they show. Many of the galleries are artist owned. The artist/owners who converted storefronts to studios have now converted these studios to galleries. Most of these owners work at jobs separate from the gallery to support the activity and many live ''''behind the shop." The East Village Eye and New York Beat play the role that the SoHo News and the Village Voice did for SoHo and Tribeca. The East Village and the Lower East Side of New York has been an area many artists moved to, since SoHo and then Tribeca have been increasingly gentrified, a fate that may now befall the East Village itself. Over the years the art community has found ''''alternative'''' means of creating needed opportunities for artists to exhibit their work to at least their peers, and occasionally to a broader audience. In the fifties. New York artists opened cooperative galleries on Tenth Street. Later, alternative spaces opened with government funding: commercial galleries moved from Uptown to Downtown for both space and accessibility to the artists. community artists organized their own temporary exhibitions such as the Times Square Show, and now, in a period of two years, some 25 commercial galleries have opened on the Lower East Side, the majority in 1983."--from exhibition press release Very Good / Fine. Light yellowing of cover edges, otherwise Fine. Contents clean and unmarked. …