Joseph anthony director (16 Ergebnisse)

DVD. Zustand: Brand New. dvd edition. 7.75x5.25x0.50 inches. In Stock.

Eight vintage black and white studio still photographs from the 1970 film. Based on Joseph Heller's searing 1961 antiwar novel, about a US Air Force bombardier seeking an escape from the endless, senseless brutality of World War II. Director Mike Nichol's third feature film, released the same year as Robert Altman's "MASH." Set in the Mediterranean, shot on location in Sonora, Mexico and Rome. 10 x 8 inches. Near Fine.…

Four vintage reference photographs, all featuring Michael Caine and two featuring Laurence Olivier, from the 1972 film. A successful crime fiction writer invites his wife's lover to his mansion with a complex plan designed to humiliate him. Shot on location in England. 8 x 10 inches. Near Fine with manuscript graphite and blue ink annotations to the verso. Penzler 101.…

Draft script for the 1967 Italian film. Text in English, printed in Rome. Based on the 1923 novel, wherein a former pirate falls in love with a mentally ill young woman, who falls in love instead with a French naval officer. Set in France, shot on location in Italy. Blue wrappers, with the film's English title printed on a red label and affixed on the front wrapper. Title page present, with the film's English and Italian titles given. 207 leaves, with last page of text numbered 206. Mimeograph duplication, rectos only. Pages Very Good plus, wrapper Very Good, with a strip of adhesive residue, likely from tape, running vertically across the rear wrapper binding, bound with two gold brads.…

Vintage Final script for the 1973 Broadway play. Script with the manuscript marker annotation of copy number "3" on the title page. The play premiered at the Plymouth Theatre on February 8, 1973 and had a run of 164 performances, closing on June 30, 1973. Professor Jeff Cooper, happily married with three children and on tenure track, is concerned he may be in love with a student, and his eldest son, a senior at Harvard, comes home with a lovely young actress who proves to be his mistress. Jean Kerr is the best selling author of "Please Don't Eat the Daisies" (1957), a collection of humorist essays, and playwright of "King of Hearts" (1954) and "Mary, Mary" (1961). Set in a home in an eastern university town. Orange titled Studio Duplicating Service wrappers, with credits for playwright Jean Kerr. Title page present, dated 1972, noted as FINAL SCRIPT, with credits for playwright Jean Kerr. 113 leaves, with last page of text numbered 3-36. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound with two gold screw brads.…

Draft script for the 1965 play, undated, circa 1965, and seen here under the working title "Bummidge." Working copy belonging to actor Ted Schwartz, with his last name on the title page, and his extensive annotations in manuscript pencil and ink on virtually every page, marking deletions, revisions, additions to dialogue, and stage direction. Saul Bellow's only theatrical effort, about a New York comedian who conducts a psychiatric examination on himself in his own apartment, which he televises and broadcasts to a group of therapists at the Waldorf. The play debuted on October 1, 1964, at the Belasco Theatre, and ran for 28 performances, closing on October 24, 1964. Black titled Hart Stenographic Bureau wrappers. Title page present, undated, with credit for Bellow. 136 leaves, with last page of text numbered 2-65. Mimeograph duplication, rectos only. Pages Very Good plus, wrapper Very Good plus, bound with two silver screw brads. …

Seven vintage full-color British lobby cards from the 1974 British-italian television miniseries. Six-hour television miniseries that aired in 1973 and 1974, a retelling of the life of Moses (Lancaster), the man who discovered the Ten Commandments and parted the Red Sea. Cult favorite Anthony Burgess contributed to the entire series, and Thomas Keneally novelized a tie-in edition in 1975. 11 x 14 inches. Light corner bumps, else Near Fine. Scarce.…

Vintage reference photograph from the 1920 film, showing actors Burr McIntosh, Lowell Sherman, Richard Barthelmess, Creighton Hale, and Lillian Gish. Based on the 1897 play by Lottie Blair Parker, about a naive country girl who is tricked into a false marriage by a womanizing man-about-town. The film is best remembered for the famed end scene, wherein Gish's character is unconscious and stranded on an ice floe racing towards a deadly waterfall, only to be rescued at the last moment by Richard Barthelmess. Shot on location in New Jersey, Connecticut, New York, Florida, and Vermont. 6.5 x 5 inches. Near Fine.…

Four vintage reference photographs from the 1936 film. Mimeo snipes and studio stamps crediting photographer Ray Jones on the versos. One double weight photograph of Robert Allen, one double weight keybook photograph of Marian Marsh, one photograph of Ruth Chatterton and Otto Kruger, and one on-the-set photograph of Chatterton. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. Based on the short story "Maid of Honor" by Katharine Brush, published in in the September 1932 issue of "Hearst's International-Cosmopolitan." Ruth Chatterton stars as a woman who disapproves of her young sister's (Marian Marsh) impending marriage to Otto Kruger, and reveals a long-hidden secret. 8 x 10 inches to 8 x 11 inches. Near Fine overall.…

Three vintage studio still photographs from the 1935 film. Two with provenance labels on the versos. One of Josef von Sternberg's most distinctive films, and his first with Columbia Pictures, based on Fyodor Dostoevsky's classic 1866 novel, starring Lorre as anguished murderer Raskolnikov. 10 x 8 inches. Very Good plus, one with pinholes at the corners.…

Vintage black and white photograph of Anthony Perkins on the set of the 1960 film, silhouetted against the Bates Motel. The most sought after image from the known stills produced. Far and away the highest grossing film of Hitchcock's career, nominated for 4 Academy awards, including Hitichcock's fifth and final Best Director nomination, and a key film in expanding allowable depictions of both violence and sexuality under the eroding Production Code. Selected by the National Film Registry in 1992. 8 x 10 inches. Very Good plus, with a few pinholes at the corners. National Film Registry. Spicer US.…

Vintage studio still photograph from the 1920 film, showing Burr McIntosh casting Lillian Gish away from the dinner table, while the other boardinghouse residents look on. The third of four film adaptations of Lottie Blair Parker's 1897 play, a melodrama about a young woman who falls into disgrace and despair after being misled by a handsome cad. The film's famous climactic scene, in which the heroine is stranded on an ice floe and narrowly rescued by her beloved, was shot on location in White River Junction, Vermont, and left Gish with only partial use of her right hand for the rest of her life due to exposure. 10 x 8 inches. Very Good plus, with neat pinholes at each corner, lightly and evenly toned.…

Vintage reference photograph of playwright Saul Bellow and actor Sam Levene on the set of the 1964 play. Printed mimeo snipe with a full description affixed to the verso and noting a date of 9/24/64, along with the stamps of The Salt Lake Tribune Library. Bellow's only theatrical effort, about a New York comedian who conducts a psychiatric examination on himself in his own apartment, which he televises and broadcasts to a group of therapists at the Waldorf. The play debuted on October 1, 1964, at the Belasco Theatre, and ran for 28 performances, closing on October 24, 1964. Set in New York. 9 x 7 inches. Near Fine.…

Vintage black-and-white photograph of Peter Lorre on the set, seated with his script, from the 1935 film. Photographed by A.L. Schaefer, with his credit stamp on the verso, as well as a stamp reading "PETER LORRE / COLUMBIA CONTRACT PLAYER." 8 x 10 inches. Fine.

Vintage oversize borderless reference photograph of actor Anthony Perkins barefoot on the set of "The Rainmaker," circa 1953. The original penciled notations on the verso indicate that Perkins was on the set to visit Wendell Corey. With the stamps of still photographer Bill Avery and editor Bud Fraker on the verso. Shot early in his career, before Perkins played his best-known role as Norman Bates in Alfred Hitchcock's 1960 film "Psycho." Bill Avery worked as a photographer at Columbia Pictures in the early 20th century, with a brief interlude working as a combat cameraman during World War II. He also worked at MGM under noted photographer C.S. Bill, and occasionally worked as a freelance publicity photographer, shooting iconic images of Elvis Presley, Jack Lemmon, Katharine and Audrey Hepburn, and Shirley MacLaine, among many others. Shot partially on location in Kanab, Utah. 8.5 x 13.5 inches. Near Fine.…

Collection of 24 vintage reference photographs from the 1935 film. Includes twelve double weight, and four matte-finish, the remainder being single-weight and glossy. Nine with printed mimeo snipes on the verso, and all with provenance labels and stamps to same. Of particular note is an image of actors Marian Marsh and Edward Arnold on the set, as well as multiple striking images of Peter Lorre in close-up. One of Josef von Sternberg's most distinctive films, and his first with Columbia Pictures, based on Fyodor Dostoevsky's classic 1866 novel, starring Lorre as anguished murderer Raskolnikov. 23 photographs 8 x 10 inches, one 11 x 8 inches. Generally Very Good plus to Near Fine.…