Jovana babovic (52 Ergebnisse)

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Paperback. Zustand: New. Sleater-Kinney's 1997 album Dig Me Out is built on Corin Tucker and Carrie Brownstein's competing guitars, Janet Weiss's muscular rhythms, and layered vocals that teeter between an urgent, banshee-like vibrato and a lower accompaniment. Dig Me Out was the band's third studio album, but the first one written and recoded with Weiss. It inaugurated Sleater-Kinney into a lineup that would span its two-decade career.This 33 1/3 follows the narrative of Dig Me Out from its inception in Olympia to its recording in Seattle and its reception across the United States. It's anchored in a short period of time - roughly from mid-1996 to mid-1998 - but it encompasses a series of battles over meaning that continued to preoccupy Sleater-Kinney in the coming decades. The band wrestled with the media about how they would be presented to the public, it contended with technicians about how their sound would be heard in clubs, and they struggled with pervasive social hierarchies about how their work would be understood in popular culture. The only instance where the band didn't have to put up much of a fight was when it came to their fans. The acclaim Sleater-Kinney received from their listeners in the late 1990s, and continue to receive today, speaks to a need for icons who challenged normative notions of culture and gender. This story of Dig Me Out chronicles how Sleater-Kinney won the fight to define themselves on their own terms - as women and as musicians - and, in the process, how they redefined the parameters of rock.…

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Paperback. Zustand: New. Sleater-Kinney's 1997 album Dig Me Out is built on Corin Tucker and Carrie Brownstein's competing guitars, Janet Weiss's muscular rhythms, and layered vocals that teeter between an urgent, banshee-like vibrato and a lower accompaniment. Dig Me Out was the band's third studio album, but the first one written and recoded with Weiss. It inaugurated Sleater-Kinney into a lineup that would span its two-decade career.This 33 1/3 follows the narrative of Dig Me Out from its inception in Olympia to its recording in Seattle and its reception across the United States. It's anchored in a short period of time - roughly from mid-1996 to mid-1998 - but it encompasses a series of battles over meaning that continued to preoccupy Sleater-Kinney in the coming decades. The band wrestled with the media about how they would be presented to the public, it contended with technicians about how their sound would be heard in clubs, and they struggled with pervasive social hierarchies about how their work would be understood in popular culture. The only instance where the band didn't have to put up much of a fight was when it came to their fans. The acclaim Sleater-Kinney received from their listeners in the late 1990s, and continue to receive today, speaks to a need for icons who challenged normative notions of culture and gender. This story of Dig Me Out chronicles how Sleater-Kinney won the fight to define themselves on their own terms - as women and as musicians - and, in the process, how they redefined the parameters of rock.…

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paperback. Zustand: Very Good. Cover and edges may have some wear.

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paperback. Zustand: Fine.

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Zustand: New. pp. 160.

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Zustand: New. Series: 33 1/3. Num Pages: 160 pages. BIC Classification: AVGP; AVH. Category: (G) General (US: Trade). Dimension: 165 x 120. . . 2016. Paperback. . . . . Books ship from the US and Ireland.

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Zustand: New. In English.

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Zustand: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.…

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Paperback. Zustand: New. Reflecting on the final decades of socialism, eight individuals born in the former nation of Yugoslavia between 1971 and 1991 recount their memories of childhood and early adulthood, and how that time period has made a lasting impact on their lives. The Youngest Yugoslavs is an oral history collection that gives its readers in-depth, varied perspectives on why Yugoslavia continues to resonate so remarkably amongst its former citizens more than 30 years since the state collapsed amid war, genocide, and dislocation. Their interviews with author Jovana Babovic' showcase how these individuals remember their childhoods during the final decades of socialism and how they conceptualize the lasting impact Yugoslavia has had on their lives. The Youngest Yugoslavs offers insight on how this generation of Yugoslavian individuals have reconciled the loss of their homeland and how they have continued to find meaning in the Yugoslav past as both a lived experience and as a set of ideals.…

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Taschenbuch. Zustand: Neu. Neuware - Sleater-Kinney's 1997 album Dig Me Out is built on Corin Tucker and Carrie Brownstein's competing guitars, Janet Weiss's muscular rhythms, and layered vocals that teeter between an urgent, banshee-like vibrato and a lower accompaniment. Dig Me Out was the band's third studio album, but the first one written and recoded with Weiss. It inaugurated Sleater-Kinney into a lineup that would span its two-decade career.This 33 1/3 follows the narrative of Dig Me Out from its inception in Olympia to its recording in Seattle and its reception across the United States. It's anchored in a short period of time - roughly from mid-1996 to mid-1998 - but it encompasses a series of battles over meaning that continued to preoccupy Sleater-Kinney in the coming decades. The band wrestled with the media about how they would be presented to the public, it contended with technicians about how their sound would be heard in clubs, and they struggled with pervasive social hierarchies about how their work would be understood in popular culture. The only instance where the band didn't have to put up much of a fight was when it came to their fans. The acclaim Sleater-Kinney received from their listeners in the late 1990s, and continue to receive today, speaks to a need for icons who challenged normative notions of culture and gender. This story of Dig Me Out chronicles how Sleater-Kinney won the fight to define themselves on their own terms - as women and as musicians - and, in the process, how they redefined the parameters of rock.…

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Paperback. Zustand: New. Reflecting on the final decades of socialism, eight individuals born in the former nation of Yugoslavia between 1971 and 1991 recount their memories of childhood and early adulthood, and how that time period has made a lasting impact on their lives. The Youngest Yugoslavs is an oral history collection that gives its readers in-depth, varied perspectives on why Yugoslavia continues to resonate so remarkably amongst its former citizens more than 30 years since the state collapsed amid war, genocide, and dislocation. Their interviews with author Jovana Babovic' showcase how these individuals remember their childhoods during the final decades of socialism and how they conceptualize the lasting impact Yugoslavia has had on their lives. The Youngest Yugoslavs offers insight on how this generation of Yugoslavian individuals have reconciled the loss of their homeland and how they have continued to find meaning in the Yugoslav past as both a lived experience and as a set of ideals.…

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Paperback. Zustand: new. Paperback. Sleater-Kinneys 1997 album Dig Me Out is built on Corin Tucker and Carrie Brownsteins competing guitars, Janet Weisss muscular rhythms, and layered vocals that teeter between an urgent, banshee-like vibrato and a lower accompaniment. Dig Me Out was the bands third studio album, but the first one written and recoded with Weiss. It inaugurated Sleater-Kinney into a lineup that would span its two-decade career.This 33 1/3 follows the narrative of Dig Me Out from its inception in Olympia to its recording in Seattle and its reception across the United States. Its anchored in a short period of time roughly from mid-1996 to mid-1998 but it encompasses a series of battles over meaning that continued to preoccupy Sleater-Kinney in the coming decades. The band wrestled with the media about how they would be presented to the public, it contended with technicians about how their sound would be heard in clubs, and they struggled with pervasive social hierarchies about how their work would be understood in popular culture. The only instance where the band didn't have to put up much of a fight was when it came to their fans. The acclaim Sleater-Kinney received from their listeners in the late 1990s, and continue to receive today, speaks to a need for icons who challenged normative notions of culture and gender. This story of Dig Me Out chronicles how Sleater-Kinney won the fight to define themselves on their own terms as women and as musicians and, in the process, how they redefined the parameters of rock. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

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Paperback. Zustand: New. Sleater-Kinney's 1997 album Dig Me Out is built on Corin Tucker and Carrie Brownstein's competing guitars, Janet Weiss's muscular rhythms, and layered vocals that teeter between an urgent, banshee-like vibrato and a lower accompaniment. Dig Me Out was the band's third studio album, but the first one written and recoded with Weiss. It inaugurated Sleater-Kinney into a lineup that would span its two-decade career.This 33 1/3 follows the narrative of Dig Me Out from its inception in Olympia to its recording in Seattle and its reception across the United States. It's anchored in a short period of time - roughly from mid-1996 to mid-1998 - but it encompasses a series of battles over meaning that continued to preoccupy Sleater-Kinney in the coming decades. The band wrestled with the media about how they would be presented to the public, it contended with technicians about how their sound would be heard in clubs, and they struggled with pervasive social hierarchies about how their work would be understood in popular culture. The only instance where the band didn't have to put up much of a fight was when it came to their fans. The acclaim Sleater-Kinney received from their listeners in the late 1990s, and continue to receive today, speaks to a need for icons who challenged normative notions of culture and gender. This story of Dig Me Out chronicles how Sleater-Kinney won the fight to define themselves on their own terms - as women and as musicians - and, in the process, how they redefined the parameters of rock.…

Sprache: Englisch
Verlag: University of Pittsburgh Press, 2018
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