Joseph ed jacobs (23 Ergebnisse)

Zustand: Used - Very Good. VG paperback. Illus by John D. Batten. Reprint. Very slight wear at head of spine. Used - Very Good. VG paperback.

Zustand: Fair. 1890. No Edition Remarks. 670 pages. No dust jacket. Cloth covered boards. Joseph Jacobs (Ed.). Pages and binding are presentable with common faults. Text is legible throughout. Some issues present such as cracking, inscriptions, inserts, moderate foxing, tanning and thumb marking. Text block edge is moderately foxed. Binding remains firm. Boards have mild shelf wear with light rubbing and corner bumping. Some light marking and sunning. …

Zustand: New. In English.

Zustand: New. Idioma/Language: Español. A pesar de las diferencias culturales y en las costumbres entre Oriente y Occidente, la esencia de los cuentos populares es la misma en todo el mundo, como demostró el folclorista Joseph Jacobs con esta recopilación de veintiocho relatos tradicionales de la India, que incluyen algunas de las leyendas más antiguas conocidas. El león y la grulla, El violín mágico, La serpiente de oro, El asno con piel de león y el resto de fábulas son una deliciosa lectura para todos aquellos que están cansados de los clásicos de siempre y busquen algo original y diferente. Estas y muchas otras leyendas de magia, amor y traición, valor y orgullo se reúnen en este volumen que inicia una nueva trilogía a la que hemos denominado Fábulas y Leyendas de Oriente. El libro incluye, además, las bellísimas ilustraciones que realizó John D. Batten para la edición original de 1912. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla. Batten, John D. (illustrator).…

Zustand: New. In English.

Taschenbuch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the 'public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Zustand: New.

Cloth. Zustand: Good. A nineteenth century reprint of the family letters of James Howell, in the publisher's original cloth binding and edited by Joseph Jacobs. This particular reprint in a copy of 10th edition of the work, originally printed in 1737. James Howell was the Historiographer Royal to the monarch Charles II, who was an important figure of the 17th century. This particular work features a series of letters by the historian. Edited, with annotations and indexed by Joseph Jacobs, the Corresponding member of the Royal Academy of History. Ink inscription to the front endpaper reads 'Kathleen Astbury with love from Jonathan 8/7/55'. The bookplate of 'Roy & Nina Merley' to the front pastedown. The Merleys owned Plaish Hall, Shropshire. This is a stunning Grade I Tudor house, which is mentioned in the Domesday Book. The home once belonged to Judge William Leighton, who was an amateur poet and sixteenth century composer. The house, as it stands now, was built in two stages for Leighton, who was presiding over a trial of prisoners whilst the home was being completed. Roy and Nina Merley owned the house for thirty-five years and were responsible for reinstating the Tudor style gardens and renovating the house to its former glory. Their bookplate has an image of the house in the background, with a blackbrid eating a worm in the foreground. In the publisher's original cloth binding, gilt lettering to the spine and a small crest to the front board. Externally generally smart. Light bumping to the spine and extremities, with a notable bump to the head of the front board. Light age toning to the extremities of both the front and rear boards. Light age toning to the fore edge, with light spotting. Heavy spotting to the front endpapers, with a previous owners bookplate to the front pastedown, and a ink inscription to the front endpaper. In addition there is a small ex libris stamp to the front of the head of the front endpaper. Internally firmly bound. Pages are bright and generally clean, with minor age toning to the extremities, and the odd spot. Heavy age toning to the tissue guard to the frontispiece. Good. None (illustrator). book.…

Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the 'public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Gebunden. Zustand: New.

weicher Einband. 261 Seiten, mit zahlreichen SW-Textillustrationen, O.Kart., 8° (Kanten etw. berieben / Hinterdeckel und Seiten etw. gebräunt) REPRINT (!) - An unabridged and unaltered republication of the third edition, as published by G.P.Putnam's Sons and David Nutt in 1898. // SBN 486-21818-X // siehe Mängel, sonst guter Zustand. …

(X) 275 p. Hardcover (Very fine copy, like new.).

Paperback. Zustand: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Softcover. Zustand: gut. 1977. Celtic Fairy Tales In englischer Sprache. pages.

Fine Binding. Zustand: Very Good. Three-quarter leatherbound covers are mostly clean, with gilt bands edging olive leather and pale blue cloth. Boards show some exposure, a few marks, edgewear. Corners are scuffed. See photos. Spine has raised bands, gilt tooling and text and is darkened with firm ends. Binding is strong. Marble end papers/ pastedowns show a little toning at edges. "The Rose Bindery Boston" stamped inside front cover. See photos. Frontispiece is present. Illustrations are bright and clear. Interior is tanned, exhibits marginal staining on final leaves, scattered marks, light edgewear. Inside pages have scattered marginalia. Text block edges have gilt along head, deckle fore and foot edges, a ding at head with damage to top edge pgs. 226-244. See photos.** PS2025.0206** 80 + 257 pages. 5 x 7.5 inches** A very good copy of this important work of cultural recovery and scholarship, housed in a significant fine leather binding. The Fables of Bidpai, or Panchatantra, is an ancient collection of animal fables in Sanskrit that dates to about 300 CE. Widely translated in the Middle East, it made its way to Europe and was translated in English by Thomas North and published as The Morall Philosophie of Doni in 1570. By the late 19th century most exemplars of that edition had perished. The volume here available is two works in one: a reissue of North's work and an extensive scholarly consideration of the Bidpai tradition. Joseph Jacobs, the editor, included some consideration of visual representation of the animal characters in Bidpai's fables. A new frontispiece for the text was drawn by Edward Burne-Jones (opposite pg. 13).** It is possible, though not certain, that the David Nutt edition of 1888 was issued in wraps. What is certain is that our copy has a beautiful three-quarter leather binding by The Rose Bindery, Boston. Fern green leather (darkened with exposure) surrounds sky blue cloth, with the segments ruled in gilt. The spine features six panels separated by raised bands, each panel with gilt tooling, and the title and date stamped in gilt as well. End papers are marble paper in green and navy with gilt; the bindery name is stamp-signed in gilt on the front turn-in.** The Rose Bindery in Boston was one of a number of hand binderies, formed as part of the American embrace of the Arts & Crafts Movement. In 1925 the bindery published a small booklet outlining the services they offered for "the owners of libraries but more especially of rare volumes, first editions, unique books that require new bindings." A century later, the work of the Rose Bindery continues to stand out.** Printed at the Ballantyne Press. Ballantyne, Hanson & Co., Edinburgh and London.** "Postage for oversized and international shipping will be calculated by size and weight. AbeBooks shipping quotes are ESTIMATES only. Seller Inventory #010157"**. Edward Burne-Jones (illustrator).…

Hardcover. Zustand: Good. First Edition. Some wear to the boards, a small chip to the bottom edge of the front, slight lean to the spine, gift inscription, some foxing to the first and last few pages. Shipped from the UK in recyclable card packaging. Frank Calderdon (illustrator).

Hardcover. Zustand: Good. No jacket. Georg Olms, 1968. Three volumes, hardback, 8vo, xcv,364;vi,428;[ix],432pp. Some corners slightly bumped, no d/js. A good set. /2.2de.

New York and London, Funk & Wagnalls Company, 1906. Or.cloth. XVIII, 162 pp. Illustrated. Some traces of use to the binding, otherwise in good condition. * On the Jewish Encylopedia (12 vols.), edited by Isidore Singer and published by the Funk & Wagnalls Company .

Marbled Boards. Zustand: Near Fine. Large paper copy. 2 volumes. ciii, 374; [ii], 375-850 pp. White spine over abstract colour cloth boards with red morocco title labels and gilt lettering to spines; top edges gilt. Minor marks to spines, otherwise externally clean. Internally clean. The Welshman Howell was among the first writers to earn his living solely from writing in the English language. This work represents the first epistolary novel, a novel of letters, in English. This is a heavy set and may require additional postage if being shipped outside of Europe. 4to.…

Collected and Edited by Joseph Jacobs. Frontispiece, eight full page plates, and many illustrations in the text, by Dickson Batten, as well as a proof of the binding design from the small paper copies and a duplicate suite in brown ink. First edition, No 79 of 160 copies on [large-paper] Japanese vellum, signed by the publisher. 8vo., original boards. Uncut. London: David Nutt, 1894 [i.e., A very attractive special issue, not dissimilar in format to the same publisher's The Happy Prince and other Tales published five years' earlier. Corners rather bruised and some light overall soiling to the binding, but a very good copy.…

[1] pp.; 35.4 x 21.5 cm.; loose leaves; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Program for 24 hour performances held during the 5th Annual New York Avant Garde Festival presented by Charlotte Moorman in cooperation with the New York City Department of Marine and Aviation, September 29 - 30, 1967. Performers included Charlotte Moorman, Ay-o, Robert Breer, Robert Burridge, Christo, Ellen Chuse, Philip Corner, Ken Dewey, Bill Dixon, Judith Dunn, Charles Frazier, Jimmy Giuffre, Malcolm Goldstein, Don Heckman, Al Hansen, Gary Harris, Geoffrey Hendricks, Bici Hendricks, Dick Hogle, Takehiko Iimura, Ken Jacobs, Ray Johnson, Sheila Jordan, Allan Kaprow, Robin Kenyatta, Takehisa Kosugi, Jackson MacLow, Carol Marcy, Max V. Mathews, James H. McWilliams, Marta Minujin, Max Neuhaus, Ralph Ortiz, Nam June Paik, Lil Picard, Sun Ra, Ely Raman, Steve Rettew, Carolee Schneemann, Michael Snow, Ed Summerlin, Cecil Taylor, James Tenney, Jean Toche, Uni-Trio, USCO, John Van Saun, Frank Lincoln Viner, Bob Watts, and Jud Yalkut performing works by dozens of artists including John Cage, Chieko Shiomi, Joseph Beuys, La Monte Young and many others. Fair. Folded in eight. Extensive handling wear with overall creasing and crinkling of the page. 6 mm. dog-ear to upper right corner and 12.7 cm. dog-ear to upper left corner. 2 cm. rip at bottom edge of sheet along fold.…

[1] pp.; 35.4 x 21.5 cm.; loose leaves; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Program for 24 hour performances held during the 5th Annual New York Avant Garde Festival presented by Charlotte Moorman in cooperation with the New York City Department of Marine and Aviation, September 29 - 30, 1967. Performers included Charlotte Moorman, Ay-o, Robert Breer, Robert Burridge, Christo, Ellen Chuse, Philip Corner, Ken Dewey, Bill Dixon, Judith Dunn, Charles Frazier, Jimmy Giuffre, Malcolm Goldstein, Don Heckman, Al Hansen, Gary Harris, Geoffrey Hendricks, Bici Hendricks, Dick Hogle, Takehiko Iimura, Ken Jacobs, Ray Johnson, Sheila Jordan, Allan Kaprow, Robin Kenyatta, Takehisa Kosugi, Jackson MacLow, Carol Marcy, Max V. Mathews, James H. McWilliams, Marta Minujin, Max Neuhaus, Ralph Ortiz, Nam June Paik, Lil Picard, Sun Ra, Ely Raman, Steve Rettew, Carolee Schneemann, Michael Snow, Ed Summerlin, Cecil Taylor, James Tenney, Jean Toche, Uni-Trio, USCO, John Van Saun, Frank Lincoln Viner, Bob Watts, and Jud Yalkut performing works by dozens of artists including John Cage, Chieko Shiomi, Joseph Beuys, La Monte Young and many others. Good. Folded in eight with light edge-wear, a 6 mm. ink mark on recto and 2 cm. area of light yellow soiling.…