Josephine terry (28 Ergebnisse)

Paperback. Zustand: Very Good. Oxford Reading Tree TreeTops Chucklers: Level 19: Bovine Espionage and Other Stories This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Fair. Fair to good condition hard cover, some wear to cover and spine, tanning to pages, book block loose to spine, otherwise in a good readable condition.

Zustand: Good. 1948. 148 pages. Beige pictorial dust jacket over brown cloth. Pages and binding are presentable with no major defects. Minor issues present such as mild cracking, inscriptions, inserts, light foxing, tanning and thumb marking. Overall a good condition item. Boards have mild shelf wear with light rubbing and corner bumping. Some light marking and tanning. Unclipped jacket has light edge-wear with minor tears and chipping. Mild rubbing and marking. Light tanning to spine and edges.…

Zustand: New. In English.

Paperback. Zustand: Fair. VG/G HB 3rd. Book.

Zustand: Good. 1948. 3rd impression. 171 pages. No dust jacket. Green pictorial cloth. Pages and binding are presentable with no major defects. Minor issues present such as mild cracking, inscriptions, inserts, light foxing, tanning and thumb marking. Overall a good condition item. Boards have mild shelf wear with light rubbing and corner bumping. Some light marking and tanning.…

Zustand: Good. 1944. Fifth impression. 148 pages. No dust jacket. Brown cloth covered boards with gilt. Black and white illustrations by Joy Batchelor. Pages and binding are presentable with no major defects. Minor issues present such as mild cracking, inscriptions, inserts, light foxing, tanning and thumb marking. Boards have moderate shelf wear with some rubbing, fraying and corner bumping. Some moderate sunning and tanning, particularly to spine.…

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: N/A. 1st Edition. 172pp. Brown cloth-covered boards; blue design on front, blue titles on spine. 12mo. Lightly rubbed and rounded spine ends and corners; wear to board edges. Top text block edge dusty, all edges starting to tan; small stain on fore edge. Endpapers and prelims starting to fox and tan. Recipes written in pen writing on endpapers. Crease at bottom corner of front free endpaper and half-title page. Some occasional mild staining else internally generally neat and tidy.…

Zustand: Good. 1946. Second impression. 171 pages. Pictorial dust jacket over pictorial cloth covered boards. Black and white illustrations. Pages with some foxing and tanning, particularly to endpapers and textblock edges. Binding remains firm. Boards have mild shelf wear with light rubbing and corner bumping. Some mild marking and tanning. Clipped jacket has heavy wear with tears, chipping and creasing. Extensive tape repairs.…

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Good. No Jacket. Circa 1960's, good tight copy, some recipes written in ink on preliminary pages, minor marks to covers.

Zustand: Good. [First Edition]. G: in good condition without dust jacket as issued. Cover creased and marked. Rusting to binding staples. Ink and pencil inscription to final page and rear inner cover. 220mm x 140mm (9" x 6"). 31pp. Illustrated laminated card cover.

hardcover. Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. First Edition, 1950. No dust jacket. Spine sunned with a split at top corner. A tan to the page edges. Contents clear and firm within. A good condition book.…

First Edition. Very good copy in the original title-blocked, pictorial cloth. Spine bands and panel edges somewhat dulled and rubbed as with age. Spine and boards stained. Remains quite well-preserved overall. Physical description: 171 p. ; 20 cm. Subjects: Cooking; Cookbooks; Recipes. 1 Kg.

Zustand: NEW.

Taschenbuch. Zustand: Neu. Neuware.

Hardcover. Zustand: Good. faber third impression on brown cloth.

Zustand: New. Can a cow become a secret agent in the field? Where is the best place for a gnome to live? How can a paper clip save the day? Find out in this hilarious collection of short stories. Chucklers is a collection of books that make reading a pleasure. The seri.

Trade paperback. Zustand: Good. 1st Edition. Format is approximately 7 inches by 9 inches. xi, [1], 116 pages. Notes. Bibliography. Caring For and Displaying Quilts. Glossary. Books About Quilting. Errata slip at half-title page. Decorative cover has some wear and soiling. Some page soiling. 48 pages of full-color pictures; directions and patterns for four quilts. (from back cover). Not only informative regarding the history of doll/child quilts but there's also how to and some workable patterns. Bruce A. Johnson was the director of the Museum of American Folk Art who was 27 years old when he died in a tragic motorcycle accident. The Folk Art Museum is one of New York's smallest museums, but under Mr. Johnson's direction it became one of the city's liveliest and more controversial as he sought to redefine and enlarge the boundaries of folk art. He joined the museum in 1971 after graduation from Wesleyan University, Middletown. Conn., and was named assistant to the director. He became acting director in 1974 and later that year was named director. At the time of his death he was working to complete a catalogue to accompany a show of baby and doll quilts scheduled at the museum. From a article by Lisa Hammel published in the New York Times at the time the exhibition opened. Quilts in recent years have been a popular subject for exhibition, in everything from museums to banks. Contemporary quilts, traditional quilts, quilts made by children, quilts made by communities. But what has not been seen in recent memory is a show devoted to a special kind of quilt: those made specifically for children. This gap is filled by the Museum of American Folk Art with a show called "A Child's Comfort: Baby and Doll Quilts." It would be natural to assume that the museum walls are now being hung with lots of pink and blue animals, alphabet blocks and other nursery paraphernalia. But until well into this century, children were not regarded as separate entities-as Gesell, Spock and Piaget have explained they are-but rather as little adults. Children's clothes, after all. were mostly pareddown versions of adult clothing. And so it was with children's quilts. These too were small versions of adult quilts, with all their antic colors. On the other hand, when the quilt got scaled down to child size, something unusual sometimes happened. Instead of the patterns that are repeated many times over on a large area, the quilter often chose to take one traditional motif, center it on the quilt and then create a border around it, often quite elaborated. Many of the quilts thus have the look of primitive paintings. The Star of Bethlehem. also known as Sunburst. was one of the most popular traditional motifs for children's quilts. Perhaps it was the association with the infant .Jesus. But in a number of these star quilts, there is only one large central motif. A rather startling example of this is a quilt dated 1910 in which the pieced diamond shapes radiate out in concentric circles of alternate light and dark colors. The effect-very modern is the optical illusion of bands of pulsating color. Perhaps because the quilters were working on a smaller scale, there is also sometimes a rather daring application of imagination that might not have been tried on a larger work. On one rather crude, colorful crazy quilt, for example, a large rooster has been embroidered on a dark background in the center. On another, a house is depicted, with cutout appliques of children and animals standing before it. There are repeat patterns as well, of course. Some of them use figures, along with the traditional geometric abstractions, but the figures are more likely to be stylized flowers and birds, or homely objects, than nursery animals, One traditional repeat pattern used with some frequency was, not surprisingly, baby's blocks, of which there are several examples in the show. The exhibition of 64 quilts, most of which come from Pennsylvania and upstate New York, and date from 1830 to 1930, was put together by Josephine Rogers, who acted as guest curator and the late Bruce Johnson, who was the director of the museum. A book is to be published in conjunction with the show by Harcourt Brace Jovanovich. Although originally meant to double as a catalogue, it unfortunately won't be out until early January. First Edition [stated], presumed first printing. Gary Tong (Line Drawings) and Terry McGinniss (Pho (illustrator).…

Buch. Zustand: Neu. Neuware.

Hardcover. Zustand: Very good. good, price clipped. First edition. Octavo (standard size) Slight wear to edges of boards, a bit more so to price clipped dust jacket issued. Scuffing and small tears to dj. 208 p. w/illus., index. Recipes gathered in France by Lady Beckwith, tested and presented by Terry.…

Soft cover. Zustand: Fine.

Cloth. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First edition. Two scarce first editions of two cookery books written by traditional English cookery writer in the closing years of the Second World War, aimed to put a smile on the reader's face. The scarce first editions of Food Without Fuss, and Cook-Happy, two cookery books written by food writer Josephine Terry. Published by Faber and Faber between 1944-1945, the closing years of the Second World War when rationing continued.In the publisher's original cloth, in the scarce original clipped dust wrappers. Contains numerous in-text illustrations to both volumes.Before writing her first cookery book, Food Without Fuss, designed for the traditional housewife, Terry has been a regular food columnist for the Daily Mirror for four years. Her following Cook-Happy delves into more delicious recipes that hope to put a smile on the eater/reader's face, including many desserts.Following the publication of both works, Terry presented a short-lived live cookery show from 1946-1947 'Josephine Terry's Kitchen'. In the publisher's original cloth, in the original and scarce clipped dust wrappers. Externally, very smart, with minimal marks to boards and minor bumping to the head and tail of the spine, and to the extremities. Dust wrappers are generally bright and clean, with fading, and the small odd mark to Fuss, mostly to the wrapper extremities. Chips to the wrapper extremities, and head and slightly heavier to tail of wrapper spine of Fuss. Minor chips to head and tail of Cook-Happy wrapper spine. A pink ink stain to edge of rear wrapper of Fuss. The odd faint spot to end papers. Internally, firmly bound. Pages are bright and clean with slight age toning to Fuss. Very Good. Unknown (illustrator). book.…

Cloth. Zustand: Very Good Indeed. Zustand des Schutzumschlags: Very Good. First edition. A smart first edition of this very scarce cookery guide from British cooking expert Josephine Terry, with illustrations throughout. First edition. Very scarce work. With illustrations throughout. A comprehensive cookery book in which are to be found recpes for almost all familiar or well-known dishes, from grilled salmon to hot cross buns. Intended to guide the reader to produce a tasty and attractive dish in the least amount of time for the most economical outcome. Includes a culinary dictionary, guides to utensils, and commentary on the nutritional value of foods. Written by Josephine Terry, a British cookery expert who was the wartime cookery expert for The Daily Mirror and later hosted a British cooking advice television show which aired from 1946 to 1947 on the BBC called Josephine Terry's Kitchen. As each episode was aired live they no longer exist, methods to record live television did not exist until late 1947, and were used very rarely by the BBC until around 19531955. With an essay by Rose Simmonds, a British food writer. Decorations by Joy Batchelor, an English animator, director, screenwriter, and producer. In the original full cloth binding. Externally, smart with minor bumping to the extremities. Original unclipped dust wrapper is also smart with light wear and minor sunning to the extremities. The odd small mark. Internally, firmly bound. Pages are very bright and clean throughout. Previous owner's bookplate to the front endpaper. Very Good Indeed. Joy Batchelor (illustrator). book.…

7 vol. : [4] pp. (each); 7 vol. : 35.5 x 27.8 cm. (no. 1) ; 30.5 x 22.8 cm. (no. 2) ; 30.5 x 22.8 cm. (no. 3) ; 30.3 x 22.8 cm. (no. 4) ; 30.3 x 22.8 cm. (no. 5) ; 30.3 x 22.8 cm. (no. 6) ; 30.6 x 22.8 cm. (no. 7); black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issues 1 - 7 of Scrap from total of 8, published in New York City and edited by Anita Ventura and Sidney Geist between 1960 - 1962. Issue One, contents include : "A Review of Sculpture this Season," by Sidney Geist ; "Report from the Club" featuring Gabriel Laderman, Neil Mallow, Wolf Kahn, Lester Johnson, Harold Cohen, Louis Finklestein, Paul Georges, Sidney Geist, Landes Lewitin, and E.A. Navaretta ; an overheard conversation betweeen Lois Dodd, Sally Hazelet, and Philip Pearlstein ; "I Confess," by Milton Resnick ; "Pollock by Robertson," by Barbara Butler ; an excerpt from "The Metamorphosis of the Gods" by André Malroux. Issue Two, contents include : a dance review of "Peripateia and Tableaux," by Landes Lewitin and Sidney Geist ; Letters to the editor from Irving Sandler and Sonia Gechtoff ; "Dear Scrap" with comments by Sally Hazelet, Mark di Suvero, Thomas B. Hess, Thomas A. Hess, Milton Resnick, James Terry, Stephen Radich, Hilton Kramer, Ad Reinhardt, R. Gordon, David Smith, and Yvonne Thomas ; "Beating the Beat" by Margaret Randall ; "Rauschenberg," by Paul Brach ; "Kanemitsu" by William McLean ; "Duchamp," by Jasper Johns ; and "Letter from India," by Milton Resnick. Issue Three, contents include : an excerpt from a panel conversation with Ad Reinhardt and Milton Resnick ; Letters to the editor from Richard Maxfield, Stanley Fisher ; "Change : Eight Lectures on the I Ching," book review by Adam Margoshes ; "The Totem," by May Swenson ; "Letter on the Maximus Poems," by James Mellow ; and "Sculpture and Other Trouble," by Sidney Geist. Issue Four, contents include : the reproduction of Peter Selz's essay on Mark Rothko published in MoMA's brochure for Rothko's 1961 exhibition along with an annotated critical response to the text by Sidney Geist. Issue Five, contents include : "Cajori," by Louis Finkelstein ; "A View of Rothko's Images," by Sidney Geist ; "Hard Put," by Margaret Randall ; "Brecht Berlin / New York," by Josephine Herbst ; "Manifestoes on the Music and Dance of 8 Clear Places," by Lucia Dlugoszewski; and letters to the editor by Katharine Kuh and David Sylvestor. Issue Six, contents include : "Yellow can be Black," by John Grillo ; "The Source (Desire)," by Mary Frank ; "Why Am I So?," by Philip Pearlstein ; "No Front-Side-Back-Side," by Tom Doyle ; "Taste of Potatoes," by Milton Resnick ; ".A Bad Habit," by Wolf Kahn ; "The Image Central," by Sonia Gechtoff ; "Catalyst for My Art," by Perle Fine ; "Like a Spider I Go," by Pat Passlof ; "I Had an Indian Nurse," by Alfred Jensen ; "m-m-m-m-MM," by Adam Margoshes ; "Brand-New & Terrific," by Alex Katz ; Includes letters to the editor and a report from the Arts Club. Issue Seven, contents include : "A Number of Things : Editorial Observations," by Sidney Geist ; "The Envious Male," by Adam Margoshes ; "A Wide-Open Image," by George Sugarman ; "Report from the Club," and letters to the editor. Very Good. Near complete set, missing Issue 8. Moderate yellowing from age to all issues. Folded in half as issued with some additional folds and occasional small tears to page edges. 2.5 cm. dog-ear to issue 4. Clean and unmarked. All issues from first printing on newsprint. …